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DTSTART;TZID=Europe/Madrid:20250301T120000
DTEND;TZID=Europe/Madrid:20250614T120000
DTSTAMP:20260505T084621
CREATED:20250204T120416Z
LAST-MODIFIED:20250619T151931Z
UID:10000889-1740830400-1749902400@museutapies.org
SUMMARY:Approximations. Museu Tàpies Guided Tour 2025
DESCRIPTION:Guided tour of the Museu Tàpies’ current exhibitions\, with an introduction to the history of the building. \n  \nCurrent exhibitions: \n  \n· Antoni Tàpies. The imagination of the world \n· Marta Palau. My Paths are Earthly \n· Anna Malagrida. Opacitas: Veiling Transparency \n· Noor Abed. A Night We Held Between \n 
URL:https://museutapies.org/en/event/approximations-guided-tour-2025/
LOCATION:Museu Tàpies
CATEGORIES:Education
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DTSTART;VALUE=DATE:20250304
DTEND;VALUE=DATE:20250521
DTSTAMP:20260505T084621
CREATED:20250227T123448Z
LAST-MODIFIED:20250516T082027Z
UID:10000916-1741046400-1747785599@museutapies.org
SUMMARY:The (In)visible Exiles
DESCRIPTION:Archivo General de la Nación de México \n  \nExile is a reality that is very difficult to make visible\, since it is\, above all\, an experience of internal uprooting. Nevertheless\, women artists\, among them the filmmakers who went into exile\, tried time and again to stage and represent their woundedness. \nFilm producer and director Tània Balló and filmmaker\, theorist and film promoter Luis E. Parés programme a film series linked to the exhibition Marta Palau: My Paths are Earthly\, with the aim of presenting three different approaches to this wound and the way it is incarnated. Thus\, through screenings\, talks and conferences\, we will generate a space for debate and reflection on these films and on other\, more contemporary ones\, which have allowed us to rediscover these works and their authors in the present day. \n  \nTània Balló Colell is a filmmaker\, writer\, cultural promoter and researcher. She is the creator and director of the project Las Sinsombrero (2014–present) and Las Anónimas. Obras sin relato en las colecciones de arte moderno de los museos españoles (Leonardo Grant for Researchers and Cultural Creators\, Fundación BBVA\, 2023). As a filmmaker\, her films El Museo Invisible (2023) and the documentary trilogy Las Sinsombrero (2015–2021) stand out. She is the author of the Las Sinsombrero trilogy (2016\, 2018\, 2022)\, of Querido Diario: hoy ha empezado la guerra (2017) and of Les Combatents. La història oblidada de les milicianes antifeixistes (2021). She is also curator of the exhibitions Jorge Semprún. El largo viaje (2024–2025)\, Las Sinsombrero (2022) and No Pasarán. 16 días Madrid 1936 (2018). \n  \nLuís E. Parés holds a PhD in Communication from the Pompeu Fabra University and is artistic director of Cineteca Matadero Madrid. He has worked as part of the programming department of the Filmoteca Española\, the editorial board of Caimán CDC and the programming committee of the Sevilla Film Festival\, and was coordinator of the RTVE programme Historia de nuestro cine. He has published the books Notes sur l’émigration-Espagne 1960. Apunts per a una pel·lícula invisible (2011) and Filmar el exilio desde Francia (2012). He has directed the short films Los conspiradores (2021) and El espectro político (2023)\, as well as the feature film La primera mirada (2023). \n  \nProgramme \n4.March 25 \n22 April 25 \n20 May 25 \n  \n \nMaría Luisa Elío in En el balcón vacío
URL:https://museutapies.org/en/event/the-invisible-exiles/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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DTSTART;TZID=Europe/Madrid:20250408T180000
DTEND;TZID=Europe/Madrid:20250408T190000
DTSTAMP:20260505T084621
CREATED:20250401T180051Z
LAST-MODIFIED:20250404T110527Z
UID:10000959-1744135200-1744138800@museutapies.org
SUMMARY:Art as a Facilitator of the Worlds to Come
DESCRIPTION:How can art help us to think about\, criticise and dialogue with established economic and social structures? Starting out from the idea that the capitalist world we live in was built on colonial violence and displacement\, we realise that for many populations the world has already ended. At the same time\, resistance has kept alive the imagination of what could have been and could still be. Through art\, we can contemplate possibilities that escape the limits of social and scientific thought\, as the artist is not restricted by method\, but only by imagination\, the limits of which are porous and extendible. \nFrom this point of view\, art not only denounces consumerist culture\, the superficiality of an object-based economy or the dehumanisation of the system\, but also enables us to draw other futures\, to map out cracks in the dominant structure and make up new forms of existence. If the colonial/capitalist project has not completed its task\, this means it has not completely won either; therefore\, its defeat is still possible\, and with it the construction of other possible worlds. \nIn the context of the exhibition Anna Malagrida. Opacitas. Veiling Transparency\, we invite researcher Morena Hanbury Lemos to connect the exhibition with the global economic system and with public policies to promote economic sovereignty\, in order to construct new ways of inhabiting the city and the world in which it is our lot to live. \n  \nMorena Hanbury Lemos is a doctoral candidate in Ecological Economics at the Institut de Ciència i Tecnologia Ambientals (ICTA-UAB). She holds a master’s degree in Political Ecology\, Degrowth\, and Environmental Justice from UAB\, a master’s in Decolonial Thought and Humanities\, and a bachelor’s degree in Environmental Management from the University of São Paulo\, Brazil. Her research focuses on how colonial patterns are perpetuated in the global economy\, paying special attention to the analysis of unequal exchange between historically colonised and colonising countries. She studies public policies to foster economic sovereignty\, decolonisation and the reorganisation of resources and labour to sustainably meet the needs of the populations in the Global South.
URL:https://museutapies.org/en/event/art-as-a-facilitator-of-the-worlds-to-come/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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