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DTSTART;TZID=Europe/Madrid:20250301T120000
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DTSTAMP:20260505T082644
CREATED:20250204T120416Z
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UID:10000889-1740830400-1749902400@museutapies.org
SUMMARY:Approximations. Museu Tàpies Guided Tour 2025
DESCRIPTION:Guided tour of the Museu Tàpies’ current exhibitions\, with an introduction to the history of the building. \n  \nCurrent exhibitions: \n  \n· Antoni Tàpies. The imagination of the world \n· Marta Palau. My Paths are Earthly \n· Anna Malagrida. Opacitas: Veiling Transparency \n· Noor Abed. A Night We Held Between \n 
URL:https://museutapies.org/en/event/approximations-guided-tour-2025/
LOCATION:Museu Tàpies
CATEGORIES:Education
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DTSTART;VALUE=DATE:20250304
DTEND;VALUE=DATE:20250521
DTSTAMP:20260505T082644
CREATED:20250227T123448Z
LAST-MODIFIED:20250516T082027Z
UID:10000916-1741046400-1747785599@museutapies.org
SUMMARY:The (In)visible Exiles
DESCRIPTION:Archivo General de la Nación de México \n  \nExile is a reality that is very difficult to make visible\, since it is\, above all\, an experience of internal uprooting. Nevertheless\, women artists\, among them the filmmakers who went into exile\, tried time and again to stage and represent their woundedness. \nFilm producer and director Tània Balló and filmmaker\, theorist and film promoter Luis E. Parés programme a film series linked to the exhibition Marta Palau: My Paths are Earthly\, with the aim of presenting three different approaches to this wound and the way it is incarnated. Thus\, through screenings\, talks and conferences\, we will generate a space for debate and reflection on these films and on other\, more contemporary ones\, which have allowed us to rediscover these works and their authors in the present day. \n  \nTània Balló Colell is a filmmaker\, writer\, cultural promoter and researcher. She is the creator and director of the project Las Sinsombrero (2014–present) and Las Anónimas. Obras sin relato en las colecciones de arte moderno de los museos españoles (Leonardo Grant for Researchers and Cultural Creators\, Fundación BBVA\, 2023). As a filmmaker\, her films El Museo Invisible (2023) and the documentary trilogy Las Sinsombrero (2015–2021) stand out. She is the author of the Las Sinsombrero trilogy (2016\, 2018\, 2022)\, of Querido Diario: hoy ha empezado la guerra (2017) and of Les Combatents. La història oblidada de les milicianes antifeixistes (2021). She is also curator of the exhibitions Jorge Semprún. El largo viaje (2024–2025)\, Las Sinsombrero (2022) and No Pasarán. 16 días Madrid 1936 (2018). \n  \nLuís E. Parés holds a PhD in Communication from the Pompeu Fabra University and is artistic director of Cineteca Matadero Madrid. He has worked as part of the programming department of the Filmoteca Española\, the editorial board of Caimán CDC and the programming committee of the Sevilla Film Festival\, and was coordinator of the RTVE programme Historia de nuestro cine. He has published the books Notes sur l’émigration-Espagne 1960. Apunts per a una pel·lícula invisible (2011) and Filmar el exilio desde Francia (2012). He has directed the short films Los conspiradores (2021) and El espectro político (2023)\, as well as the feature film La primera mirada (2023). \n  \nProgramme \n4.March 25 \n22 April 25 \n20 May 25 \n  \n \nMaría Luisa Elío in En el balcón vacío
URL:https://museutapies.org/en/event/the-invisible-exiles/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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DTSTART;TZID=Europe/Madrid:20250517T130000
DTEND;TZID=Europe/Madrid:20250517T150000
DTSTAMP:20260505T082644
CREATED:20250509T112953Z
LAST-MODIFIED:20250515T140701Z
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SUMMARY:Following the sun. feyfeyfey
DESCRIPTION:This emerging collective\, united in a network of queerness\, has woven together a sound performance piece\, brb do not perceive me unless ur ready 2 speak in r1ddles and chill with beautiful r0cks xxx\, that explores communication phenomena\, and specifically the transmission and reception of queer frequencies. \nUnderstanding queer communication systems as subversive tools that enable members of our community to be eco-localised and protect each other\, the collective uses sound and visual elements to express rhythmic\, cryptic and natural cyclic pulsations between the three members. These reverberations bounce off porous bodies\, in transmissions devoured by open ears\, as vibrational absorptions and other forms of abstract\, poetic and non-verbal communication come together to create a dissonant aria in dialogue with the natural world\, situating queer existences through communication. \n  \nfeyfeyfey is an emerging Barcelona-based art collective whose members are Alida Maria Lanzi\, Anusha Jean Ramesh and Bram Dul. It uses performance and sound to explore aspects of queerness\, and is interested in the elasticity of access\, as well as the politics of movement and the act of sounding out together as friends\, from varied stances. \nFeyfeyfey creates spaces that question how we relate with ourselves\, others and the worlds we inhabit. In the past\, the term fey in English meant ‘destined to die\, condemned’\, and was used as a vulgar term for homosexuals. It is likewise a term used to refer to fairies. Here it is repeated three times\, asserting itself as a sound ritual. \nThe practice of Alida Maria Lanzi (Germany\, 2004) is focused on the construction of worlds: imaging alternative spaces where queer bodies might exist beyond binary constructs and norms. Using sculpture\, installation and performance\, they combine organic and inorganic rhythms to create hybrid shapes. Their site-specific works perturb and unsettle\, merging liminal space with speculative narratives to imagine new atmospheres and ways of being\, opening up new connections and identities. They are currently finishing their thesis at Metàfora Studio Arts. \nThe work of Anusha Jean Ramesh (Malaysia\, 2001) strives to grasp the elemental conditions of connectivity. Their practice tends to be relational\, seeking to follow traces of queer displacement\, identity and temporalities while basing itself on personal relationships\, intuitively channelled through sound\, sculpture\, installation and video. They are currently completing their thesis at Metàfora Studio Arts\, and are preparing a solo exhibition at 200CENT for November 2025. \nBram Dul (Netherlands\, 2005) is writing their love letter to sound\, where every project creates a new phrase. They translate thoughts on queerness and neuro-divergency into sound\, sculpture\, installation and performance\, shaping their projects through the perspective of childlike admiration and research-based practice. Dul is currently completing a year-long residency at Metàfora Studio Arts\, and in September will begin studies at Design Academy Eindhoven. \nA session of the second edition of the programme Following The Sun\, curated by Gabriel Virgilio Luciani \n 
URL:https://museutapies.org/en/event/following-the-sun-feyfeyfey/
CATEGORIES:Public Programme
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