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DTSTART;TZID=Europe/Madrid:20260706T183000
DTEND;TZID=Europe/Madrid:20260706T193000
DTSTAMP:20260718T204444
CREATED:20260623T103503Z
LAST-MODIFIED:20260703T083649Z
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SUMMARY:Conversation between Frau Diamanda and Diego Marchante
DESCRIPTION:  \nAs a prologue to the performance Chorus/Body\, part of the project Extramural – Dora García: Timelines / resurrection\, taking place on the same day at the Plaça Margarita Xirgu\, Frau Diamanda and Diego Marchante will offer an open conversation with the aim of introducing some of the theoretical\, political and conceptual lines of thought found in the new issue of the journal Convit/e\, to be released in the autumn. \nThe encounter addresses issues related to the history of trans struggle and its convergence with other struggles\, the metaphor of resurrection as justice in the face of the structural violence of cisnormative discourses\, collective bodies and tensions between community\, identity and dissidence. These issues\, which are key for the publication as well as for the performance to follow\, will work as the starting point for a shared reflection on the possibilities of constructing community and contemporary forms of resistance and mutual support. This space for dialogue is conceived as a contextual opening to Chorus/Body\, providing the public with the tools and perspectives to enable comprehension of the performative experience. \nConvit/e is a publishing project initiated by the social production group Mescladís\, under the artistic direction of Dora García\, and in collaboration with the Museu Tàpies. The journal proposes a space for critical thought and experimentation in relation to contemporary artistic and social practices. \n  \nFrau Diamanda \nWriter\, translator\, transvestite audiovisual artist\, drag performer\, independent curator\, arts administrator\, DJ and occasional actress. She has specialised in transgender art and multimedia performance. She followed the Independent Study Programme (PEI) at MACBA from 2017 to 2018\, and has published the books Escenas catalanas. Errancias antropológico-sexuales (La Máquina Barcelona\, 2020) and Sexual Dissidences: Frau Diamanda’s Catalan Scenes\, Travesti Politics of Resistance and Anti-Canonical Knowledge (Stenberg Press\, 2025). Her artistic interests also include photography\, video\, installation\, spoken word\, electronic music and net art. \n  \nDiego Marchante “Genderhacker”  \nTransfeminist activist\, transmedia artist and teacher. With a doctorate in Fine Art from the University of Barcelona\, since 2008 he has lectured in Audiovisuals and Gender Studies at the University of Barcelona Faculty of Fine Art. His art work has been exhibited at CaixaForum\, Fabra i Coats\, Sala d’Art Jove\, CCCB\, MACBA and the Museo Reina Sofia. He has published various texts in books including Transfeminismos. Epistemes\, fricciones y flujos (2013)\, Barbarismos queer y otros esdrújulas (2017)\, New (ego). Cuerpos conectados (2021) and Glossary of Common Knowledge Vol. 2 (2022). \n  \nA proposal by the Tàpies Museum and Mescladís. \n  \nPhoto1: Cecilia Gamarra / Photo 2: Genderhacker
URL:https://museutapies.org/en/event/conversa-amb-frau-diamanda-i-diego-marchante/
CATEGORIES:Programa públic
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DTSTART;TZID=Europe/Madrid:20260706T200000
DTEND;TZID=Europe/Madrid:20260706T203000
DTSTAMP:20260718T204444
CREATED:20260423T133738Z
LAST-MODIFIED:20260629T103800Z
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SUMMARY:Mari Lyn Diniz / Dora García. Corocuerpo (de feminidades disidentes o Mejor os calláis todos)
DESCRIPTION:A chorus of trans women raise their voices to engage in dialogue with one another and address the audience as if they were a Greek chorus. Resurrection as justice. \n. \n\n\n\n\nSylvia Rivera\, one of the pioneers in the fight for the rights of gay\, lesbian and trans people\, delivered a speech at the New York City Christopher Street Liberation Day Rally in 1973 that became known as “Y’all Better Quiet Down”. Mari Lyn Diniz and Dora García will take inspiration from this speech in a performance art piece in which they work with a group of trans women who\, like a Greek chorus\, will interact with the audience. \nThis corocuerpo\, or chorus/body\, offers a direct critique of the structural violence of cis-normative discourse\, both heterosexual and  homosexual\, and celebrates ways of life that have historically been excluded from the public sphere. The incorporation of excerpts from the song O Amor\, by Brazilian singer Gal Costa\, reinforces the idea of resurrection as justice: here\, resurrection means bringing visibility to silenced voices\, excluded bodies and dissident genealogies. \nThe concept of resurrection is also present in Dora García’s second creation in the Extramurs project\, El bicho. The Gal Costa song that is recited adapts a poem by Vladimir Mayakovsky (Amor 3)\, the same author who inspired El bicho. \nCorocuerpo (De feminidades disidentes o Mejor os calláis todos) andEl bichoform part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s Eina University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \n\n\nPart of the Tàpies Museum project Extramurs 2026\, coordinated by Judith Barnés\, head of public programmes at the Museu Tàpies. \n\n\nA production by the Museu Tàpies and the 2026 Barcelona Grec Festival. \n\n  \nPerformers: Mari Lyn Diniz (BR) | Amanda Araújo (BR) | Helen Bogado (AR) | Lola Callejas (CL) | Milah Lorsalles (AR) | Soltanaterra (BR) \nWith the collaboration of: \nDaniela Barriga | Isidora Cruz Berta Esteve | Bárbara Lara Leiva | Benjamin Muñoz | Mitzi Reyna\, students of the Master Universitario en Investigación en Arte y Diseño (MURAD)\, Eina \nLucas Camacho | Carla López  | Sara Mato\, students of the Desing Degree\, Eina \nRita Duelt | Mireia Solé\, students of the Humanities Degree\, Universitat Pompeu Fabra \nMaia Braselli\, Universitat de Barcelona
URL:https://museutapies.org/en/event/mari-lyn-diniz-dora-garcia-corocuerpo-de-feminidades-disidentes-o-mejor-os-callais-todos/2026-07-06/
CATEGORIES:Public Programme
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