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X-WR-CALDESC:Events for Museu Tàpies
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DTSTART:20260329T010000
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DTSTART:20261025T010000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260513
DTEND;VALUE=DATE:20260514
DTSTAMP:20260513T162745
CREATED:20260422T164458Z
LAST-MODIFIED:20260422T164458Z
UID:10001243-1778630400-1778716799@museutapies.org
SUMMARY:Discover an Art Nouveau gem: the Museu Tàpies’ Library
DESCRIPTION:As part of the 19th edition of the Night of the Museums and the International Museum Day\, we invite you to visit the Museu Tàpies’ Library. \nThis activity is part of the project promoted by the Museum Libraries across Catalonia and\, in our case\, also coincides with “Barcelona 2026\, World Capital of Architecture”\, where we invite you to discover a modernist gem from the inside. \nThe library\, specialized in modern and contemporary art\, is located in the former Montaner y Simón publishing house\, designed in 1879 by the modernist (Art Nouveau) architect Lluís Domènech i Montaner a heritage site of great historical value. \nDuring the visit\, we will offer a brief introduction to the building\, explain the uniqueness of its architecture\, and show you our special collections. \n  \nProgramme \n\n Wednesday\, March 13\, at 12pm.\, at the Museu Tàpies’ Library. Prior booking is required\n Wednesday\, March 13\, at 18pm.\, at the Museu Tàpies’ Library. Prior booking is required
URL:https://museutapies.org/en/event/discover-an-art-nouveau-gem-the-museu-tapies-library/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260514T180000
DTEND;TZID=Europe/Madrid:20260514T180000
DTSTAMP:20260513T162745
CREATED:20260415T091139Z
LAST-MODIFIED:20260508T105501Z
UID:10001221-1778781600-1778781600@museutapies.org
SUMMARY:Guided tours of the exhibitions\, led by the curators
DESCRIPTION:A series of guided tours led by the curators of the current exhibitions at the Museu Tàpies. A unique opportunity to visit the exhibits with the experts. \n  \nProgram \n· On Wednesday\, April 15\, 2026\, at 6 p.m.\, the guided tour of the exhibition “Antoni Tàpies. The Perpetual Movement of the Wall” will take place\, led by Pablo Allepuz\, head of the Tàpies Museum Collection and co-curator of the exhibition. \n· On Thursday\, May 14\, 2026\, at 6 p.m.\, the guided tour of the exhibition “Àngel Jové. De Intactu“\, led by Maria Josep Balsach\, curator of the exhibition.
URL:https://museutapies.org/en/event/guided-tours-of-the-exhibitions-led-by-the-curators/
CATEGORIES:Education
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260518
DTSTAMP:20260513T162745
CREATED:20260512T101054Z
LAST-MODIFIED:20260512T101836Z
UID:10001279-1778889600-1779062399@museutapies.org
SUMMARY:"La Nit dels Museus" 2026 at Museu Tàpies
DESCRIPTION:The Tàpies Museum participates\, for another year\, in “La nit dels Museus” (The Night of the Museums)\, in its edition of May 16\, 2026\, with open doors\, two exhibitions\, free guided tours of the exhibitions and a soundscape\, by the artist Agnès Pe. \n  \nProgramme \n· Open Doors: People who visit the Museu Tàpies on Saturday\, May 16\, 2026\, between 7:00 p.m. and 1:00 a.m.\, will be able to enjoy the following exhibitions: “Antoni Tàpies. The Perpetual Movement of the Wall” and “Àngel Jové. De intactu“. \n· Free guided tours of the exhibitions: in Catalan. At 8:00 p.m.\, 9:00 p.m.\, 10:00 p.m. and 11:00 p.m. Duration of each visit: 45 minutes. | Registration at the museum reception\, on a first-come\, first-served basis. Limited capacity. \n· Sound performance by the artist Agnès Pe. In the Auditorium of the Museu Tàpies. Three 20-minute performances: at 10 p.m.\, 10:40 p.m. and 11:20 p.m. Free activity\, no prior reservation required and limited capacity. \n 
URL:https://museutapies.org/en/event/45958/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260516T120000
DTEND;TZID=Europe/Madrid:20260516T140000
DTSTAMP:20260513T162745
CREATED:20260417T124915Z
LAST-MODIFIED:20260511T123135Z
UID:10001233-1778932800-1778940000@museutapies.org
SUMMARY:Blanca Tolsà and Albert Tarrats. microdesfase
DESCRIPTION:  \nWith microdesfase [micro-gap]\, Blanca Tolsà and Albert Tarrats transform the access stairway to the terrace of the Museu Tàpies into a sonorous\, choreographic organism. Through movement\, voice and live modulation\, they activate a dialogue with the reverberating acoustics of the space\, creating a kaleidoscopic landscape where the body\, sound and technology mutually alter each other. \nThe piece begins with a marginally unstable tone\, insisting on it until it gives way to tiny shifts and harmonic tensions: tonalities that emerge like an organic relief\, an auditory mirage that defies perceptions\, encouraging a certain kind of hallucination. \nThe sound injected into the space returns transformed: the architecture breathes\, responding in an unexpected way\, enlivening its own memory. It is no longer an inert container\, but converts itself into a shared\, porous body. The activation of the surroundings—seeking to refer to the practice of Antoni Tàpies himself\, reviving the everyday as a potentially magical dimension—emphasises subtle gestures\, miniscule shifts and the echoes that persist when the main sound fades. \nJust like Tàpies\, who gazed intently at a wall to achieve some degree of illumination inspired in Zen practice\, microdesfase proposes a contemplative experience where careful listening reveals the concealed bounty of what apparently seem insignificant. \nLocated in a transition space\, on the way to the Tàpies’ Mitjó [Sock] sculpture\, the performance calls on the public to inhabit a space of auditory illusion and sensorial alteration. In this case\, vision is blurred and listening becomes the focal point of an experience that is at once collective and intimate\, where sound seems to arise both out of the body and out of the air surrounding it\, erasing the boundaries between emission\, echo and reflex. \n  \nBlanca Tolsà (Ontinyent\, 1991) is a dancer and choreographer based in Barcelona. Her artistic research explores the relationship between voice\, movement and sound\, emphasising their a-synchronicities. Through her pieces\, she posits spaces that play with perception\, leading to illusions\, displacement and dissonance. \nTolsà has been a resident artist in creative production centres like La Caldera\, Graner\, Fabra i Coats\, Roca Umbert and CC Barceloneta. Her works include Ecoica (2022) and Parafonías (2025). She is currently expanding her practice into non-theatrical areas\, researching architectures with acoustic reverberations. Her works have been presented at festivals such as Dansa Metropolitana and Dansa València\, as well as in spaces like La Capella\, La Caldera and Danza en Breve. \nAs a performer\, she has been awarded the Premi Butaca 2020 for Wu Wei\, by Raquel Klein\, and the Premi de la Crítica 2024 for La Quijá\, by Siberia Paloma Muñoz. She has worked with numerous choreographers in the Catalan dance scene\, including Lipi Hernández\, Ariadna Montfort\, Raquel Klein\, Roberto Zappalà (IT)\, Albert Quesada\, La Fura dels Baus\, Magdalena Garzón\, Jacob Gómez\, Anna Macau\, Constanza Brncic\, Núria Guiu\, Siberia Paloma Muñoz\, Georgia Vardarou and João Lima. Tolsà graduated from the Professional Dance Conservatory of the Institut del Teatre de Barcelona\, and began her dancing career in the company for younger dancers IT Dansa\, doing various international tours. \n  \nAlbert Tarrats (Barcelona\, 1988) works with sound and electronics. Through live actions and the construction of sound objects and devices\, he explores alternative auditive formats and their relation to space\, listening and others. His practice is essentially collaborative\, in terms of creation and production\, and includes support for other artists in developing their works. He currently researches under the name Comprimir Muntanyes and is a member of the Ràdio Web MACBA Working Group. \n  \nWardrobe with the collaboration of Carla San Martín \n  \nActivity programmed as part of the Museu Tàpies series Following the Sun\, entitled Uncovering the Gaze\, curated by Carolina Ciuti. With the support and collaboration of Graner – Centre de creació de dansa i arts vives. \n  \nImage credit: Margaret Watts Hughes\, Impression Figure\, date unknown. Pigment on glass. Courtesy of the museum and Cyfarthfa Castle Museum and Art Gallery. Photo: Louis Porter.
URL:https://museutapies.org/en/event/blanca-tolsa-and-albert-tarrats-microdesfase/
CATEGORIES:Public Programme
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260516T220000
DTEND;TZID=Europe/Madrid:20260516T234000
DTSTAMP:20260513T162745
CREATED:20260504T180530Z
LAST-MODIFIED:20260504T180548Z
UID:10001270-1778968800-1778974800@museutapies.org
SUMMARY:Agnès Pe. Scherzo no. 19 (for circuits\, air and synthesis)
DESCRIPTION:  \na circuit deteriorating \na file that is corrupted \nfeedback that rises too much \n  \nSound as a physical material: not a vehicle\, but a presence. It doesn’t explain; it is. Its meaning does not come from an external interpretation\, but from its qualities—texture\, density\, form—and how it directly affects the body. Relating to the work does not involve decoding\, but immersion in a material regime that goes beyond language to work on the boundary between perception and experience. Listening is taken to the limit: a loop deteriorating\, a file corrupted\, feedback that rises too much. In a broken\, disjointed way\, the fragmentation prevents an unequivocal narrative. Matter makes sense through presence and interruption\, opening up spaces of uncertainty. Thus\, the work becomes a field of intensities: accumulation\, fracture and residue in which sound\, as a physical body\, persists and is transformed. \n  \nAgnès Pe pursues her artistic practice at the intersection between sound experimentation\, digital artefacts and subversive pop culture. She works with sound as her raw material\, exploring its ability to question conventions\, cause dissonances and generate new narratives. \nHer work centres on forgotten sound infrastructures\, technological errors and obsolete devices\, which she recovers and turns into creative tools. Using sound collage\, plunderphonics\, digital alteration and computer music\, she sees creation as a playful\, experimental process that does not seek closed answers\, but spaces for friction and dialogue with the listener’s expectations. Her practice straddles sound experimentation\, experimental radio and public space\, always seeking alternative forms of dissemination and reception of sound. \nHer work has been presented at Conde Duque\, Matadero\, Museo Nacional Centro de Arte Reina Sofía and CA2M (Madrid)\, at Tabakalera (San Sebastián)\, at Centro Botín (Santander)\, at MACBA (Barcelona)\, at Centre d’Art La Panera (Lleida)\, at Larraskito (Bilbao) and at the V2 Institute for the Unstable Media (Netherlands)\, as well as at festivals like BangFace (United Kingdom)\, Papiripar (Germany)\, Counterflows (Scotland) and Piksel (Norway). She has worked with RRS (Radio Museo Reina Sofía)\, RadioOn (Berlin) and Resonance Extra (United Kingdom). \nShe currently lives and works in Barcelona\, where she combines teaching\, radio production and sound experimentation. \n  \nAn activity for the Museums Night 2026 at the Museu Tàpies
URL:https://museutapies.org/en/event/agnes-pe-scherzo-no-19-for-circuits-air-and-synthesis/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/05/agnes-pe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260517T100000
DTEND;TZID=Europe/Madrid:20260517T150000
DTSTAMP:20260513T162745
CREATED:20260512T100100Z
LAST-MODIFIED:20260512T102103Z
UID:10001278-1779012000-1779030000@museutapies.org
SUMMARY:The International Museums Day 2026 at Museu Tàpies
DESCRIPTION:Once again\, the Museu Tàpies joins the celebration of The International Museum Day with a special open half a day\, this Sunday\, May 17\, 2026\, between 10 a.m. and 3 p.m. \nThe initiative offers an excellent opportunity to discover or rediscover the museum’s current exhibitions in an environment open to all audiences. During this day\, visitors will be able to enjoy two outstanding exhibitions: “Antoni Tàpies. The Perpetual Movement of the Wall” and “Àngel Jové. De intactu”. \nThe celebration of International Museum Day thus becomes an ideal occasion to get closer to contemporary art and discover the proposals of the Tàpies Museum in an accessible and free format. \nThe exhibition dedicated to Antoni Tàpies consists of an exploration of the artist’s work based on its contexts and exhibition modalities. For its part\, “De intactu”\, by Angel Jové\, invites the public to delve into an artistic proposal marked by experimentation and visual sensitivity.
URL:https://museutapies.org/en/event/the-international-museums-day-2026-at-museu-tapies/
CATEGORIES:Public Programme
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260519T180000
DTEND;TZID=Europe/Madrid:20260519T190000
DTSTAMP:20260513T162745
CREATED:20260415T154804Z
LAST-MODIFIED:20260420T134109Z
UID:10001228-1779213600-1779217200@museutapies.org
SUMMARY:Don’t Wait for Us: The Poetry of Màrius Sampere. Barcelona Poesia 2026 at the Museu Tàpies
DESCRIPTION:  \nThe Museu Tàpies hosts the poetry recital Don’t Wait for Us: The Poetry of Màrius Sampere\, as part of the Festival Barcelona Poesia. \nThe actor Lluís Marco (voice) and the pianist Sara Giusti perform the musical facet of the great poet Màrius Sampere\, whose centenary is being celebrated this year. Marco and Giusti create a dialogue that sends us on a journey through the most spiritual poetry of the forty-year career of this poet from Santa Coloma de Gramenet. A poetic concert-recital that shifts between irony and the urge to transcend and comprehend the complexity of the world and the human condition. The public is enthralled by the spoken word that turns into the musical score\, and by the score that becomes words. \n  \nLluís Marco \nBorn in Badalona\, Marco has had a broad career in theatre\, television and film. He has close professional ties to the Teatre Lliure\, performing in works such as Romeu i Julieta\, Soldats de Salamina\, Rock ’n’ Roll\, Nixon-Frost and Copenhagen. In 2013 he performed in the Sala Petita of the Teatre Nacional de Catalunya in Fum\, directed by Josep Maria Miró Coromina. In 2021 he was in the cast of L’oncle Vània\, under Lithuanian director Oskaras Koršunovas. Marco has worked in television series such as Ventdelplà\, Hospital Central\, Hispania\, la leyenda\, Poblenou and Dinamita\, among others. He has also worked in numerous films and has dubbed the voices of actors like Joe Pesci\, Clint Eastwood\, Ben Kingsley\, Bob Hoskins and Danny DeVito. \n  \nSara Giusti \nFrom an early age Giusti won various music awards\, both in her native Italy and abroad\, including first prize in the Igor Stravinsky Competition (Italy\, 2003). She has a Conservatory diploma in piano under pianist Benedetto Lupo\, in Italy\, and a Master in Music and Doctorate in Musical Arts\, studying with pianist Christopher Taylor in the United States. She has performed in Italy\, Switzerland\, the United States and Spain in solo recitals\, with orchestras and in chamber music groups. She has also taught piano to a diverse set of students\, such as at the University of Wisconsin or to children in the Barcelona music school where she works. She has conceived and created theatrical plays and recitals\, including a show dedicated to Italian composer Nino Rota. In 2020 she wrote her first book on musicology\, centred on the music of Rota\, released by Italian publisher Florestano. She currently collaborates as a pianist with the Liceu Conservatory (Barcelona) and with the mezzosoprano Guisela Zannerini (Teatre del Liceu). \n 
URL:https://museutapies.org/en/event/dont-wait-for-us-the-poetry-of-marius-sampere-barcelona-poesia-2026-at-the-museu-tapies/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/img-bcn-poesia-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260520T190000
DTEND;TZID=Europe/Madrid:20260520T210000
DTSTAMP:20260513T162745
CREATED:20260508T121500Z
LAST-MODIFIED:20260513T121526Z
UID:10001273-1779303600-1779310800@museutapies.org
SUMMARY:Àngel Jové: Bite the Image. Film series
DESCRIPTION:  \nThe Museu Tàpies\, in collaboration with Espai Texas\, presents the film series Àngel Jové: Bite the Image\, which explores the cinematographic side of one of the most unique creators in the contemporary Catalan scene\, an artist who was radical\, experimental and interdisciplinary. \nAlongside his artistic career\, Jové developed a body of work of a potent experimental character the field of cinema.  After (1968)\, a part of a performative action\, to the creation of Primera muerte (1969) with the El Maduixer conceptual group — considered the first piece of video art in Spain) — his audiovisual work became a terrain for radical research on the image. This line of work culminated in later projects like Lo pedrís\, viatge per les terres de Ponent (Lo pedrís\, voyage to western lands\, 1989)\, made with Benet Rossell and Carles Hac Mor. \nStarting in the late 1960s\, Jové would take on regular roles in the films of Bigas Luna\, becoming an actor with a cult reputation in films like Bilbao (1978)\, Caniche (1979) and Angustia (1987)\, as well as in other productions of Catalan and Spanish film in the 1980s and 1990s. His artistic career has likewise been the subject of film\, as seen in the documentaries Gonzalo Herralde made about him over various decades. \nThe series Àngel Jové: Bite the Image thus proposes an approximation to the audiovisual side of Jové\, with three sessions combining screenings and contextual contributions from respective experts\, with the aim of polyhedrally placing Jové within this form of register. \n  \nProgramme \n  \nSession 1 —The cinema of transgression: Àngel Jové and Bigas Luna as a paradigm of the 70s \nScreening of Bilbao (1978)\, by Bigas Luna \nThis session features an introduction by Jordi Balló\, who will address how this film represented an aesthetic and thematic rupture. \nDate: Wednesday 20 May\, 7 pm \n  \nSession 2 — The view of Gonzalo Herralde: documentaries on the work and thought of Àngel Jové \nScreening of Capiscar la fior de la mà morta (1991) and Altra volta mossego un tros de pa. Cristòfol-Pavese (2007). \nA dialogue between Gonzalo Herralde and Maria Josep Balsach\, curator of the exhibition Àngel Jové. De intactu\, at the Museu Tàpies. \nDate: Wednesday 3 June\, 7 pm \n  \nSession 3 — Experimental cinema: conceptual artistic practice at Primera muerte \nScreening of Primera muerte (1969) and Eco de Primera muerte (2017) \nThe final session will begin with a presentation by Daniel Pérez Pàmies\, Professor of Film History (UdG) and member of the research group GROC\, and will close with a presentation by Imma Prieto\, director of the Museu Tàpies\, who will focus on Jové’s role in the early years of video art. \nDate: Thursday 11 June\, 7 pm \n  \nImage: Àngel Jové. Eco de Primera muerte\, 2017
URL:https://museutapies.org/en/event/angel-jove-bite-the-image-film-series/
CATEGORIES:Public Programme
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260521T180000
DTEND;TZID=Europe/Madrid:20260521T193000
DTSTAMP:20260513T162745
CREATED:20260422T085621Z
LAST-MODIFIED:20260424T115458Z
UID:10001240-1779386400-1779391800@museutapies.org
SUMMARY:Presentation of the book "Gozos mínimos. Comentario parcial al ‘Libro de amigo y amado’ de Ramon Llull"
DESCRIPTION:  \nThe Museu Tàpies hosts the presentation of the book Gozos mínimos. Comentario parcial al ‘Libro de amigo y amado’ de Ramon Llull [Minimal Pleasures: Partial Commentary on “The Book of the Lover and the Beloved” by Ramon Llull]\, by Amador Vega\, with images by Frederic Amat\, published in a bilingual Edition by Días Contados. The presentation will feature the presence of Amador Vega\, Frederic Amat and Miquel Bassols. \nWhat does it mean to love or desire a written text? The response of Amador Vega is to maintain this text in play and movement. The Book of the Lover and the Beloved\, by Majorcan sage Ramon Llull (1275–1316)\, is a classic of European spiritual literature\, a guide to a living drama that is never the same as itself. Gozos mínimos is a staging of this drama\, documenting the tastes and tribulations of someone who has read the book for more than forty years. Together with the para-textual images of Frederic Amat\, this lyrical commentary on “the philosopher’s enamoured soul” speculates and intones with Llull\, offering personal life anecdotes and those of others\, while addressing other authors with citations from more than 600 years of reading in favour and against mysticism. \n  \nParticipants: \nAmador Vega (Barcelona\, 1958) is a philosopher and professor at Universitat Pompeu Fabra\, where he directs the Centre for Aesthetics\, Religion and Contemporary Culture. Recent publications include DIA-LOGOS: Ramon Llull’s Method of Thought and Artistic Practice (2019) and Tentativas sobre el vacío. Ensayos de estética y religión (2022). He is currently Visiting Fellow at the Warburg Institute\, University of London. \nFrederic Amat (Barcelona\, 1952) is a painter and multidisciplinary artist whose work has been exhibited and published widely internationally. Amat’s work moves through the terrains of theatre\, literature\, dance\, cinema and architecture. \nMiquel Bassols is a psychoanalyst in Barcelona\, member of the École de la Cause freudienne and of the Comunitat de Catalunya de l’Escola Lacaniana de Psicoanàlisi. Lecturer at the Institut del Camp Freudià. Doctorate by the Département de Psychanalyse of the Université Paris 8 with a tesis on «L’amor\, la paraula i la lletra a Ramon Llull». Former president of the Association Mondiale de Psychanalyse (2014-2018). Translator into Catalan of  Jacques Lacan’s writing\, _Lituraterra_\, with the comment “Lecturaterra”\, published in Días Contados\, Barcelona 2021. \n 
URL:https://museutapies.org/en/event/presentation-of-the-book-gozos-minimos-comentario-parcial-al-libro-de-amigo-y-amado-de-ramon-llull/
CATEGORIES:Public Programme
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260527
DTEND;VALUE=DATE:20260530
DTSTAMP:20260513T162745
CREATED:20260220T123140Z
LAST-MODIFIED:20260513T133426Z
UID:10001175-1779840000-1780099199@museutapies.org
SUMMARY:International symposium 'The Wall and the City: Visual Devices of Modernity'
DESCRIPTION:  \nThe International Symposium The Wall and the City: Visual Devices of Modernity is conceptually related to Antoni Tàpies: The Perpetual Movement of the Wall\, an exhibition currently being shown at Museu Tàpies\, curated by Imma Prieto and Pablo Allepuz\, and exploring the artist’s work through his contexts and exhibition modes. It focuses on four solo shows from the 1950s\, which were characterised by groups of work and highly diverse display solutions\, making it possible to situate Tàpies’ production in relation to broader debates on modern architecture\, design\, industry\, urban space and ways of life in the period. \nDrawing from this conceptual framework\, the international symposium The Wall and the City: Visual Devices of Modernity proposes a critical reading of modernity through the material and visual devices that made it possible: walls\, facades\, pavements\, shop windows\, posters\, exhibition structures and domestic spaces. These apparently functional features become active agents of mediation between art\, design\, architecture and perceptive experience\, given that matter\, light\, visual display and the arrangement of objects influence in aesthetic perception and define new ways of seeing\, inhabiting and understanding the city. \nIn the context of European reconstruction after the Second World War\, and during the postwar and cultural isolation of Francoism in Spain\, the exhibition space and urban landscapes worked as laboratories for modernity. Museums\, pavilions\, shop windows and housing became experimental spaces where architecture\, design and display gave rise to specific forms of perception\, setting apart the visual and urban sensibility of the postwar. \nIn Barcelona\, figures like Antoni Tàpies\, Josep Antoni Coderch\, Antoni de Moragas Gallissà\, Oriol Bohigas\, Ricard Giralt Miracle and America Sanchez would come to postulate a common syntax: a contained\, artisanal modernity\, with material density and manual gesture\, articulating architecture\, design and visual display. Their practice would not only define visual culture\, but also a model of display that conditioned the aesthetic perception of space and the object. \nThis symposium analyses these mechanisms as active practices of discourse and perception shaping imagined models of community\, memory and the relationship between body and architecture. It looks back at exhibition\, architectural and graphic languages of the 1950s and 1960s\, querying their currency: what remains nowadays of that way of conceiving walls\, homes or the city itself as spaces for thought\, resistance and perception? What are the continuities or ruptures between the visual devices of modernity and current practices in museography and urban design? \nIn this symposium\, Barcelona is set into dialogue with other centres of modernity—Milan\, Paris\, Brussels\, Zurich and London—tracing out a comparative cartography of possible modernities\, examining how material and visual discourses built a European idea of modernity. This revision makes it possible to think of the contemporary museum and city as spaces for critique\, experimentation and aesthetic experience\, where the memory of modern display continues to be a strategy of thought and perception. \nResearchers\, artists\, architects\, designers and curatorial professionals were invited to submit proposals that address these issues from critical\, historical or contemporary perspectives\, and with interdisciplinary approaches. The call for papers promoted by the Antoni Tàpies Chair – UPF of Contemporary Art and Thought broadens and deepens the curatorial proposal of the exhibition\, inviting critical investigation of these material and symbolic infrastructures from diverse historical and theoretical perspectives\, taking as a starting point the exhibition that can currently be visited at the Tàpies Museum. Beyond the exhibition narrative\, the symposium opens a space for academic debate to analyze how these devices have shaped aesthetic perception and experience\, as well as the social and political dynamics inscribed in the modern city. \n  \nPROGRAMME \nWednesday 27 May 2026 \n\n6 pm. Welcome and presentation\, Museu Tàpies\n6.10 pm. Lecture ‘The Wall We Are: Tàpies\, Space and Work’\, by Federico Ferrari\n6.50 pm. Lecture ‘Surroundings and Their Influence’\, by Xavi Ceerre\n7.20 pm. Pause\n7.30 pm. Lecture ‘Beyond the Wall’\, by Carlos Bunga\n8.10 pm. Discussion and debate\n8.30 pm. Closing\n\n  \nThursday 28 May 2026 \n\n6 pm. Welcome and presentation\, Museu Tàpies\n6.10 pm. Lecture ‘Extramural: From the Silhouette of the Shadow to the Reflection of the Image’\, by Juan José Lahuerta\n6.50 pm. Lecture ‘From Being to Nothingness: Object\, Body and Space in Contemporary Performance Art’\, by Lyu Wen\n7.20 pm. Pausa\n7.30 pm. Lecture ‘The Miró Model: Ephemeral Exhibition as Artistic Practice’\, by Jordana Mendelson\n8.10 pm. Discussion and debate\n8.30 pm. Closing\n\n  \nFriday 29 May 2026 \n\n6 pm. Welcome and presentation\, Museu Tàpies\n6.10 pm. Lecture ‘The Wall as Medium’\, by Beatriz Colomina\n6.50 pm. Lecture ‘Tàpies and Art Criticism’\, by Victoria Combalía\n7.30 pm. Pause\n7.40 pm. Discussion and debate\n8 pm. Closing sound action\, ‘Active Void. Reflections on Nothingness’\, by Rasheed Jalloul\n8.30 pm. Final\n\n  \nSPEAKERS \n  \nCarlos Bunga \nCarlos Bunga creates work oriented towards process—installations\, performance\, video\, drawing\, sculpture\, painting—referring to his immediate architectural surroundings\, intervening in them. While using ordinary\, non-descript materials\, his work implies conceptual complexity\, as derived from the interrelation between doing and undoing\, between undoing and starting over\, between research and experimentation. \nBunga first attracted international attention with his work for the contemporary art biennial Manifesta 5 in San Sebastian (2004). Since then\, he has had individual exhibitions at CAM Fundação Gulbenkian\, Lisbon (2025); MNCARS\, Madrid (2022); Secession\, Vienna (2021); Whitechapel\, London (2020); MAAT\, Lisbon (2019); Haus Konstruktiv Museum\, Zurich (2015); MACBA\, Barcelona (2015); Hammer Museum\, Los Angeles (2011); and the Pinacoteca de São Paulo (2010)\, among others. \nXavi Ceerre \nCeerre’s pictorial practice has a processual character\, exploring the physicality of gesture\, error and material\, with a special interest registering collective subconscious in public space\, and in the tensions between urban planning and subversive forms. \nHe graduated in Graphic Design from Escola Llotja and has an MA in Painting from UPV/EHU\, as well as an MA in Teacher Training (UB). He further broadened his education at the School of Visual Arts\, New York\, and Gerrit Rietveld Academie\, Amsterdam. \nCeerre has regularly shown at Galeria Carles Taché since 2021\, participating in art fairs like Art-o-rama\, Estampa and CAN. He has done residencies at BilbaoArte\, Fabra i Coats and La Escocesa\, among others. His work is found in various public and private collections. \nBeatriz Colomina \nHoward Crosby Butler Professor of the History of Architecture at Princeton University\, Colomina is head of the doctoral programme at the School of Architecture and founding director of the university’s interdisciplinary programme Media and Modernity. \nRecent book publications include Sick Architecture (MIT Press\, 2025) and We the Bacteria: Notes Toward Biotic Architecture (Lars Müller\, 2025). With Mark Wigley she recently co-curated the exhibition We the Bacteria: Notes Toward Biotic Architecture at Triennale Milano (2025) and The Other Side of the Hill at the Venice Biennale (2025). \nVictoria Combalía \nCombalía has a doctorate from the University of Barcelona\, where she has been Professor of Art History since 1974. She was guest researcher at The Institute of Fine Arts\, New York\, from 1979 to 1981. She has organised more than sixty exhibitions\, including Joan Brossa\, 1941-1991 (1991)\, Veure Miró. La irradiació de Miró en l’art espanyol (1993)\, Com ens veiem. Imatges i arquetips femenins (1996)\, Kandinsky. Obres procedents del Centre Pompidou (1996)\, Sean Scully (2005)\, Dora Maar\, malgrat Picasso (2014) and Dones surrealistes (2017). She is a specialist in Joan Miró and the biographer of Dora Maar. \nCombalía has published Estudios sobre Picasso (1981)\, Antoni Tàpies (1984)\, Picasso-Miró\, mirades creuades (1998)\, Amazonas con pincel (2006)\, Dora Maar\, més enllà de Picasso (2013)\, Musas\, mecenas y amantes (2016) and Ver para vivir. Memorias (2024)\, among others. She was the director of Centre Cultural Tecla Sala and was artistic consultant to the Madrid Region. In 2003 she was named Chevalier des Arts et des Lettres\, and is current president of the Dora Maar Committee. \nFederico Ferrari \nAn Italian philosopher and aesthetician\, Ferrari is Professor of Aesthetics at the Accademia di Belle Arti di Brera. In 2020 he founded Antinomie with Andrea Cortellessa and Riccardo Venturi\, a website dedicated to the relationship between images and words. In 2025 he was a driving force behind the creation of the Centro di storia e teoria dell’arte (CeSTA)\, based at the Accademia di Brera. He has published various books in Italy and internationally\, centring on communitarian questions within disaffected social structures in postmodern civilization\, as well as on artistic experience\, in its ambiguous tension between the aspiration for a different world and its reduction into a luxury commodity in a speculative market. \nHis book publications include La comunità errante (1997)\, Nudità (1999)\, Lo spazio critico (2004)\, Costellazioni (2006)\, Sub specie aeternitatis (2008)\, Il re è nudo (2011)\, Arte essenziale (2011)\, L’insieme vuoto (2013)\, L’anarca (2014; 2nd ed. 2023)\, Visioni (2016)\, Oscillazioni (2016)\, Il silenzio dell’arte (2021)\, L’antinomia critica (2023)\, Ritratti (2025) and\, with Jean-Luc Nancy\, La pelle delle immagini (2003)\, Iconografia dell’autore (2006)\, La fin des fins (2015) and Estasi (2022). \nRasheed Jalloul \nJalloul is a Lebanese architect\, artist\, composer and researcher based in Barcelona. His practice moves between architecture\, sound and language\, understanding them as interdependent systems through which space is articulated. His methodology works like a political Casimir effect\, where voids produced by calamity reorganise perceptive and mnemonic conditions. Through this notion of an active void\, Jalloul addresses absence as a conditioning field\, from which form emerges through processes of subtraction and fluctuation\, challenging colonial epistemologies of body and space. \nCurrently Jalloul is a resident at Centre d’Arts Santa Mònica\, where he is researching spatial mediation. His work has been presented at MACBA\, Kampnagel\, Festival Sâlmon\, RCR Arquitectes and the Fundació Enric Miralles\, among others. \nJuan José Lahuerta \nLahuerta has been Professor of Art History at ETSAB – Barcelona School of Architecture\, and has taught at Università Iuav di Venezia and New York University\, among others. He was conservator of the Picasso Museum Barcelona and head of collections at the Museu Nacional d’Art de Catalunya. Recent publications include Religious Painting: Picasso and Max Von Moos (2015)\, Marginalia: Aby Warburg\, Carl Einstein (2015)\, Photography or Life: Popular Mies (2015)\, On Loos\, Ornament\, and Crime (2015)\, Antoni Gaudí: Ornament\, Fire\, and Ashes (2016) and Arte en la época del infierno (2022). \nHe has curated exhibitions such as Picasso. Romànic (MNAC\, Barcelona\, with the collaboration of Musée Picasso\, Paris\, 2015)\, Gaudí (MNAC\, Barcelona and Musée d’Orsay\, Paris\, 2022) and Julio González. Ser Artista (IVAM\, Valencia\, 2023)\, and is the author of their respective catalogue essays. Lahuerta is member of the editorial board of Casabella (Milan) and founder and director of the publisher Mudito & Co (Barcelona\, New York\, Venice). \nJordana Mendelson \nJordana Mendelson is Associate Professor in the Department of Spanish and Portuguese at New York University\, where from 2020 to 2026 she has directed Espacio de Culturas\, a centre focused on developing events and programmes related to Spain\, the Iberian Peninsula and America. Her research centres on visual\, exhibited and printed culture in Spain during the 1930s. \nShe is the author of Documenting Spain: Artists\, Exhibition Culture and the Modern Nation\, 1929-1939 (Penn State UP\, 2005)\, co-editor of Postcards: Ephemeral Histories of Modernity (Penn State UP\, 2010) and curator of the exhibitions Revistas y Guerra 1936-1939 (Madrid\, Museo Reina Sofía\, 2007) and Encounters with the 1930s (Madrid\, Museo Reina Sofía\, 2013). She is also co-editor of the Journal of Spanish Cultural Studies. Mendelson is currently working on a publication with the provisional title Paper Routes: The Power of Design in 20th-Century Spain. \nLyu Wen \nAn interdisciplinary artist and researcher\, Lyu Wen is doing a PhD in the Department of Humanities at Pompeu Fabra University. Her work explores the intersection between performance art\, digital media and the philosophy of the Kyoto School. \nWorking in performance\, video\, installation and painting\, she develops an approach based on a practice that feeds her research. Her current projects explore the ways everyday actions\, such as walking and sitting\, might be transformed into corporeal practices of sustained attention and awareness. \n  \nWith the collaboration and participation of the Antoni Tàpies – UPF Chair of Contemporary Art and Thought. \n  \n[Image: Antoni Tàpies\, Porta metàl·lica i violí\, 1956.  Museu Tàpies Collection\, Barcelona. © Comissió Tàpies / VEGAP\, 2026.]
URL:https://museutapies.org/en/event/international-symposium-the-wall-and-the-city-visual-devices-of-modernity/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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DTSTART;TZID=Europe/Madrid:20260530T110000
DTEND;TZID=Europe/Madrid:20260530T133000
DTSTAMP:20260513T162745
CREATED:20250205T124154Z
LAST-MODIFIED:20260420T133022Z
UID:10000907-1780138800-1780147800@museutapies.org
SUMMARY:Montaner y Simón\, a publishing house with history. Itinerary 2026
DESCRIPTION:Guided itinerary that aims to introduce the history of the former Montaner y Simón publishing house through a visit to the Museu Tàpies\, the former headquarters of the publishing house and the work of the catalan modernist architect Lluís Domènech i Montaner\, and to two buildings by the same architect in Barcelona that are closely linked to it: the Palau Montaner\, now the headquarters of the Spanish government delegation in Catalonia\, and the Casa Thomas\, which today houses the Cubiñá design furniture store. \nThis activity is organized as part of the programme of the Ajuntament de Barcelona: “The World Capital of Architecture 2026”.
URL:https://museutapies.org/en/event/montaner-y-simon-a-publishing-house-with-history-itinerary-2026/
CATEGORIES:Education
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DTSTART;TZID=Europe/Madrid:20260602T183000
DTEND;TZID=Europe/Madrid:20260602T193000
DTSTAMP:20260513T162745
CREATED:20250512T143148Z
LAST-MODIFIED:20260429T091455Z
UID:10001015-1780425000-1780428600@museutapies.org
SUMMARY:Book-Wall. Reading club 2026
DESCRIPTION:Within the framework of the exhibition Àngel Jové. De intactu\, we have organised a reading group in collaboration with the bookshops Finestres\, La Central and La Impossible. On this occasion\, the selection of books\, which as always will be the responsibility of the bookseller\, will be related to the list of books published by the Anagrama publishing house that will incorporate illustrations by Jové on their covers. \nLlibre-mur [Book-Wall] (1990) is a work by Antoni Tàpies that lends its name to the series of reading clubs we have organised in recent years in collaboration with bookshops in the neighbourhood concerning our current exhibitions. Tàpies’ interest in books\, both as objects and as sources of knowledge\, and the fact that the museum premises formerly housed a publishing company\, Montaner y Simón\, make dialogues like this about writing\, reading and art appropriate. \n  \nProgramme \n· Tuesday\, June 2\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “Bajo el signo de marte“\, by Fritz Zorn (Editorial Anagrama)\, with Cèlia Esteva\, from the La Central. bookstore. \n  \n· Tuesday\, July 14\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El héroe de las mansardas de Mansard“\, by Alvaro Pombo (Editorial Anagrama)\, with Olga Federico and Mireia Perelló\, from the  La Impossible bookstore. \n  \n· Wednesday\, September 16\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El sobrino de Wittgenstein“\, by Thomas Bernhard (Editorial Anagrama)\, with Noelia Nistal\, from the Finestres bookstore. \n  \n[Image: Exhibition “Àngel Jové. De intactu” by Museu Tàpies\, Barcelona. Photography: Pep Herrero\, 2026.] \n 
URL:https://museutapies.org/en/event/book-wall-reading-club-2/
LOCATION:Museu Tàpies
CATEGORIES:Education
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DTSTART;TZID=Europe/Madrid:20260704T190000
DTEND;TZID=Europe/Madrid:20260704T193000
DTSTAMP:20260513T162745
CREATED:20260423T133738Z
LAST-MODIFIED:20260505T115208Z
UID:10001260-1783191600-1783193400@museutapies.org
SUMMARY:Mari Lyn Diniz / Dora García. Corocuerpo (de feminidades disidentes o Mejor os calláis todos)
DESCRIPTION:Part of the Tàpies Museum project Extramurs 2026\, curated by Imma Prieto\, director of the Museu Tàpies\, and Judith Barnés\, head of public programmes at the Museu Tàpies. \n\n\nA chorus of trans women raise their voices to engage in dialogue with one another and address the audience as if they were a Greek chorus. Resurrection as justice. \n. \n\n\n\n\nSylvia Rivera\, one of the pioneers in the fight for the rights of gay\, lesbian and trans people\, delivered a speech at the New York City Christopher Street Liberation Day Rally in 1973 that became known as “Y’all Better Quiet Down”. Mari Lyn Diniz and Dora García will take inspiration from this speech in a performance art piece in which they work with a group of trans women who\, like a Greek chorus\, will interact with the audience. \nThis corocuerpo\, or chorus/body\, offers a direct critique of the structural violence of cis-normative discourse\, both heterosexual and  homosexual\, and celebrates ways of life that have historically been excluded from the public sphere. The incorporation of excerpts from the song O Amor\, by Brazilian singer Gal Costa\, reinforces the idea of resurrection as justice: here\, resurrection means bringing visibility to silenced voices\, excluded bodies and dissident genealogies. \nThe concept of resurrection is also present in Dora García’s second creation in the Extramurs project\, El bicho. The Gal Costa song that is recited adapts a poem by Vladimir Mayakovsky (Amor 3)\, the same author who inspired El bicho. \nCorocuerpo (De feminidades disidentes o Mejor os calláis todos) and El bicho form part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s Eina University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \nA production by the Museu Tàpies and the 2026 Barcelona Grec Festival. \n\n  \nPerformers: Mari Lyn Diniz (BR) | Amanda Araújo (BR) | Helen Bogado (AR) | Lola Callejas (CL) | Milah Lorsalles (AR) | Soltanaterra (BR) \nWith the collaboration of: \nDaniela Barriga | Isidora Cruz Berta Esteve | Bárbara Lara Leiva | Ben Muñoz | Mitzi Reyna\, students of the Master Universitario en Investigación en Arte y Diseño (MURAD)\, Eina \nLucas Camacho | Carla López  | Sara Mato\, students of the Desing Degree\, Eina \nRita Duelt | Mireia Solé\, students of the Humanities Degree\, Universitat Pompeu Fabra
URL:https://museutapies.org/en/event/mari-lyn-diniz-dora-garcia-corocuerpo-de-feminidades-disidentes-o-mejor-os-callais-todos/
CATEGORIES:Public Programme
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260704T200000
DTEND;TZID=Europe/Madrid:20260704T220000
DTSTAMP:20260513T162745
CREATED:20260423T135857Z
LAST-MODIFIED:20260423T140050Z
UID:10001263-1783195200-1783202400@museutapies.org
SUMMARY:Dora García. El Bicho
DESCRIPTION:  \nPart of the Tàpies Museum project Extramurs  2026\, curated by Imma Prieto\, director of the Tàpies Museum\, and Judith Barnés\, head of public programmes at the museum. \n\n\nTaking the satirical comedy of a disillusioned poet as the starting point\, a leading figure in performance art invites us to break down the hierarchy between audience and performance artists in pursuit of the “bug” of our time. \n\n\n\n\nIn 1929\, the futurist poet Vladimir Mayakovsky wrote “The Bedbug” (published in Spanish as “La chinche”)\, a science-fiction story about a Soviet revolutionary who\, in 1929\, is accidentally frozen along with an insect that parasitises him. Fifty years later\, in 1979\, both the revolutionary and the insect come back to life. \nObsessed with this story\, Dora García creates a work of performance art involving seven performers and the audience\, imagining a collective author who asks what happens over a fifty-year period\, who or what tells what has happened\, and who decides which events have transformed the world over that time. \nThe piece (which varies in length depending on the space in which it is presented) imagines a story repeated cyclically\, a kind of eternal return that\, however\, contains a flaw\, a parasite\, an insect\, a bug\, that prevents this repetition from unfolding without victims. Each presentation of the performance involves the audience in a different activity: sometimes it is a lecture\, sometimes a workshop\, or perhaps a dance class or a skating demonstration; and sometimes a play. Here\, hierarchies are subverted: between performer and viewer\, between those who speak and those who listen. \nEl Bicho (like the Corocuerpo\, performance art piece\, also included in the Grec programme) forms part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s EINA University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \nA production by the Tàpies Museum\, the Gran Teatre del Liceu and the 2026 Barcelona Grec Festival. \nSuitable for audiences of all ages. \n\n\n\nPerformers: \nDora García | Simón Asencio | Persis Bekkering | Michelangelo Miccolis | Adriano Wilfert Jensen | Castillo | Krõõt Juurak \n  \nThanks to: \nIUAV Venezia | KHiO Oslo | DeSingel & M KHA Amberes | and the students of the course THE BUG at the Oslo National Academy of Arts
URL:https://museutapies.org/en/event/dora-garcia-el-bicho/
CATEGORIES:Public Programme
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