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X-WR-CALDESC:Events for Museu Tàpies
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20231004T180000
DTEND;TZID=UTC:20231004T200000
DTSTAMP:20260403T201012
CREATED:20240112T112821Z
LAST-MODIFIED:20240122T131413Z
UID:10000287-1696442400-1696449600@museutapies.org
SUMMARY:Presentation of the Programme for School Activities
DESCRIPTION:During the coming year\, the Fundació Antoni Tàpies\, Barcelona\, will celebrate the centenary of the birth of the catalan artist Antoni Tàpies. For this reason\, we invite you to the presentation of the program of activities for the school public for the 2023-2024 academic year by the Department of Education and Public Programs of the museum. \nThe presentation will include the activities that will take place in the museum\, and other actions that will be carried out in the educational centers. \nThe description of the different educational proposals will be followed by a visit to the Tàpies exhibition. Tàpies. Wood\, paper\, cardboard and collages\, and a festive snack on the terrace to start the celebration!
URL:https://museutapies.org/en/event/presentation-of-the-programme-for-school-activities/2023-10-04/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2018/06/presentacio_docentes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231021T110000
DTEND;TZID=UTC:20231021T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000116-1697886000-1697895000@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2023-10-21/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231118T110000
DTEND;TZID=UTC:20231118T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000117-1700305200-1700314200@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2023-11-18/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231220T180000
DTEND;TZID=UTC:20231220T190000
DTSTAMP:20260403T201012
CREATED:20240118T111638Z
LAST-MODIFIED:20240118T111638Z
UID:10000109-1703095200-1703098800@museutapies.org
SUMMARY:Guided visit to "A=A\, B=B"
DESCRIPTION:Fundació Antoni Tàpies is pleased to present a guided tour of A=A\, B=B\, by Pep Vidal\, curator of the exhibition. \nA=A\, B=B is an exhibition that tells us about the spirit of the scientific method\, the reasons that make us pursue science\, what science means in relation to ourselves\, to art\, etc. \nPep Vidal is an artist and scientist\, with a degree in Mathematics and a doctorate in Physical Sciences. As a scientist\, he works as an associate professor in the Physical Sciences Degree at the Universitat Autònoma de Barcelona (UAB). He has produced numerous research articles published in scientific journals and proceedings for national and international conferences. He is also a collaborating professor at the Bachelor of Arts at BAU and at the Bachelor of Arts at the Universitat Oberta de Catalunya (UOC). \nAs an artist\, he has participated in artistic residencies at Rijksakademie van Beeldende Kunsten\, (Amsterdam\, 2018)\, Hangar\, (Barcelona\, 2013-2015)\, FARE (2013\, Milan)\, Casa Velázquez (2014\, Madrid) and has made more than fifty exhibitions\, including thirteen individual ones\, among which stand out those held at the Abrons Arts Center (New York)\, the ADN Gallery (Barcelona)\, at the Museu Nacional d’Art de Catalunya (Barcelona)\, at the Museo de Arte Contemporáneo del Zulia (Maracaibo\, Venezuela)\, at the Barcelona Gallery Weekend (Barcelona)\, at the Warsaw Gallery Weekend (Warsaw\, Poland)\, at the LMNO Gallery (Brussels\, Belgium)\, among others . \nActivity as part of the Tàpies Year celebration.
URL:https://museutapies.org/en/event/guided-visit-to-aa-bb/2023-12-20/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2023/12/Visita-a-AA-BB-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240116T180000
DTEND;TZID=UTC:20240116T190000
DTSTAMP:20260403T201012
CREATED:20240118T111638Z
LAST-MODIFIED:20240118T111638Z
UID:10000110-1705428000-1705431600@museutapies.org
SUMMARY:Guided visit to "A=A\, B=B"
DESCRIPTION:Fundació Antoni Tàpies is pleased to present a guided tour of A=A\, B=B\, by Pep Vidal\, curator of the exhibition. \nA=A\, B=B is an exhibition that tells us about the spirit of the scientific method\, the reasons that make us pursue science\, what science means in relation to ourselves\, to art\, etc. \nPep Vidal is an artist and scientist\, with a degree in Mathematics and a doctorate in Physical Sciences. As a scientist\, he works as an associate professor in the Physical Sciences Degree at the Universitat Autònoma de Barcelona (UAB). He has produced numerous research articles published in scientific journals and proceedings for national and international conferences. He is also a collaborating professor at the Bachelor of Arts at BAU and at the Bachelor of Arts at the Universitat Oberta de Catalunya (UOC). \nAs an artist\, he has participated in artistic residencies at Rijksakademie van Beeldende Kunsten\, (Amsterdam\, 2018)\, Hangar\, (Barcelona\, 2013-2015)\, FARE (2013\, Milan)\, Casa Velázquez (2014\, Madrid) and has made more than fifty exhibitions\, including thirteen individual ones\, among which stand out those held at the Abrons Arts Center (New York)\, the ADN Gallery (Barcelona)\, at the Museu Nacional d’Art de Catalunya (Barcelona)\, at the Museo de Arte Contemporáneo del Zulia (Maracaibo\, Venezuela)\, at the Barcelona Gallery Weekend (Barcelona)\, at the Warsaw Gallery Weekend (Warsaw\, Poland)\, at the LMNO Gallery (Brussels\, Belgium)\, among others . \nActivity as part of the Tàpies Year celebration.
URL:https://museutapies.org/en/event/guided-visit-to-aa-bb/2024-01-16/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2023/12/Visita-a-AA-BB-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240120T110000
DTEND;TZID=UTC:20240120T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000118-1705748400-1705757400@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-01-20/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240131T180000
DTEND;TZID=UTC:20240131T190000
DTSTAMP:20260403T201012
CREATED:20240130T074724Z
LAST-MODIFIED:20240130T120418Z
UID:10000304-1706724000-1706727600@museutapies.org
SUMMARY:Chanoyu Tea Ceremony
DESCRIPTION:Tickets\n  \n \nCha-no-yu literally means ‘hot water for tea’ and is part of the ritual for preparing powdered matcha green tea\, made from tencha. \nAs part of the exhibition Tàpies: The Zen Imprint\, the Fundació Antoni Tàpies is organising intimate and small tea ceremonies to experience the philosophy of this ritual based on harmony\, respect\, purity and tranquillity. During the ceremony\, visitors will be shown the preparation process\, followed by a tasting of the matcha tea accompanied by a yokan\, a traditional Japanese dessert. \nThe ceremony will be conducted by Jingjing Yuan of Tetere\, a family business located on Carrer de Saragossa\, Barcelona\, that has been importing and selling pure tea from China\, Taiwan and Japan since 2005. They also have a tea room for organising traditional Chinese and Japanese tea ceremonies in a harmonious atmosphere of peace and tranquillity. \nGiven the nature of the event\, each session will be limited to six people. The price of the activity includes entry to the Museum and the exhibitions.
URL:https://museutapies.org/en/event/cerimonia-del-te-chanoyu-2/
LOCATION:Auditori de la Fundació Antoni Tàpies
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/01/Cha-no-yu.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240206T180000
DTEND;TZID=UTC:20240206T190000
DTSTAMP:20260403T201012
CREATED:20240118T111638Z
LAST-MODIFIED:20240118T111638Z
UID:10000111-1707242400-1707246000@museutapies.org
SUMMARY:Guided visit to "A=A\, B=B"
DESCRIPTION:Fundació Antoni Tàpies is pleased to present a guided tour of A=A\, B=B\, by Pep Vidal\, curator of the exhibition. \nA=A\, B=B is an exhibition that tells us about the spirit of the scientific method\, the reasons that make us pursue science\, what science means in relation to ourselves\, to art\, etc. \nPep Vidal is an artist and scientist\, with a degree in Mathematics and a doctorate in Physical Sciences. As a scientist\, he works as an associate professor in the Physical Sciences Degree at the Universitat Autònoma de Barcelona (UAB). He has produced numerous research articles published in scientific journals and proceedings for national and international conferences. He is also a collaborating professor at the Bachelor of Arts at BAU and at the Bachelor of Arts at the Universitat Oberta de Catalunya (UOC). \nAs an artist\, he has participated in artistic residencies at Rijksakademie van Beeldende Kunsten\, (Amsterdam\, 2018)\, Hangar\, (Barcelona\, 2013-2015)\, FARE (2013\, Milan)\, Casa Velázquez (2014\, Madrid) and has made more than fifty exhibitions\, including thirteen individual ones\, among which stand out those held at the Abrons Arts Center (New York)\, the ADN Gallery (Barcelona)\, at the Museu Nacional d’Art de Catalunya (Barcelona)\, at the Museo de Arte Contemporáneo del Zulia (Maracaibo\, Venezuela)\, at the Barcelona Gallery Weekend (Barcelona)\, at the Warsaw Gallery Weekend (Warsaw\, Poland)\, at the LMNO Gallery (Brussels\, Belgium)\, among others . \nActivity as part of the Tàpies Year celebration.
URL:https://museutapies.org/en/event/guided-visit-to-aa-bb/2024-02-06/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2023/12/Visita-a-AA-BB-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240209T190000
DTEND;TZID=UTC:20240209T200000
DTSTAMP:20260403T201012
CREATED:20240131T105258Z
LAST-MODIFIED:20250204T131758Z
UID:10000308-1707505200-1707508800@museutapies.org
SUMMARY:Tàpies’ Chairs: Biel Mesquida
DESCRIPTION:Tickets\nCredit: Biel Mesquida as seen by Jean Marie del Moral \nTàpies’ Chairs is a season of multidisciplinary sound actions organised as part of the Tàpies Centenary Year at the Fundació Antoni Tàpies in collaboration with the Universitat Pompeu Fabra. It focuses on the voice and the word as a means of accompanying oral memory through sound. Each of the thirteen sessions will be led by an artist who will use the chair as a performative element to reconnect with Tàpies’ creative universe through original expressive languages and contemporary stagings. \nBiel Mesquida presents the third chair\, entitled Textures: Ode for Antoni Tàpies: “I shall sing a thousand and one shortcuts to the invisible world that underpins Tàpies’ work—through rhythms and harmonies I have learnt from his thick layers and thin threads\, his colourations and interweavings\, his alloys and graffiti… I shall speak with all my soul of his blossoming exploits in the realms of fragility and risk\, in the atmospheres of invention and whispers\, in the murmurings of matter resurrected by him\, as well as far more besides. With winged calligraphies and a user’s gratitude I shall write the entire forest of signs that have opened the doors of my perception. It will be my act of thanksgiving for Antoni Tàpies!” \nBiel Mesquida is a writer\, biologist\, critic and reader with a keen interest in the languages of art and science. His early novels\, L’adolescent de sal (1973) and El bell país on els homes desitgen els homes (1974)\, offered fresh perspectives amid the bleak and desolate landscape of Catalan literature. He coordinated the science and medicine section of the Gran Enciclopèdia Catalana (1972–1980) and was head of communication and publishing at the Universitat de les Illes Balears (1982–2011). His books\, especially Excelsior o el temps escrit\, Vertígens\, Els detalls del món\, Llefre de tu\, Carpe momentum and Encarnacions\, are noted for their highly original and engaging use of language\, conjuring up stirring musical rhythms. He is a regular contributor to numerous media outlets and has run the Festival de Poesia de la Mediterrània since setting it up in 1999. \n 
URL:https://museutapies.org/en/event/tapies-chairs-biel-mesquida/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Biel-Mesquida-Fundacio-Antoni-Tapies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240217T110000
DTEND;TZID=UTC:20240217T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000119-1708167600-1708176600@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-02-17/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240221T180000
DTEND;TZID=UTC:20240221T190000
DTSTAMP:20260403T201012
CREATED:20240118T104758Z
LAST-MODIFIED:20240118T104947Z
UID:10000104-1708538400-1708542000@museutapies.org
SUMMARY:Chanoyu Tea Ceremony
DESCRIPTION:Tickets\n  \n \nCha-no-yu literally means ‘hot water for tea’ and is part of the ritual for preparing powdered matcha green tea\, made from tencha. \nAs part of the exhibition Tàpies: The Zen Imprint\, the Fundació Antoni Tàpies is organising intimate and small tea ceremonies to experience the philosophy of this ritual based on harmony\, respect\, purity and tranquillity. During the ceremony\, visitors will be shown the preparation process\, followed by a tasting of the matcha tea accompanied by a yokan\, a traditional Japanese dessert. \nThe ceremony will be conducted by Jingjing Yuan of Tetere\, a family business located on Carrer de Saragossa\, Barcelona\, that has been importing and selling pure tea from China\, Taiwan and Japan since 2005. They also have a tea room for organising traditional Chinese and Japanese tea ceremonies in a harmonious atmosphere of peace and tranquillity. \nGiven the nature of the event\, each session will be limited to six people. The price of the activity includes entry to the Museum and the exhibitions.
URL:https://museutapies.org/en/event/cerimonia-del-te-chanoyu/
LOCATION:Auditori de la Fundació Antoni Tàpies
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/01/Cha-no-yu.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240306T170000
DTEND;TZID=UTC:20240306T190000
DTSTAMP:20260403T201012
CREATED:20240118T112925Z
LAST-MODIFIED:20240304T101407Z
UID:10000114-1709744400-1709751600@museutapies.org
SUMMARY:Silence and Vibration
DESCRIPTION:Tickets\n  \n \nThis workshop\, conducted by David Sitges from MUOM and conceptually linked to the exhibition Tàpies: The Zen Imprint\, will be organised in two parts.  \nThe first part will be dedicated to silence as a tool for working on intense listening and the void\, the state of inner silence\, active listening and subtle perception. Of a meditative nature\, it will be based on guided listening and travelling with sound.  \nThe second part will focus on vibration and the voice as both object and subject and will explore impermanence as vibration and vocal singing as meditation\, leading to a further exploration of the resonance of vocal sounds and guided vocal meditation.  \nMUOM is an overtone singing vocal ensemble based in Barcelona\, with wide experience in singing education and a range of activities so that anyone who wishes can acquire useful tools\, regardless of their level\, from people with no previous experience to professional musicians and choirs. \nThe admission price for the workshop includes entry to the Museum and the exhibitions. On 15 May 2024\, there will be a second workshop run by MUOM\, independently of the first one. The combined price for both workshops is 36 €. \nIt is necessary to bring a mat\, comfortable clothing\, a blanket\, and water for the workshop. \n  \n[Photography: Rodrigo Vazquez]
URL:https://museutapies.org/en/event/silenci-i-vibracio/
LOCATION:Auditori de la Fundació Antoni Tàpies
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2023/12/silenci-i-vibracio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240316T110000
DTEND;TZID=UTC:20240316T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000120-1710586800-1710595800@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-03-16/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240323T120000
DTEND;TZID=UTC:20240323T140000
DTSTAMP:20260403T201012
CREATED:20240318T142356Z
LAST-MODIFIED:20241111T160814Z
UID:10000342-1711195200-1711202400@museutapies.org
SUMMARY:Following the Sun: with Júlia Barbany and Petit Ibèric
DESCRIPTION:Tickets\n\n \n  \nFollowing the Sun is an experimental series of sound and stage performances\, presenting nine new sessions by young creative talents. The programme\, curated by Carolina Olivares Esturillo\, aims to promote the youthful\, inexhaustible energy of artists to light up and give new life to Tàpies’ solitary sock that presides over the Museu Tàpie’s roof terrace. \nThe first session in the programme is Sala Combo. The Return. Featuring Júlia Barbany and Petit Ibèric\, this is sound and performance improvisation. Like when we were in the treehouse as kids. Going into the ‘We’ve lost the ball and we can’t get it back’ loop\, the sounds of grrrrrrr. Extended jam session\, rambling stage play\, upstart concert\, the band split. The instruments are heavy—disorganisation is the key. If you want to be a good magician (a real good magician)\, press the button for the ‘Sock Terrace’ floor and float off in the ritual of nothingness with us. NO HYPE\, NO BOMBO\, JUST COMBO. \n  \nPARTICIPANTS \nJúlia Barbany (@juliabarbany). A hybrid performer and stage designer\, she situates her work in irony and within the limits of a performance style she calls ‘soft’. The central themes of her work are humour\, reflection on performance itself and the aesthetics of failure. She is a member of Las Huecas\, a mongrel stage collective in permanent retreat. A graduate of Barcelona’s Institut del Teatre\, in 2019 she did the master’s degree in Live Arts and Performance at the University of Helsinki\, where she began her career as a performer. She has been artist in residence at El Graner. Her current role there is assistant and art director for outside projects. She performs with the Societat Doctor Alonso company (FIT Cádiz 2024). With Las Huecas she is presenting Sobre l’amistat (Temporada Alta 2023) and is part of the educational team at MACBA\, where she runs performance-related workshops. \nPetit Ibèric (@petitiberic). After graduating in architecture from the UPC in 2021\, he worked in different architecture firms in Barcelona and Paris\, where he did the master’s degree in stage design at the École d’architecture de La Villette through the Erasmus programme. In this field he has worked mainly on urban projects for firms like Toyo Ito Architects\, URBIMEC and Territoris XLM\, but also in 3D rendering studios like Prompt Collective and Mentira Studios\, as well as working on small alteration projects as a freelance architect in and around Barcelona. \nOutside the architecture field\, he has always been involved in music in different formats. From experimental song in personal projects (Petit Ibèric\, DJ Temillas and Bimbo Bicasso Corporation\, among others) to composing and creating the anthem of the Federation of Planets in the Solar System for the performance conference Official Presentation of the Gadgets for Our Salvation\, by Júlia Barbany\, and soundtracks for the short films Sincronicidad\, by Jordi Clusella\, and Calvario\, by Lluís Margarit. In the last year he has devoted himself entirely to the world of sound composition and design with bigger projects\, setting aside architecture but not forgetting what he has learnt from it. \n  \nProgramme curated and produced by Carolina Olivares Esturillo \nDesign: Ana Habash and Ignasi Ayats.
Illustrated by: Eduard Sales \nTicket sales through the Museu Tàpies website ant at the box office. Limited capacity. \nLink to the full programme.
URL:https://museutapies.org/en/event/following-the-sun-with-julia-barbany-and-petit-iberic/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/03/web-Sala-Combo-The-Return-F-Tapies.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240403T180000
DTEND;TZID=UTC:20240403T190000
DTSTAMP:20260403T201012
CREATED:20240322T122448Z
LAST-MODIFIED:20250120T134255Z
UID:10000356-1712167200-1712170800@museutapies.org
SUMMARY:"Deu estius a Campins". My Antoni Tàpies
DESCRIPTION:  \nAntoni Llena’s Book presentation\, with the author\, Imma Prieto and Oriol Magrinyà. \n  \nFor ten straight summers\, Antoni Llena\, one of the most important Catalan contemporary artists\, visited his maestro and friend Antoni Tàpies at his studio in Campins\, Catalonia. Upon return\, he would put together his impressions of the artwork Tàpies had been working on that year in a notebook. The notebook would\, in this way\, bear witness to the creative process of a great artist\, as seen by another who is acknowledged as both his disciple and critic. It also contains a body of intelligent\, finely-tuned reflections on art\, creation and the creative process itself. \n  \nOn the occasion of the Tàpies Centenary Year\, Editorial Barcino presents these mostly unpublished texts in a book that will be presented at the Fundació Antoni Tàpies\, with the participation of Antoni Llena\, Oriol Magrinyà\, head of Editorial Barcino\, and Imma Prieto\, director of the Fundació Antoni Tàpies. \n  \nAntoni Llena (Barcelona\, 1942) is esteemed as an innovator in the context of present-day contemporary art. His work\, distinguished for its subtlety and elegance\, constantly challenges conventional forms and the limits of art. He has published many books on the creative process\, and writes regularly in the written press. He is currently a contributor to the newspaper Ara\, and has also written for Avui and La Vanguardia\, amongst others. \n  \n \n  \n  \n  \n 
URL:https://museutapies.org/en/event/ten-summers-in-campins-my-antoni-tapies-antoni-llenas-book-presentation-with-the-author-imma-prieto-and-oriol-magrinya/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/03/Present-llibre-Llena-b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240406T173000
DTEND;TZID=UTC:20240406T183000
DTSTAMP:20260403T201012
CREATED:20240325T155019Z
LAST-MODIFIED:20240402T095119Z
UID:10000373-1712424600-1712428200@museutapies.org
SUMMARY:Approximations 2024
DESCRIPTION:  \nGuided visits to the current exhibitions at Fundació Antoni Tàpies’ museum in Barcelona: \n· Tàpies. The Zen Imprint \n· Chiharu Shiota. Everyone\, a Universe \nSaturdays\, at 5:30 p.m. \n  \n \n  \n 
URL:https://museutapies.org/en/event/approximations/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Aproximacions-2024-Zen-Fundacio-Antoni-Tapies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240407T110000
DTEND;TZID=UTC:20240407T123000
DTSTAMP:20260403T201012
CREATED:20240214T171745Z
LAST-MODIFIED:20240326T144914Z
UID:10000324-1712487600-1712493000@museutapies.org
SUMMARY:Family Portrait: The Traces We Leave
DESCRIPTION:Tickets\n \n  \nHow many times have you photographed yourself? And your family? Many times\, we’re sure! In this workshop\, we invite you to create a different kind of family portrait. We take our inspiration from the work of Antoni Tàpies to leave our mark on the canvas through footprints\, imprints\, trails\, letters\, etc. Ready to give it a go?
URL:https://museutapies.org/en/event/family-portrait-the-traces-we-leave/
LOCATION:Museu Tàpies
CATEGORIES:Family
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/02/Activitat-familiar-de-la-Fundacio-Antoni-Tapies-de-Barcelona.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240409T180000
DTEND;TZID=UTC:20240611T180000
DTSTAMP:20260403T201012
CREATED:20240325T123037Z
LAST-MODIFIED:20240602T180737Z
UID:10000372-1712685600-1718128800@museutapies.org
SUMMARY:Antoni Tàpies and Universitat de Barcelona
DESCRIPTION:  \nCombined visit to the Fundació Antoni Tàpies and the University’s Historic Building \nOn the occasion of the Tàpies’ Year we are organising\, together with the Universitat de Barcelona (UB)\, a combined visit to the former home of Editorial Montaner y Simón\, now the headquarters of the Fundació Antoni Tàpies\, designed by Lluís Domènech i Montaner\, and the university’s Historic Building\, designed by Elies Rogent. Both buildings were built in the second half of the 19th century and are examples of an architecture shifting towards modernity\, within a historicist style in the case of the university and early Art Nouveau in the case of Montaner y Simón. The visit is a chance to find out about the history of the two buildings\, but also about the artist’s links with the university. \nAntoni Tàpies’ relationship with the Universitat de Barcelona began in 1944\, when he began his studies in the Law faculty. There he made friends with poets\, writers and key figures in Catalan letters and communication\, including Carlos Barral\, Alfonso Costafreda\, Jaime Gil de Biedma\, Alberto Oliart\, Joan Reventós\, Josep Maria Castellet\, Manuel Sacristán and Josep Maria Ainaud\, among others. \nThough he never finished these studies\, his link to the university was reinforced by the events known as La Caputxinada\, in 1966. Tàpies was invited as a well-known Catalan artist to take part in this clandestine meeting at the Capuchin monastery in the Sarrià neighbourhood of Barcelona\, where students and intellectuals discussed setting up the first democratic student union at the university since the end of the Spanish Civil War. After several days under siege\, he was arrested by the police\, together with the other participants\, and subsequently fined (the Supreme Court confirmed the fine imposed on the artist in 1971). As he recalled in his autobiography Memòria personal [Personal Memories]\, which he began writing that same year\, “Entering the packed meeting room to great acclaim from the students was moving. It was the first time I had played a prominent part in a large event\, and all this affected me a lot.” \n  \nAntoni Tàpies’ civic and political commitment \nAntoni Tàpies was a committed artist in relation to the political and social events of contemporary history. While this positioning is to be found at the beginning of his career\, it was from the second half of the 1960s that his commitment to the struggle against the Franco dictatorship and for democracy became clearer. Following the dictator’s death\, Tàpies often sided with civil and political initiatives aimed at self-government for Catalonia and an amnesty for political prisoners\, and showed his support for other oppressed peoples around the world\, environmentalism and anti-militarism. \nFrom the 1980’s onwards\, demand for his posters from institutions and other bodies rose. Highlights in this context include the posters he created for initiatives set up by the university together with other institutions\, such as for example Catalan Week in New York (1983)\, published by the UB\, the Barcelona city council\, the savings bank Caixa d’Estalvis de Catalunya and New York University\, and the poster for the production of Goethe’s Urfaust in the university’s Paranimf auditorium (1983). \n  \nPreliminary work and the creation of Tàpies’ monument to Picasso \nUnder this title\, in 1983 the Paranimf auditorium in the University of Barcelona’s Historic Building hosted an exhibition devoted to the artistic process in which Antoni Tàpies created his Homenatge a Picasso [Homage to Picasso] (1983)\, commissioned two years before by Barcelona city council. Homenatge a Picasso (1983) was installed in 1983 on the Passeig Picasso\, near one of the gates to the Ciutadella park. When the monument was restored by Pere Casanovas in 2006\, the Fundació Antoni Tàpies organised another exhibition in which his preliminary sketches were displayed. \nTàpies conceived the monument as an assemblage of art nouveau artefacts—specifically\, a piece of furniture that combines the functions of a sofa\, mirror and cupboard all at once\, from the time when the painter from Malaga lived in Barcelona—with some steel bars running through them. While the piece of furniture is a symbol of comfort in a specific time and social setting\, the bars—which suggest the industrial Barcelona of the day—represent the discomfort of revolt. The piece is completed by a pile of chairs tied with ropes and some white sheets spread out with phrases written on the bottom part\, including one that translates as\, “A painting is not to decorate a lounge\, but is a weapon of attack and defence against the enemy.” The piece therefore sets out to stress the social function of art. \nThe exhibition was open from 7th April to 18th May 1983. It was organised by the faculty of fine art\, which devoted a special issue of its newsletter to the exhibition. This included a plan of the pieces in the exhibition\, accompanied by the preliminary sketches and several texts reflecting on the monument\, illustrated by an extensive photo report by Francesc Català-Roca. \nThe opening of the exhibition was a major institutional event\, attended by leading figures in the worlds of politics and culture at the time\, including Jordi Pujol\, then head of the Catalan government; Max Cahner\, Catalan minister of culture; Pasqual Maragall\, mayor of Barcelona; Joan Guitart i Agell\, Catalan minister of education; Josep Maria Cullell\, Catalan minister of regional policy and public works; José María Maravall\, Spanish minister of education and science\, and Tomás de la Quadra-Salcedo\, Spanish minister of regional administration\, among others. The university organised a series of lectures in connection with the exhibition\, including one by Alfonso Pérez Sánchez\, director of the Museo del Prado in Madrid\, under the title Monument and Painting. \n  \nDoctor Honoris Causa \nOn 22nd June 1988\, at the request of the faculty of geography and history of the Universitat de Barcelona\, Antoni Tàpies was awarded an honorary doctorate\, sponsored by Dr. Immaculada Julián. In her speech\, the latter reviewed his career as an artist from its beginnings in the forties\, mentioning his different stages and concluding by describing him as “an artist who\, without being a teacher there\, has been a master for many generations at the faculty of fine art\, because of the value\, substance and conceptuality of his work”. \nOne of the high points of the ceremony was an emotional speech about art and spirituality given from the pulpit in the Paranimf\, dealing with several topics: the social function of art as a path for knowledge and a means of changing awareness and behaviour\, the validity of certain spiritual and contemplative experiences and their adaptation to current needs\, and the importance of the artist’s work as a contribution to the struggle against commercialism and banalisation. His speech\, entitled Art and Spirituality\, concluded with these words: \nThe point is\, as has often been discussed\, one thing is good spiritual or moral intentions and another is also to possess the set of qualities\, or artistic gifts\, that characterise certain personalities; in the end\, everything that makes art truly Art\, with all the enigmatic mechanisms\, complexities and adventures that belong to it\, but of which the “spiritual” world\, as we have seen\, never ceases to be the essential\, inseparable foundation. \n  \nBookings: visitesguiades@ub.edu \nComments: Comfortable footwear is recommended. The parts visited in the Historic Building of the Universitat de Barcelona are not accessible to people with reduced mobility.
URL:https://museutapies.org/en/event/antoni-tapies-and-the-university-of-barcelona-combined-visit-to-the-fundacio-antoni-tapies-and-the-universitys-historic-building/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/03/ub.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240412T190000
DTEND;TZID=UTC:20240412T193000
DTSTAMP:20260403T201012
CREATED:20240325T084531Z
LAST-MODIFIED:20240326T094048Z
UID:10000361-1712948400-1712950200@museutapies.org
SUMMARY:Tàpies’ Chairs: Cabosanroque
DESCRIPTION:Tickets\n  \n \n  \nTàpies’ Chairs is a series of multidisciplinary sound actions organised in the context of the Tàpies Centenary Year\, with the collaboration of Pompeu Fabra University. The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way\, each of the thirteen sessions will feature a creator whose starting point will be the chair\, taken as a performative object\, linking back to the creative universe of Tàpies through the expressive languages and settings of the present day. \nThe sound action for this fifth chair of Tàpies\, entitled Playback\, is a proposal by Cabosanroque created exclusively for chairs: a dialogue between the sincerity of the materials’ sonority\, the voice of the object and the artifice of its representation. Straddling performance and installation\, the action plays with the idea of the materiality of concrete music\, often related to the material informalism of Tàpies\, revealing the tensions in such staging. Understanding chairs as sonorous objects and autonomous performers\, the materials and chairs occupying the space are left to speak. For perhaps\, in this regard\, the chairs do not need anyone else to speak for them. \n  \nCabosanroque is a group comprised of Laia Torrents Carulla and Roger Aixut Sampietro. Their work has developed in relation to sound and its performative capacities. In turn\, their interventions question the spectator when it comes to inhabiting space\, understood as physical\, temporal and conceptual\, as sonorous and visual. They are interested in artifice and its relationship to human beings. \nCabosanroque search for the tensions between disciplines such as music\, theatre\, the visual arts and sound\, striving to open up the edges\, becoming spaces in conflict. Their academic training (in music\, industrial engineering and architecture) brings them to use technology in all their works\, where it is always understood as a tool\, as a medium and not an aesthetic\, as an ongoing research project. They frequently collaborate with other artists and with thinkers and writers. \nTheir work has been seen nationally and internationally. In recent years they have shown at: CaixaForum + (2023)\, Centre de Cultura Contemporània de Barcelona (2023)\, Cité de l’Architecture (Paris\, 2021)\, Centre Georges Pompidou (Paris\, 2020–2021)\, Centre for Contemporary Arts of Glasgow (2019)\, La Casa Encendida (Madrid\, 2018)\, Schaubude (Berlin\, 2018)\, Fonoteca Nacional de México (Mexico City\, 2012)\, Teatre Nacional de Catalunya (Barcelona\, 2023\, 2016 and 2008)\, Sónar (Barcelona\, 2018\, 2015\, 2014\, 2010 and 2008; Frankfurt\, 2008; Santiago de Chile\, 2015)\, Grec Festival de Barcelona (Barcelona\, 2023\, 2021 and 2006)\, Festival Temporada Alta (Girona\, 2022\, 2019\, 2016\, 2012 and 2009)\, La Filature Scène Nationale de Mulhouse (2019)\, Théâtre Garonne\, Scène européenne de Toulouse (2024\, 2020 and 2019)\, Unidram Festival (Berlin\, 2009). \nSince 2015 they have been resident artists at the Fundació Lluís Coromina. \n  \n[Photo: Inga Knölke.]
URL:https://museutapies.org/en/event/tapies-chairs-cabosanroque/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/i_display-b.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240413T110000
DTEND;TZID=UTC:20240413T120000
DTSTAMP:20260403T201012
CREATED:20240325T080511Z
LAST-MODIFIED:20240404T130849Z
UID:10000359-1713006000-1713009600@museutapies.org
SUMMARY:Zazen. Seated meditation
DESCRIPTION:  \nZen is a Japanese word derived from the Sanskrit dhyāna which literally means ‘meditation’. Zen is therefore meditation. As part of the temporary exhibition Tàpies: The Zen Imprint\, the Nalanda Zen centre of Barcelona is organising an open session of zazen\, the seated meditation traditional in Zen. \nThere is an art derived from Zen\, from the practice of meditation. There is no Zen art. Everyone finds their own way based on their own experience. Meditating is experimenting with yourself; painting as Tàpies did is\, too. The fruit of a mind freed from attachments and preconceptions to leave the hand free to draw. When you let yourself go\, freedom appears. \nThere is nothing to gain. Just sitting\, letting body and mind go. A thousand and one times. Nothing matters any more other than staying seated\, letting thought go\, aware of one’s own body and its breathing. Like this\, sitting becomes a unique chance to observe one’s true nature. \nThis session will consist of two parts: the first in the form of seated meditation and a brief meditation while walking round the exhibition space\, and the second part of seated meditation. The session ends with some traditional chants. \n  \nI close my eyes\, seated in meditation\, \na thousand mountains in the dawn. \nThe ten thousand concerns of the human world are in vain. \nAlone and unmoving on my cushion\, \nin the vacuum\, sitting before an empty window. \n  \nRyōkan Taigu (1758–1831) \n  \nYou can enrol for the activity either by emailing nalanda@nalanda.cat or on the day of the activity in reception at the Fundació Antoni Tàpies. The session is suitable for all kinds of people\, but capacity is limited. \nAttendees are asked to be punctual and to wear black or at least neutral-coloured clothing. \n 
URL:https://museutapies.org/en/event/zazen-seated-meditation/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/03/Foto-Web-FTapies_Nalanda-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240413T120000
DTEND;TZID=UTC:20240413T140000
DTSTAMP:20260403T201012
CREATED:20240131T163333Z
LAST-MODIFIED:20240328T112940Z
UID:10000311-1713009600-1713016800@museutapies.org
SUMMARY:Art of Another Kind: Art Informel in Catalonia\, 1956–1966\, Catalogue Presentation
DESCRIPTION:  \nArt informel was one of the leading art movements in Catalonia in the second half of the 20th century\, bursting with creative freedom and breaking free from the limitations of representation. Deeply personal and introspective\, it embraced a wide range of painting styles — matter painting\, tachisme\, gesture-sign painting and spatialism — that dominated the European\, and Catalan\, art scene throughout the 1950s and 1960s. \nThe exhibition Art of Another Kind: Art Informel in Catalonia\, 1956–1966\, which can currently be seen at the Museu d’Art de Girona\, is the most comprehensive survey of this movement in Catalonia to date and features many artists—particularly women—whose work has not been widely exhibited and who have received little attention in the historiography of Catalan art informel. The show also dedicates a space to historian and critic Juan-Eduardo Cirlot (Barcelona\, 1916–1973)\, one of the movement’s greatest proponents\, and pays tribute to artists Albert Ràfols-Casamada\, Romà Vallès\, Evarist Vallès and Antoni Tàpies\, as part of the commemorations to mark their centenary years. \nAs a way of bringing the spirit of the show to Barcelona\, the Fundació Antoni Tàpies is delighted to present the exhibition catalogue\, which includes texts by Àlex Mitrani and Lourdes Cirlot\, among others. The presentation will be given by the exhibition curators\, Conxita Oliver and Joan Gil\, who will be joined by graphic designer Jordi Ortiz and the director of the Museu d’Art de Girona\, Carme Clusellas. \n  \n[Antoni Tàpies. Terra i pintura (1956). © Fundació Antoni Tàpies\, Barcelona/vegap. Photography: © Gasull Fotografia\, 2024.]  
URL:https://museutapies.org/en/event/art-of-another-kind-art-informel-in-catalonia-1956-1966-catalogue-presentation/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/tapies-terra-i-pintura.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240420T110000
DTEND;TZID=UTC:20240420T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000121-1713610800-1713619800@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-04-20/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240420T120000
DTEND;TZID=UTC:20240420T140000
DTSTAMP:20260403T201012
CREATED:20240403T094009Z
LAST-MODIFIED:20240405T145552Z
UID:10000377-1713614400-1713621600@museutapies.org
SUMMARY:Following the Sun: ASRA3\, Catarata de culos\, Els Cundits and Irieix
DESCRIPTION:Tickets\n  \n \n  \nThe roof of the Fundació Antoni Tàpies is to become an experimental playground for Opimelissa\, a collective who cook\, sing\, dance and lots more. We’ll be following the sun with the gentle irony and humour of Júlia Barbany\, the architecture of the catchy electrosong of Petit Ibèric\, the philosophical canticles of Max Grosse about the life and lovesickness of an odd sock with a hole in it\, the egodilirium of the sharp-penned dramatist and writer Berta Prieto (if you don’t know who she is yet\, you’re living in a cave!)\, the rhythm of DJ\, performer and militant for self-governance Meritxell de Soto\, the overflowing energy of tender\, multi-faceted punkmother Belén Barenys\, the experimental Latin music of Deprerreo\, the contorted body of Candela Capitán\, who denounces the sexualisation of women through convulsive metrics. \nSecond session of the programme Following the Sun\, an experimental series of sound and stage performances\, presenting nine new sessions by young creative talents. The programme\, curated and produced by Carolina Olivares Esturillo\, aims to promote the youthful\, inexhaustible energy of artists to light up and give new life to Tàpies’ solitary sock that presides over the Fundació’s roof terrace. \n  \nSegunda sesión: THE VOICE OF FUNKOPOPS\, with ASRA3 \n\nGuests: CATARATA DE CULOS + ELS CUNDITS + IRIEIX \nUnpublished and surprising performance concert by the great ASRA who presents his latest current album titled “mami ençengui la ñocla”. Socks roll for FUNKOPOPS. They’re going to give it our all and more. \nVoices and experiments from the great event by: \n· Nasty Dalsy: voice\, keyboard \n· Sarigueyax: voice\, keyboard\, bass \n· Voldo: voice\, guitar \n· PAVOROTTI FUERTE: voice\, keyboard \n· Gusanito Rally: voice\, he helps make the dolls talk \n· Jaumetmandril666: guitar\, voice \n· rikamichie: voice \n· azombike: voice\, bass \n· blanc nua: voice\, keyboard \n· Irieix: potatoes \n\n  \nASRA3 \nSinger\, DJ and prod. with eclectic\, humorous\, ethereal and experimental tendencies. He is a member of the musical groups Els Cundits and Catarata De Culos\, both lyrically and stylistically pioneers of music in Catalan. He is responsible for the queerfriendly alternative parties Desacato Goblin\, where cultural movements are devirtualized\, already having 47 editions in 2 years\, held in venues such as Razzmatazz\, Dabadaba\, Sala X\, Siroco\, Upload\, Electropura and more. He also participates in the organization of the Opi Melissa anxiolytic musical play library\, a generally daytime\, multidisciplinary and interactive experience that includes food\, visuals and soft surfaces to lie on. It has been held at La Infinita and the CCCB. The gratitude of his assistants indicates that proposals like this are necessary and relevant. \n  \n\n\nProgramme curated and produced by Carolina Olivares Esturillo \nDesign: Ana Habash and Ignasi Ayats. Illustrated by: Eduard Sales \nTicket sales through the Fundació website and at the box office. Limited capacity \n\n\nLink to the full programme. \n  \n 
URL:https://museutapies.org/en/event/following-the-sun-asra3-catarata-de-culos-els-cundits-irieix/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/04/040424_Fundacio-Tapies_Seguint-el-Sol_Post_Individuals-NOU-b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240430T180000
DTEND;TZID=UTC:20240430T190000
DTSTAMP:20260403T201012
CREATED:20240325T094849Z
LAST-MODIFIED:20240408T100623Z
UID:10000363-1714500000-1714503600@museutapies.org
SUMMARY:Today is Tàpies. Marcelo Expósito - Anna Pacheco
DESCRIPTION:Tickets\n  \n \n  \nOrganised by the Fundació Antoni Tàpies as part of the Tàpies Centenary Year\, Today is Tàpies is a series of transgenerational and interdisciplinary conversations conducted and moderated by the cultural journalist Rita Roig (Terrassa\, 1997). The aim is to interpret Tàpies’ texts as a starting point for reflecting on current issues such as ecology\, the right to self-determination\, interculturality and political commitment in art. \nThe words and ideas of the artist will be revisited during a series of thirteen sessions\, with invited participants from different generations and diverse professional fields (culture\, education\, science\, politics\, environment\, health and human sciences) helping to construct a polyphonic story that will be collected in the form of a podcast. Thanks to the collaboration of Catalunya Ràdio\, the podcast will allow us to experience the generated knowledge in another format and in another context. \n  \nCHAPTER 5. POLITICS\, FREEDOM AND OTHER CONTRADICTIONS \n‘It is often said that important culture is left wing’\, said Tàpies. Before this affirmation\, he wondered what type of left do we refer to when we make such assertions. Because\, is culture intrinsically radical and transformative? Does the left really believe in a progressive and revolutionary art? In this conversation\, Anna Pacheco and Marcelo Expósito will talk about ideology and aesthetics\, the social function of art and what type of culture should we be fighting for to defend our social rights. \n  \nPARTICIPANTS \nMarcelo Expósito is an artist\, political activist and cultural critic. His artwork has been shown in museums\, festivals and art centres\, and he is the author of around twenty articles\, such as Walter Benjamin\, productivista (2013)\, Conversación con Manuel Borja-Villel (2015) and Discursos plebeyos (2019). As a political activist\, for the last three decades he has participated in social movements for democratic radicalisation\, in civil platforms such as the 15-M Movement\, Real Democracy Now and Platform for People Affected by Mortgages (PAH). He was an elected member of the Cortes Generales (Spanish Parliament) from 2016 to 2019. \n  \nAnna Pacheco is a journalist and writer. Her articles focus on social issues such as housing\, work\, feminisms and popular culture from a class and gender perspective. She has contributed to publications such as Vice\, Playground\, La Marea\, El País and El Diario\, and co-presents the programme Ciberlocutorio at Radio Primavera Sound. She has taken part in various anthologies\, such as the feminist texts Aquí estamos (2019) and is the author of the book Listas\, guapas\, limpias (2019). \n  \nToday is Tàpies programme \nPodcasts Today is Tàpies\, by Catalunya Ràdio.
URL:https://museutapies.org/en/event/today-is-tapies-marcelo-exposito-anna-pacheco/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Exposito-Pacheco.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240504T110000
DTEND;TZID=UTC:20240504T123000
DTSTAMP:20260403T201012
CREATED:20240325T112551Z
LAST-MODIFIED:20240327T083128Z
UID:10000366-1714820400-1714825800@museutapies.org
SUMMARY:Thread and memory: family workshop of memories and stories
DESCRIPTION:Tickets\n  \n \n  \nParticipative workshop through which we will connect personal stories\, and to transform a space of the Fundació based on memories and emotions. \nBy 3ART (Dimas Fàbregas\, Marco Fragoso and Toni Vila). \n 
URL:https://museutapies.org/en/event/thread-and-memory-family-workshop-of-memories-and-stories/
LOCATION:Museu Tàpies
CATEGORIES:Family
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/03/fat240319_039b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240508T180000
DTEND;TZID=UTC:20240508T203000
DTSTAMP:20260403T201012
CREATED:20240319T153842Z
LAST-MODIFIED:20240419T094753Z
UID:10000345-1715191200-1715200200@museutapies.org
SUMMARY:Seminar "Memory and Trauma"
DESCRIPTION:Sold Out \n  \n \n  \nWith the Fundación Rādika \nSession dedicated to exploring memory\, beyond neural connections and the brain\, as a dynamic structure connected to breathing\, and trauma as an undigested and inherited experience. This seminar will feature the participation of Nazareth Castellanos\, neuroscience researcher\, Mario Salvador\, psychologist and psychotherapist\, and Maria Macaya\, founder and president of Rādika\, dedicated to giving voice to mental and emotional health issues. \n  \nPROGRAMME \n6 p.m. Presentation of the seminar by Imma Prieto and Maria Macaya \n6:15 p.m. Conference “The knots of memory” by Nazareth Castellanos \nMemory is based on the neural threads or connections of brain structures such as the hippocampus. However\, far from being a memory storage process\, is dynamic and presents certain knots and creates false memories that are forgotten as a result of mental agitation. Beyond the brain\, memory also depends on breathing. \n18:45 Break \n7 p.m. Conference “The transgenerational inheritance of trauma” \nTrauma is a silenced scream and unmetabolized pain. The experience that could not be digested by our ancestors is transmitted to subsequent generations\, both through epigenetic inheritance and later in relationships. We have a personal history and a prehistory that precedes us\, our identity does not begin in our life but rather we are a continuation of the history of our lineage. \nMario Salvador \n7:30 p.m. Discussion and open question session \n20.15 h. Final \n  \nPARTICIPANTS \nNazareth Castellanos \nShe has been researching and teaching in the field of neuroscience for more than twenty years. Graduate in Theoretical Physics and Doctor of Medicine from the Autonomous University of Madrid (UAM). Master in Mathematics applied to biology and Master in Neurosciences from the Faculty of Medicine of the UAM. \nShe has worked as a researcher and teacher in the Cognitive and Computational Neuroscience laboratory at the CTB (Complutense and Polytechnic University of Madrid)\, at the Max Planck brain research institute in Frankfurt and at Kings College in London. Currently\, she directs research at the Nirakara – Lab and the UAM chair\, Mindfulness and Cognitive Sciences. She has published more than fifty articles on international scientific journals and collaborated on university books. She also teaches classes at Spanish\, German\, English and American universities. \nMore than ten years ago she began teaching neuroscience courses for the general public. Learning to disseminate this technical knowledge has been one of the great learnings of her career since it involves thinking about the impact of what she does in the laboratory. She wonders if we could know ourselves from the study of the brain. \n  \nMario Salvador \nPsychologist and specialist in clinical psychology\, he is co-director of ALECE\, Institute of Integrative Psychotherapy of Trauma and of Brainspotting Spain. With forty years of experience in the practice of psychotherapy\, is an International Trainer in Trauma Integration and Reprocessing Psychotherapy\, Aleceia Model\, Transactional Analyst (EATA-ITAA)\, Trainer and Supervisor in Brainspotting by BTI\, Co-creator\, trainer and supervisor in Aleceia Model of Trauma Reprocessing. \nCurrently\, he is president of the Spanish Brainspotting Association and Treasurer of the Ibero-American Psychotrauma Association (AIBAPT). He co-directs and is one of the main teachers of the Aleceia Model Trauma Reprocessing Psychotherapy program at the Aleces Institute and an international teacher in Brazil\, Italy\, Slovenia\, Ecuador\, Romania\, Russia and Austria. He is also the author of the books Beyond the self. Finding our essence in healing trauma and Who I am? From Dissociation to Integration\, co-author of the book The power of Brainspotting and author of several articles in the area of ​​psychological trauma. \n  \nMaria Macaya \nWith a degree in Art History and International Relations from Tufts University and in Creative Writing from Stanford University\, a master’s degree in Art Criticism from Columbia University\, she founded Rādika in 2016 with the intention of giving a voice to mental and emotional health and provide knowledge and tools for well-being. Through the Rādika platform\, she offers courses and training and interviews with professionals dedicated to relieving emotional and mental distress. \nMacaya specializes in trauma and trauma-sensitive yoga. She is certified in Gabor Maté’s Compassionate Inquiry professional program\, has a 300-hour certification from the Center for Trauma and Embodiment in Brookline\, Massachusetts\, in the TCTSY methodology and in the advanced programme from the Center for Yoga and Trauma Recovery in San Francisco. She is also certified in addictions and recovery with Stanford University and has studied neuroscience with King’s College. She is also a Jivamukti 800 hour advanced yoga teacher and trains teachers at this school. \nCurrently\, she is undergoing training in contemplative accompaniment in death. \n 
URL:https://museutapies.org/en/event/seminar-memory-and-trauma/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/03/Neurociencia-de-la-memoria.jpg
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DTSTART;TZID=UTC:20240510T190000
DTEND;TZID=UTC:20240510T193000
DTSTAMP:20260403T201012
CREATED:20240423T085644Z
LAST-MODIFIED:20240426T104633Z
UID:10000725-1715367600-1715369400@museutapies.org
SUMMARY:Tàpies’ Chairs: Joana Gomila
DESCRIPTION:Tickets\n  \n \n  \nTàpies’ Chairs is a series of multidisciplinary sound actions organised in the context of the Tàpies Centenary Year\, with the collaboration of Pompeu Fabra University. The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way\, each of the thirteen sessions will feature a creator whose starting point will be the chair\, taken as a performative object\, linking back to the creative universe of Tàpies through the expressive languages and settings of the present day. \nThe action of the sixth chair of Tàpies is We Hear I\, by Joana Gomila. In recent months\, Gomila has travelled with a homemade microphone (placed on a cork)\, a small guitar\, a chair and the Ursula K. Le Guin version of the Tao Te Ching. Over the course of her journey\, she has sought out places to stay\, which at first were churches and chapels. During the process\, she has found shelter in gardens\, coves\, caves and farmers’ fields. The goal of her travels was to read a poem from the Tao\, then do a vocal improvisation-meditation that would make her at one with herself for ten minutes at each place of refuge. From the material arising from this\, Gomila has made a selection comprising the basis for this living installation\, conceived to be shown at the Fundació Antoni Tàpìes. Oïm (We Hear) means paying attention to what we sense with our ears. Oïm means to listen actively\, willingly\, involving ourselves in our surroundings. \n  \nJoana Gomila is a musician\, singer and composer\, and is co-director of the Suralita centre for creation. In her album projects Folk Souvenir\, Paradís and Així Deçà (the latter two with Laia Vallès)\, she has been inspired by the sensitive material of tradition\, along with improvisation\, experimentation and thought\, conceived as a living\, musical approach to things. Gomila won the 2020 Altaveu Award\, the Ciutat de Palma Award in 2017 (for Folk Souvenir) and 2020 (for Paradís)\, the Enderrock Critics’ Award in 2020 (for Paradís) and the Bartomeu Rosselló-Pòrcel Award of the OCB in 2018. \nSince 2012\, Gomila has created the music and soundscapes of many shows documentaries. She has worked with Lali Ayguadé\, Andrés Lima\, Els Escarlata\, Hotel iocandi\, Mariantònia Oliver and Cesc Mulet\, amongst others. She has also collaborated with numerous musicians\, including Joan Miquel Oliver\, James Acaster\, Miquel Serra\, Iago Aguado\, Marcel·lí Bayer\, Toni Vaquer\, Celeste Alías and Anna Subirana. \n“I am an unsettled person\, a musician\, and my experimental urges connect with my love for popular music and sound archives\, which I have been fortunate to be able to locate and research through my duo with Laia Vallès. I also have ties to and great love for the performing arts\, and often compose music for dance\, the circus\, cinema and other unclassifiable expressive languages. I need to be able to dream and imagine futures with the people close to me\, surrounded by a human flux able to constantly enliven my spirit.” \n 
URL:https://museutapies.org/en/event/tapies-chairs-joana-gomila/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Joana-Gomila-b.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240515T170000
DTEND;TZID=UTC:20240515T190000
DTSTAMP:20260403T201012
CREATED:20240118T120009Z
LAST-MODIFIED:20240304T100858Z
UID:10000137-1715792400-1715799600@museutapies.org
SUMMARY:Presence and Space
DESCRIPTION:Tickets\n  \n \nThis workshop\, conducted by Roger Sans from MUOM and conceptually linked to the exhibition Tàpies: The Zen Imprint\, will be organised in two parts.  \nThe first part will be dedicated to spontaneous singing as an expression of presence and to the connection between presence\, movement\, gesture and spontaneous singing.  \nThe second part of the workshop will conceive space as interdependence and harmony using collective singing\, leading to listening in a group and the harmonisation of the group and the circle of voices.  \nMUOM is an overtone singing vocal ensemble based in Barcelona\, with wide experience in singing education and a range of activities so that anyone who wishes can acquire useful tools\, regardless of their level\, from people with no previous experience to professional musicians and choirs. \nThe admission price for the workshop includes entry to the Museum and the exhibitions. \nIt is necessary to bring a mat\, comfortable clothing\, a blanket\, and water for the workshop. \n[Photography: Rodrigo Vazquez]
URL:https://museutapies.org/en/event/presencia-i-espai/
LOCATION:Auditori de la Fundació Antoni Tàpies
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2023/12/MUOM-fundacio-antoni-tapies.png
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DTSTART;TZID=UTC:20240518T110000
DTEND;TZID=UTC:20240518T133000
DTSTAMP:20260403T201012
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000122-1716030000-1716039000@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-05-18/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240518T120000
DTEND;TZID=Europe/Madrid:20240518T140000
DTSTAMP:20260403T201012
CREATED:20240415T125226Z
LAST-MODIFIED:20240503T095541Z
UID:10000723-1716033600-1716040800@museutapies.org
SUMMARY:Following the Sun: Candela Capitán
DESCRIPTION:  \n \n  \nThe roof of the Fundació Antoni Tàpies is to become an experimental playground for Opimelissa\, a collective who cook\, sing\, dance and lots more. We’ll be following the sun with the gentle irony and humour of Júlia Barbany\, the architecture of the catchy electrosong of Petit Ibèric\, the philosophical canticles of Max Grosse about the life and lovesickness of an odd sock with a hole in it\, the egodilirium of the sharp-penned dramatist and writer Berta Prieto (if you don’t know who she is yet\, you’re living in a cave!)\, the rhythm of DJ\, performer and militant for self-governance Meritxell de Soto\, the overflowing energy of tender\, multi-faceted punkmother Belén Barenys\, the experimental Latin music of Deprerreo\, the contorted body of Candela Capitán\, who denounces the sexualisation of women through convulsive metrics. \nThird session of the programme Following the Sun\, an experimental series of sound and stage performances\, presenting nine new sessions by young creative talents. The programme\, curated and produced by Carolina Olivares Esturillo\, aims to promote the youthful\, inexhaustible energy of artists to light up and give new life to Tàpies’ solitary sock that presides over the Fundació’s roof terrace. \n  \nThird session: Candela Capitán \nControl tools in freedom\, cowbells and algorithms\, “slow living” and “screen hypnotism” are the basis of CELDA SONORA\, the new solo by Candela Capitán (Seville\, 1996) for the cycle “Following the sun”\, curated by Carolina Olivares Esturillo\, at the Fundació Antoni Tàpies\, which will be presented on May 18 to celebrate International Museum Day. \n  \nCELDA SONORA is a “dance” process that explores the body and movement to demystify the idea of ​​finding a deeper connection with oneself\, others and the environment through the New Age phenomenon. This piece fuses two instruments of free control as disparate as the cowbell and the algorithm\, and implements what Captain calls “Slow Living movement practice” in dance. The constrained body and a rudimentary soundtrack are the response to technological saturation\, the accelerated pace and search for instant gratification that characterize much of contemporary generations. \n  \nCandela Capitán is an action artist and choreographer. Her personal work explores the activation and deactivation of social links\, putting the body in relation to other bodies\, objects and images collective. New communication technologies\, relationships cross-border interactions between artistic disciplines or the intergenerational impact and its consequences are some of the subjects that his projects go through.These serve to create dream spaces and parallel realities in the form of choreographies\, installations or performances that invite audience to participate directly in their tensions\, joys and delusions. Mostly uses the language of performance to study the limits of dance\, thanks to an exhaustive knowledge of the body in movement and its presence on stage. Her works are developed in different media (live actions\,facilities or the audiovisual field) and vehicles (through platforms virtual or live)\, with the aim of finding different channels of interconnection with the public or questioning artistic disciplines and their possibilities. \n  \n\n\nProgramme curated and produced by Carolina Olivares Esturillo \nDesign: Ana Habash and Ignasi Ayats. Illustrated by: Eduard Sales \nTicket sales through the Fundació website and at the box office. Limited capacity \n\n\nLink to the full programme.
URL:https://museutapies.org/en/event/following-the-sun-candela-capitan/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/04/Candela-Capitan-Celda-Sonora.jpg
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