BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Museu Tàpies - ECPv6.6.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://museutapies.org/en/
X-WR-CALDESC:Events for Museu Tàpies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Madrid
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261117T180000
DTEND;TZID=Europe/Madrid:20261117T200000
DTSTAMP:20261114T084204
CREATED:20260910T143134Z
LAST-MODIFIED:20261111T104145Z
UID:10001344-1794938400-1794945600@museutapies.org
SUMMARY:Extramural 2026. Second time/resurrection
DESCRIPTION:To close the art project Extramural: Timelines / resurrection\, and in partnership with the Filmoteca de Catalunya and the Loop Festival\, the Museu Tàpies is organising a season of screenings featuring three films by Dora García that share a single question: what does it mean to come back? Coming back to reading something\, talking about something\, bringing back bodies\, idea and voices that history has tended to erase. Rather than seeing resurrection as a supernatural event\, the season approaches it as a political and poetic practice: a gesture to reactivate memory that makes possible new forms of transmission\, resistance and community. \nThe screenings of The Joycean Society (2013)\, Segunda Vez (2018) and (Revolución\, cumple tu promesa) Amor rojo (2024) revisit different times and geographies in order to explore the persistence of ideas despite their apparent defeat. In all three films\, reading\, conversation\, performance and film become devices able to bring out what seemed lost and keep alive things that continue to address the present. \nThe Second Time / resurrection series brings to cinema the issues that have run throughout the art project Extramural: Timelines / resurrection: how ideas outlast absences\, how pictures can reactivate memory and what forms of life continue to emerge even after their disappearance. Instead of bringing it to an end\, these three screenings propose a new opening up: each viewing is a second time\, a new reading\, a possible resurrection. \n  \nPROGRAMME \n10 November \nThe Joycean Society is a film that follows a reading group at the James Joyce Foundation in Zurich\, which has been meeting since 1986 to read Finnegans Wake together. This film turns shared reading into an exercise of perseverance\, interpretation and construction of meaning\, revealing the reading community as a form of cultural resistance. \nThe screening will be followed by an introduction by Judith Barnés\, public programme of the Museu Tàpies and coordinator of the project Extramural\, and a conference by writer and translator Miriam Cano. \n  \n17 November \nSegunda Vez takes the figure of Argentinian psychoanalyst and theorist Oscar Masotta as its starting point to revisit the relations between concept art\, psychoanalysis and political violence during the Argentinian dictatorship. Somewhere between a document\, a fiction and a historical recreation\, the film reflects upon the forced disappearances and the possibility of restoring\, through art\, what power has tried to erase. \nThe session will end with a conversation between Dora García and researcher Cloe Masotta. \n  \n20 November \n(Revolución\, cumple tu promesa) Amor rojo takes up the legacy of thinker and revolutionary Alexandra Kollontai to ask what remains today of the emancipatory promise of the 20th century. Connecting the revolutionary experiments of Russia and Mexico with contemporary Latin American trans-feminisms\, the film imagines revolution not as a closed event\, but as promise that remains open. \nThe screening will be accompanied by a conversation between Dora García and writer and journalist Andrea Valdés. \n  \nFilm series with the collaboration of the Filmoteca de Catalunya\, as part of the Loop Festival \nA proposal of the project Extramural 2026\, by Dora García\, Timelines / resurrection. \nCoordination: Judith Barnés\, head of public programme at the Museu Tàpies \n  \n[Image: Still from Segunda Vez\, digital film by Dora García\, 2018]
URL:https://museutapies.org/en/event/extramural-2026-second-time-resurrection/
CATEGORIES:Programa públic
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2026/09/dora-filmo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261121T120000
DTEND;TZID=Europe/Madrid:20261121T140000
DTSTAMP:20261114T084204
CREATED:20261109T150401Z
LAST-MODIFIED:20261109T150822Z
UID:10001375-1795262400-1795269600@museutapies.org
SUMMARY:Mireia Molina Costa. Visibility Under 1 km
DESCRIPTION:What does the gaze tell us when it no longer clearly distinguishes what it finds in front of it? Mist and darkness erase the contours and alter our habitual way of perceiving our surroundings. For Antoni Tàpies\, looking is an exercise that makes it possible to broaden knowledge and discover what we have not noticed. Yet when visibility is diminished\, how might we orientate ourselves? \nThis question resonates in two Tàpies works found at the museum: Mitjó [Sock]\, on the terrace\, and Núvol i cadira [Cloud and Chair]\, on the façade. The tangled threads inside the sock echo the dense\, metallic web of the cloud. In both works of art\, the irregular workings of these materials blur any outlines and call on us to look beyond recognisable shapes\, searching for what remains partially hidden. \nIn Visibility Under 1 km\, Mireia Molina Costa explores lack of visibility as a condition with its own identity\, able to give rise to other forms of perception and knowledge. In the context of Following the Sun\, the artist contrasts sunlight and hegemonic systems that order\, measure and map the world\, with a “lunar system of orientation”\, where half-light\, drowsiness and disorientation make it possible to explore other ways of inhabiting the world. Perhaps it is not a question of finding a new north\, but of learning to guide oneself without having all the answers. \nThe proposal takes the form of a sound experience set partway between reading\, poetical exercises and lullabies. Using voice and a screen\, Molina Costa invites us to relax our gaze and enter into an intermediary state between wakefulness and sleep. An invitation to suspend the need to see clearly\, and thus explore what might arise when we let ourselves be guided by other senses. \n  \nVisibility Inferior to 1 km has the support of the Beques FAR 2026 grants for artistic creation\, research and innovation of the Government of Catalonia. \n  \nMireia Molina Costa (Barcelona\, 1997) is interested in language as an ecological\, affective and ritual material\, in its oral\, written as well as non-verbal and inintelligible forms of transmission. Her practice moves principally through writing\, singing and sound-making\, as well as auditive\, editorial and curatorial processes. She has shown her sound work at MACBA\, Arts Santa Mònica\, Hangar\, ESMUC (Gender Sounds IV)\, La Caldera (Art Jove Creació award)\, Fundació Miró and CACiS – El Forn de la Calç (with cossos d’aigua collective\, 2024)\, among others. She is currently a research resident at La Escocesa\, while from 2022 to 2025 she worked as an editor at einaidea\, where she continues to participate as an external collaborator. \n  \nActivity programmed as part of the Museu Tàpies series Following the Sun\, entitled Uncovering the Gaze\, curated by Carolina Ciuti. \n  \n[Image: ama ara l’eco nua\, sound performance\, 2024. Part of the collective exhibition Un paisatge reverberant\, laberíntic\, fangós\, dens i estrellat a cura d’amor rumor\, Sala d’Art Jove i La Caldera. Photo: Irene Royo] \n 
URL:https://museutapies.org/en/event/mireia-molina-costa-visibility-under-1-km/
CATEGORIES:Programa públic
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/11/2_Mireia-Molina-Costa.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261203T180000
DTEND;TZID=Europe/Madrid:20261203T190000
DTSTAMP:20261114T084204
CREATED:20261110T152131Z
LAST-MODIFIED:20261110T152515Z
UID:10001378-1796320800-1796324400@museutapies.org
SUMMARY:Rocío Molina. Cracks and Fissures of a Body in Clay
DESCRIPTION:The third edition of the series The Chairs of Tàpies comes to a close with the proposal of Rocío Molina\, Cracks and Fissures of a Body in Clay. The work is a performative lecture presenting a living reflection on the flamenco body as a terrain of knowledge and transmission. \nThrough words and action\, the artist shares the gestures that are ever-present in her practice\, exploring how thought is embodied in movement and corporeal experience gives rise to knowledge. \n“Through my flamenco feints and intentions\, I will drag you inwards through an existing crack in this body of clay\, body of accumulation and recipient of memory\, thus falling into senselessness in that very place where we cannot find our footing\, infinitely distanced from the body\, in a place without time. \nFor there is no place. \nThere is no body. \nOnly the true sense of the body will give way to existence. \nAs Mónica Valenciano would say: ‘When non-time touches the body\, something will have been danced.’” \n  \nRocío Molina is an iconoclastic choreographer and dancer who has forged a language of her own\, grounded in the reinvented tradition of flamenco\, respecting its essences and embracing the avant-garde. Radically free\, in her pieces she unites technical virtuosity\, contemporary investigation and conceptual risk. Unafraid to weave alliances with other disciplines and artists\, her choreographies are unique stage events that draw from cultural ideas and forms running from cinema to literature\, while likewise including philosophy and painting. \nHer artistic endeavour has been recognised with important awards\, including the 2022 Gold Medal of Merit in the Fine Arts of the Spanish Ministry of Culture\, and the prestigious Silver Lion for Dance at the Venice Biennale\, as well as the Positano dance award\, the Spanish National Dance Prize in 2010\, the UK National Dance Award in 2016 and 2019 and four Max Awards. She has also received the 2023 Talía Award for best performer for Vuelta a Uno\, as well as Talía Awards for best choreography\, show and performance in 2026 for Calentamiento\, and the 2026 Andalusia Culture Award in the category of flamenco. \nMolina is one of Spain’s most internationally celebrated artists\, and her works have been seen in the world’s most prestigious venues\, including Lond0n’s Barbican Centre\, New York City Center\, the Avignon Festival\, Esplanade in Singapore\, Festival Tanz Im August in Berlin\, Seoul’s SPAF Festival\, the Stanislavsky Theatre in Moscow\, the National Theatre of Taiwan\, Dansens Hus in Oslo and Stockholm\, Chaillot Théâtre National in Paris and Tokyo’s Bunkamura. She was associate artist at Chaillot Théâtre national de la danse (Paris)\, and is currently associate artist at Théâtre de Nîmes. \n  \nSeries “The Chairs of Tàpies” are curated by Judith Barnés. \n  \n[Photo: Simone Fratini] \n 
URL:https://museutapies.org/en/event/rocio-molina-cracks-and-fissures-of-a-body-in-clay/
CATEGORIES:Programas públicos,Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/11/Rocio.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261209T180000
DTEND;TZID=Europe/Madrid:20261209T203000
DTSTAMP:20261114T084204
CREATED:20261027T151314Z
LAST-MODIFIED:20261030T120602Z
UID:10001372-1796839200-1796848200@museutapies.org
SUMMARY:Antoni Tàpies Study Days. Natural History Series\, 1950 and 1951
DESCRIPTION:The Secret Life of Forms: Readings on Natural History Series \nThe study days The Secret Life of Forms: Readings on “Natural History” offers insight into the series Antoni Tàpies produced between 1950 and 1951\, a collection of 30 drawings on paper that are essential to understanding the artist’s explorations during the early years of his career. \nMade while he was living in Paris and linked to the artistic\, philosophical and political concerns of the post-war period\, Natural History presents a universe of forms oscillating between the organic and the architectural realms\, and between the body\, nature and social structures. Combining a repertoire of recurring forms and symbols with an exploration of marks\, traces and textures\, the drawings display an understanding of nature that is dynamic\, transformative and rich in meaning\, rather than contemplative. \nThe conference invites participants to consider this series from various angles and examine the forms\, materials and imaginaries that comprise it. Presentations will address issues relating to the construction of the body of work\, the material biographies of the drawings\, drawing as a living organism\, hybrid forms and the limits of classification\, as well as the relationships between nature\, culture\, politics and knowledge\, among other topics. \nThe programme will take place over two sessions\, featuring lectures\, readings and open Q&A sessions. \n  \nProgramme \n9 December 2026 \n6 pm · Presentation of the study days by the Museu Tàpies \n6.10 pm · Lecture by Isabel Valverde \n6.50 pm · Lecture by Aldo Urbano \n7.30 pm · Reading by Pol Guasch \n8 pm · Open Q&A session \n8.30 pm · Close \n  \n10 December 2026 \n6 pm · Presentation of the programme by the Museu Tàpies \n6.10 pm · Lecture by Marcos Augusto \n6.50 pm · Lecture by Daniel López del Rincón \n7.30 pm · Reading by Núria Martínez Vernis \n8 pm · Open Q&A session \n8.30 pm · Close \n  \nThe study days will continue next year with a second encounter devoted to exploring in greater depth the issues raised during this first edition. The participants’ contributions will subsequently be compiled in a publication\, planned for release in 2028 as part of the Museu Tàpies’s book series. \nThe complete programme will be published soon. \n  \nCoinciding with these conferences\, the Museu Tàpies will publish the first volume of the new collection Contemporary Views on Tàpies\, arising from international symposia and study conferences\, such as those held in 2024 and 2025 on the Teresa Series (1966) and the Letters to Teresa series (1971–1974). This volume will include texts from the papers presented by Maria Josep Balsach\, José Manuel Cuesta Abad\, Anna Gual\, Rasha Omran\, Valentín Roma\, Gabriel Ventura\, Pedro G. Romero\, Andrea Soto Calderón\, Blanca Llum Vidal\, Raül Garrigasait and Eloy Fernández Porta. \nIn a year\, then\, the Museu Tàpies will have completed its new editorial line which\, together with the aforementioned collection\, includes the reissue of Antoni Tàpies’ essays and essays on the artist by the winners of the International Essay Prize “Yesterday’s Action\, Today’s Thought”\, promoted within the framework of the collaboration between the Museu Tàpies and the Antoni Tàpies Chair – UPF in Contemporary Art and Thought\, and other intellectuals invited to participate. \n  \n[Image: Antoni Tàpies. Flora. Natural History Series (1950-1951). Museu Tàpies Collection\, Barcelona. © Comissió Tàpies / VEGAP\, 2026.] \n  \n  \n 
URL:https://museutapies.org/en/event/antoni-tapies-study-days-natural-history-series-1950-and-1951/
CATEGORIES:Programas públicos,Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/09/HN-def.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270227T110000
DTEND;TZID=Europe/Madrid:20270227T133000
DTSTAMP:20261114T084204
CREATED:20250205T124154Z
LAST-MODIFIED:20260929T150619Z
UID:10000907-1803726000-1803735000@museutapies.org
SUMMARY:Montaner y Simón\, a publishing house with history. Itinerary 2026
DESCRIPTION:Guided itinerary that aims to introduce the history of the former Montaner y Simón publishing house through a visit to the Museu Tàpies\, the former headquarters of the publishing house and the work of the catalan modernist architect Lluís Domènech i Montaner\, and to two buildings by the same architect in Barcelona that are closely linked to it: the Palau Montaner\, now the headquarters of the Spanish government delegation in Catalonia\, and the Casa Thomas\, which today houses the Cubiñá design furniture store. \n  \nIn 2026\, this activity was organized as part of the programme of Barcelona 2026\, World Capital of Architecture. \n 
URL:https://museutapies.org/en/event/montaner-y-simon-a-publishing-house-with-history-itinerary-2026/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/02/edifici-museu-tapies.jpg
END:VEVENT
END:VCALENDAR