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DTSTART;TZID=Europe/Madrid:20260704T190000
DTEND;TZID=Europe/Madrid:20260704T193000
DTSTAMP:20260617T014908
CREATED:20260423T133738Z
LAST-MODIFIED:20260612T120418Z
UID:10001260-1783191600-1783193400@museutapies.org
SUMMARY:Mari Lyn Diniz / Dora García. Corocuerpo (de feminidades disidentes o Mejor os calláis todos)
DESCRIPTION:A chorus of trans women raise their voices to engage in dialogue with one another and address the audience as if they were a Greek chorus. Resurrection as justice. \n. \n\n\n\n\nSylvia Rivera\, one of the pioneers in the fight for the rights of gay\, lesbian and trans people\, delivered a speech at the New York City Christopher Street Liberation Day Rally in 1973 that became known as “Y’all Better Quiet Down”. Mari Lyn Diniz and Dora García will take inspiration from this speech in a performance art piece in which they work with a group of trans women who\, like a Greek chorus\, will interact with the audience. \nThis corocuerpo\, or chorus/body\, offers a direct critique of the structural violence of cis-normative discourse\, both heterosexual and  homosexual\, and celebrates ways of life that have historically been excluded from the public sphere. The incorporation of excerpts from the song O Amor\, by Brazilian singer Gal Costa\, reinforces the idea of resurrection as justice: here\, resurrection means bringing visibility to silenced voices\, excluded bodies and dissident genealogies. \nThe concept of resurrection is also present in Dora García’s second creation in the Extramurs project\, El bicho. The Gal Costa song that is recited adapts a poem by Vladimir Mayakovsky (Amor 3)\, the same author who inspired El bicho. \nCorocuerpo (De feminidades disidentes o Mejor os calláis todos) andEl bichoform part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s Eina University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \n\n\n\nPart of the Tàpies Museum project Extramurs 2026\, curated by Imma Prieto\, director of the Museu Tàpies\, and Judith Barnés\, head of public programmes at the Museu Tàpies. \n\n\nA production by the Museu Tàpies and the 2026 Barcelona Grec Festival. \n\n  \nPerformers: Mari Lyn Diniz (BR) | Amanda Araújo (BR) | Helen Bogado (AR) | Lola Callejas (CL) | Milah Lorsalles (AR) | Soltanaterra (BR) \nWith the collaboration of: \nDaniela Barriga | Isidora Cruz Berta Esteve | Bárbara Lara Leiva | Ben Muñoz | Mitzi Reyna\, students of the Master Universitario en Investigación en Arte y Diseño (MURAD)\, Eina \nLucas Camacho | Carla López  | Sara Mato\, students of the Desing Degree\, Eina \nRita Duelt | Mireia Solé\, students of the Humanities Degree\, Universitat Pompeu Fabra
URL:https://museutapies.org/en/event/mari-lyn-diniz-dora-garcia-corocuerpo-de-feminidades-disidentes-o-mejor-os-callais-todos/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/corocuerpo-web.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260704T193000
DTEND;TZID=Europe/Madrid:20260704T220000
DTSTAMP:20260617T014908
CREATED:20260610T113839Z
LAST-MODIFIED:20260616T131805Z
UID:10001297-1783193400-1783202400@museutapies.org
SUMMARY:Extramural 2026. Opening program
DESCRIPTION:The project resucítame (Resurrect Me)—which includes performance\, public debate\, memory walks\, posters\, a programme of films and an art intervention on the façade of the museum—is unbounded yet firmly rooted in the intersection of borders\, between life and death and back to life\, through time and chronologies\, crossing genres and inserting languages. The best way to begin such a project is with a fleeing female voice\, a cappella\, uttering lines by Mayakovsky that might encapsulate this project: “Resurrect me / if only / because I am a poet / and I longed for the future.” \nThe programme of activities for the 2026 edition of Extramural kicks off on 4 July at 7.30 pm with a prologue by artist Erika Michi at the Foyer at the Gran Teatre del Liceu\, with performances of Corocuerpo (Chorus/Body) and El Bicho (The Bug)\, between 8 pm and 10 pm. \nA performance of the second chapter of El Bicho—described as “a timeline with a parasite\, an experimental seminar for the embodiment of a text”—will be held in the Foyer at the Liceu at the same time on the following day\, 5 July. \nOn July 6 the opening program will conclude with a dialogue between Frau Diamanda and Diego Marchante\, in collaboration with social producer Mescladís\, at 6.30 pm at the Foyer del Teatre Lliure de Montjuïc and the second performance of Corocuerpo at 8 pm at plaça Margarida Xirgu. \n  \nImage:  Introducing El Bicho at the Centro Cultural Condeduque\, Madrid\, 2022\, produced by El Amor. Photo by © Santiago Carrión   for Madrid Destino
URL:https://museutapies.org/en/event/extramural-2026-opening-program/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/6-Dora-Garcia-En-esta-noche-en-este-mundo-2025.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260704T200000
DTEND;TZID=Europe/Madrid:20260704T220000
DTSTAMP:20260617T014908
CREATED:20260423T135857Z
LAST-MODIFIED:20260609T164714Z
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SUMMARY:Dora García. El Bicho
DESCRIPTION:  \nPart of the Tàpies Museum project Extramural 2026\, curated by Imma Prieto\, director of the Tàpies Museum\, and Judith Barnés\, head of public programmes at the museum. \n\n\n\nTaking the satirical comedy of a disillusioned poet as the starting point\, a leading figure in performance art invites us to break down the hierarchy between audience and performance artists in pursuit of the “bug” of our time. \n\n\n\n\nIn 1929\, the futurist poet Vladimir Mayakovsky wrote “The Bedbug” (published in Spanish as “La chinche”)\, a science-fiction story about a Soviet revolutionary who\, in 1929\, is accidentally frozen along with an insect that parasitises him. Fifty years later\, in 1979\, both the revolutionary and the insect come back to life. \nObsessed with this story\, Dora García creates a work of performance art involving seven performers and the audience\, imagining a collective author who asks what happens over a fifty-year period\, who or what tells what has happened\, and who decides which events have transformed the world over that time. \nThe piece (which varies in length depending on the space in which it is presented) imagines a story repeated cyclically\, a kind of eternal return that\, however\, contains a flaw\, a parasite\, an insect\, a bug\, that prevents this repetition from unfolding without victims. Each presentation of the performance involves the audience in a different activity: sometimes it is a lecture\, sometimes a workshop\, or perhaps a dance class or a skating demonstration; and sometimes a play. Here\, hierarchies are subverted: between performer and viewer\, between those who speak and those who listen. \nThis performance unfolds in two consecutive parts\, one for each day of performance\, each part building upon the previous one. The audience is welcome to attend both days; or they may choose to witness only one part; this choice will affect the role of the spectator and the nature of the work. Each part lasts two hours. \n\nEl Bicho (like the Corocuerpo\, performance art piece\, also included in the Grec programme) forms part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s EINA University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \nA production by the Tàpies Museum\, the Gran Teatre del Liceu and the 2026 Barcelona Grec Festival. \nSuitable for audiences of all ages. \n\n\n\nPerformers: \nDora García | Simón Asencio | Castillo | Persis Bekkering | Adriano Wilfert Jensen | Krõõt Juurak | Michelangelo Miccolis | With the collaboration of Ramón Bonvehí \n  \nThanks to: \nIUAV Venezia | KHiO Oslo | DeSingel & M KHA Amberes | and the students of the course THE BUG at the Oslo National Academy of Arts \n  \nImage: Presentation of El Bicho at the Centro Cultural Condeduque\, Madrid\, 2022\, produced by El Amor. Photography by © Santiago Carrión for Madrid Destino
URL:https://museutapies.org/en/event/dora-garcia-el-bicho/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/7Y3A7790-peq-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260714T183000
DTEND;TZID=Europe/Madrid:20260714T193000
DTSTAMP:20260617T014908
CREATED:20250512T143148Z
LAST-MODIFIED:20260615T105419Z
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SUMMARY:Book-Wall. Reading club 2026
DESCRIPTION:Within the framework of the exhibition Àngel Jové. De intactu\, we have organised a reading group in collaboration with the bookshops Finestres\, La Central and La Impossible. On this occasion\, the selection of books\, which as always will be the responsibility of the bookseller\, will be related to the list of books published by the Anagrama publishing house that will incorporate illustrations by Jové on their covers. \nLlibre-mur [Book-Wall] (1990) is a work by Antoni Tàpies that lends its name to the series of reading clubs we have organised in recent years in collaboration with bookshops in the neighbourhood concerning our current exhibitions. Tàpies’ interest in books\, both as objects and as sources of knowledge\, and the fact that the museum premises formerly housed a publishing company\, Montaner y Simón\, make dialogues like this about writing\, reading and art appropriate. \n  \nProgramme \n· Tuesday\, June 2\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “Bajo el signo de marte“\, by Fritz Zorn (Editorial Anagrama)\, with Cèlia Esteva\, from the La Central. bookstore. \n  \n· Tuesday\, July 14\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El héroe de las mansardas de Mansard“\, by Alvaro Pombo (Editorial Anagrama)\, with Olga Federico and Mireia Perelló\, from the  La Impossible bookstore. \n  \n· Wednesday\, September 16\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El sobrino de Wittgenstein“\, by Thomas Bernhard (Editorial Anagrama)\, with Noelia Nistal\, from the Finestres bookstore. \n  \n[Image: Exhibition “Àngel Jové. De intactu” by Museu Tàpies\, Barcelona. Photography: Pep Herrero\, 2026.] \n 
URL:https://museutapies.org/en/event/book-wall-reading-club-2/
LOCATION:Museu Tàpies
CATEGORIES:Education
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