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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260706T183000
DTEND;TZID=Europe/Madrid:20260706T193000
DTSTAMP:20260805T223010
CREATED:20260623T103503Z
LAST-MODIFIED:20260703T083649Z
UID:10001308-1783362600-1783366200@museutapies.org
SUMMARY:Conversation between Frau Diamanda and Diego Marchante
DESCRIPTION:  \nAs a prologue to the performance Chorus/Body\, part of the project Extramural – Dora García: Timelines / resurrection\, taking place on the same day at the Plaça Margarita Xirgu\, Frau Diamanda and Diego Marchante will offer an open conversation with the aim of introducing some of the theoretical\, political and conceptual lines of thought found in the new issue of the journal Convit/e\, to be released in the autumn. \nThe encounter addresses issues related to the history of trans struggle and its convergence with other struggles\, the metaphor of resurrection as justice in the face of the structural violence of cisnormative discourses\, collective bodies and tensions between community\, identity and dissidence. These issues\, which are key for the publication as well as for the performance to follow\, will work as the starting point for a shared reflection on the possibilities of constructing community and contemporary forms of resistance and mutual support. This space for dialogue is conceived as a contextual opening to Chorus/Body\, providing the public with the tools and perspectives to enable comprehension of the performative experience. \nConvit/e is a publishing project initiated by the social production group Mescladís\, under the artistic direction of Dora García\, and in collaboration with the Museu Tàpies. The journal proposes a space for critical thought and experimentation in relation to contemporary artistic and social practices. \n  \nFrau Diamanda \nWriter\, translator\, transvestite audiovisual artist\, drag performer\, independent curator\, arts administrator\, DJ and occasional actress. She has specialised in transgender art and multimedia performance. She followed the Independent Study Programme (PEI) at MACBA from 2017 to 2018\, and has published the books Escenas catalanas. Errancias antropológico-sexuales (La Máquina Barcelona\, 2020) and Sexual Dissidences: Frau Diamanda’s Catalan Scenes\, Travesti Politics of Resistance and Anti-Canonical Knowledge (Stenberg Press\, 2025). Her artistic interests also include photography\, video\, installation\, spoken word\, electronic music and net art. \n  \nDiego Marchante “Genderhacker”  \nTransfeminist activist\, transmedia artist and teacher. With a doctorate in Fine Art from the University of Barcelona\, since 2008 he has lectured in Audiovisuals and Gender Studies at the University of Barcelona Faculty of Fine Art. His art work has been exhibited at CaixaForum\, Fabra i Coats\, Sala d’Art Jove\, CCCB\, MACBA and the Museo Reina Sofia. He has published various texts in books including Transfeminismos. Epistemes\, fricciones y flujos (2013)\, Barbarismos queer y otros esdrújulas (2017)\, New (ego). Cuerpos conectados (2021) and Glossary of Common Knowledge Vol. 2 (2022). \n  \nA proposal by the Tàpies Museum and Mescladís. \n  \nPhoto1: Cecilia Gamarra / Photo 2: Genderhacker
URL:https://museutapies.org/en/event/conversa-amb-frau-diamanda-i-diego-marchante/
CATEGORIES:Programa públic
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2026/06/Diseno-sin-titulo-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260706T200000
DTEND;TZID=Europe/Madrid:20260706T203000
DTSTAMP:20260805T223010
CREATED:20260423T133738Z
LAST-MODIFIED:20260629T103800Z
UID:10001307-1783368000-1783369800@museutapies.org
SUMMARY:Mari Lyn Diniz / Dora García. Corocuerpo (de feminidades disidentes o Mejor os calláis todos)
DESCRIPTION:A chorus of trans women raise their voices to engage in dialogue with one another and address the audience as if they were a Greek chorus. Resurrection as justice. \n. \n\n\n\n\nSylvia Rivera\, one of the pioneers in the fight for the rights of gay\, lesbian and trans people\, delivered a speech at the New York City Christopher Street Liberation Day Rally in 1973 that became known as “Y’all Better Quiet Down”. Mari Lyn Diniz and Dora García will take inspiration from this speech in a performance art piece in which they work with a group of trans women who\, like a Greek chorus\, will interact with the audience. \nThis corocuerpo\, or chorus/body\, offers a direct critique of the structural violence of cis-normative discourse\, both heterosexual and  homosexual\, and celebrates ways of life that have historically been excluded from the public sphere. The incorporation of excerpts from the song O Amor\, by Brazilian singer Gal Costa\, reinforces the idea of resurrection as justice: here\, resurrection means bringing visibility to silenced voices\, excluded bodies and dissident genealogies. \nThe concept of resurrection is also present in Dora García’s second creation in the Extramurs project\, El bicho. The Gal Costa song that is recited adapts a poem by Vladimir Mayakovsky (Amor 3)\, the same author who inspired El bicho. \nCorocuerpo (De feminidades disidentes o Mejor os calláis todos) andEl bichoform part of the Tàpies Museum project Extramurs\, which conceives the city as a space for action and outreach. With a multidisciplinary and inclusive approach\, it fosters dialogue between institutions\, with public spaces and with the environment. Developed in collaboration with Barcelona’s Eina University School of Art and Design and the Barcelona Grec Festival\, among others\, the Extramurs project proposes creations and activities that address contemporary needs and encourage new community narratives in urban spaces. It champions the idea of public walls as bearers of city residents’ voices\, places where collective narratives take shape and shared experiences are re-signified\, connecting directly with Tàpies’ thinking. \nEach annual edition of Extramurs moves from the Tàpies Museum into public spaces in collaboration with the Barcelona Grec Festival and other city institutions. The 2026 edition has invited the artist Dora García. Dora García works primarily in the visual arts and occasionally dance and theatre\, as well as engaging with social and political contexts. Her work spans literature\, film\, installation and performance art\, and focuses on stories she constructs and stages herself\, creating situations designed to engage visitors and create unique\, introspective experiences. \n\n\nPart of the Tàpies Museum project Extramurs 2026\, coordinated by Judith Barnés\, head of public programmes at the Museu Tàpies. \n\n\nA production by the Museu Tàpies and the 2026 Barcelona Grec Festival. \n\n  \nPerformers: Mari Lyn Diniz (BR) | Amanda Araújo (BR) | Helen Bogado (AR) | Lola Callejas (CL) | Milah Lorsalles (AR) | Soltanaterra (BR) \nWith the collaboration of: \nDaniela Barriga | Isidora Cruz Berta Esteve | Bárbara Lara Leiva | Benjamin Muñoz | Mitzi Reyna\, students of the Master Universitario en Investigación en Arte y Diseño (MURAD)\, Eina \nLucas Camacho | Carla López  | Sara Mato\, students of the Desing Degree\, Eina \nRita Duelt | Mireia Solé\, students of the Humanities Degree\, Universitat Pompeu Fabra \nMaia Braselli\, Universitat de Barcelona
URL:https://museutapies.org/en/event/mari-lyn-diniz-dora-garcia-corocuerpo-de-feminidades-disidentes-o-mejor-os-callais-todos/2026-07-06/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/corocuerpo-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260910T180000
DTEND;TZID=Europe/Madrid:20260910T190000
DTSTAMP:20260805T223010
CREATED:20260727T083705Z
LAST-MODIFIED:20260727T083825Z
UID:10001314-1789063200-1789066800@museutapies.org
SUMMARY:To invoke conflict
DESCRIPTION:  \nTo invoke the gap\, or the crack\, the flaw\, the difference\, the penalized\, the incongruity\, the dissonance\, the disappointment\, the buried root\, the shameful. To invoke conflict. But to do so as a window onto a truth\, onto a dogma that suffocates\, excludes\, and blinds. \n\nTruth\, an interstice within the normative and hegemonic narrative\, is interpreted through voice\, guitar\, rhythm\, dance\, movement\, words\, matter\, sounds\, and tradition. A theatrical attempt to materialize each truth\, which is not singular but rather the truth of each individual. \n\nWith this newly created staging\, the Barcelona-based musical duo offers us a pseudo-epistemological concert/recital/performance that reinterprets this crack by Antoni Tàpies\, and from chairs that the duo’s singer himself\, during his student years at Pompeu Fabra University\, worked on as a guide and host. \n  \n  \nCarla Motis and Vignesh Melwani are a Barcelona-based guitar and vocal duo who\, since forming in 2019\, have performed over fifty concerts throughout Catalonia\, as well as in Madrid and Valencia. Over the years\, they have drawn inspiration from jazz and bossa nova standards to reinterpret songs from a wide range of musical styles and cultures\, adopting a minimalist and eclectic sound where fusion is not sought after but inherent and inevitable. While they have always infused their repertoire with critical\, feminist\, and queer perspectives\, this is the first time they have presented original compositions created from this perspective.
URL:https://museutapies.org/en/event/46790/
CATEGORIES:Programas públicos
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260915T180000
DTEND;TZID=Europe/Madrid:20260915T190000
DTSTAMP:20260805T223010
CREATED:20260730T162249Z
LAST-MODIFIED:20260730T162249Z
UID:10001320-1789495200-1789498800@museutapies.org
SUMMARY:Presentation of the book “El mapa del tresor”\, a story inspired in Antoni Tàpies
DESCRIPTION:  \nThe Museu Tàpies hosts the presentation of The treasure map written by Alba Puig and illustrated by Àgata Gil\, the book was recently published by Mediterrània in their Palomitas de Arte collection. The event will feature the author and illustrator\, who will discuss the book’s creation process and their approach to the world of Antoni Tàpies. \nA piece of paper with an X drawn on it seems to indicate the existence of a treasure. But what if things aren’t exactly what they seem? Based on this premise\, The treasure map invites children to discover that the same image can give rise to multiple interpretations and that imagination is an essential tool for looking at the world. \nInspired by the work Ochre and blue stains\, an Antoni Tàpies’s 1972 work\, this story introduces young children to contemporary art through a narrative that fosters curiosity\, creativity\, and observation. The book is part of the collection Crispetes d’Art\, a series of picture books that introduce children to the work of prominent artists through fiction and play. \n  \nTechnical specifications \n\nText: Alba Puig Romañach\nIllustrations: Ágata Gil Capeta\nPublisher: Mediterrània (collection Crispetes d’Art)\nPublication date: September 9\nSize: 17.5 × 17.5 cm\nBinding: paperback\nPages: 24\nRecommended age: 3 years and up\nTheme: art\, painting and creativity\nPrice: €10\nISBN (Catalan): 979-13-88106-36-1\nISBN (Spanish): 979-13-88106-39-2
URL:https://museutapies.org/en/event/presentation-of-the-book-el-mapa-del-tresor-a-story-inspired-in-antoni-tapies/
CATEGORIES:Programas públicos
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/07/9791388106361_CRISPETES-ART-TAPIES_COB_CAT.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260916T183000
DTEND;TZID=Europe/Madrid:20260916T193000
DTSTAMP:20260805T223010
CREATED:20250512T143148Z
LAST-MODIFIED:20260724T102823Z
UID:10001015-1789583400-1789587000@museutapies.org
SUMMARY:Book-Wall. Reading club 2026
DESCRIPTION:Within the framework of the exhibition Àngel Jové. De intactu\, we have organised a reading group in collaboration with the bookshops Finestres\, La Central and La Impossible. On this occasion\, the selection of books\, which as always will be the responsibility of the bookseller\, will be related to the list of books published by the Anagrama publishing house that will incorporate illustrations by Jové on their covers. \nLlibre-mur [Book-Wall] (1990) is a work by Antoni Tàpies that lends its name to the series of reading clubs we have organised in recent years in collaboration with bookshops in the neighbourhood concerning our current exhibitions. Tàpies’ interest in books\, both as objects and as sources of knowledge\, and the fact that the museum premises formerly housed a publishing company\, Montaner y Simón\, make dialogues like this about writing\, reading and art appropriate. \n  \nProgramme \n· Tuesday\, June 2\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “Bajo el signo de marte“\, by Fritz Zorn (Editorial Anagrama)\, with Cèlia Esteva\, from the La Central. bookstore. \n  \n· Tuesday\, July 14\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El héroe de las mansardas de Mansard“\, by Alvaro Pombo (Editorial Anagrama)\, with Olga Federico and Mireia Perelló\, from the  La Impossible bookstore. \n  \n· Wednesday\, September 16\, 2026\, at 6:30 p.m.\, at the Library of the Museu Tàpies: “El sobrino de Wittgenstein“\, by Thomas Bernhard (Editorial Anagrama)\, with Noelia Nistal\, from the Finestres bookstore. \n  \n[Image: Exhibition “Àngel Jové. De intactu” by Museu Tàpies\, Barcelona. Photography: Pep Herrero\, 2026.] \n 
URL:https://museutapies.org/en/event/book-wall-reading-club-2/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/05/i-8bQkFV3-X3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260917T183000
DTEND;TZID=Europe/Madrid:20260917T200000
DTSTAMP:20260805T223010
CREATED:20260731T172902Z
LAST-MODIFIED:20260731T172902Z
UID:10001326-1789669800-1789675200@museutapies.org
SUMMARY:Presentation of the catalogue Àngel Jové. De Intactu
DESCRIPTION:The presentation of the catalogue of Àngel Jové. De Intactu concludes the public program that the Museu Tàpies has organized within the framework of the temporary exhibition\, a program that has been marked by polyphony\, dialogue between disciplines and the desire to open new ways of approaching the figure of a creator with a production of many registers. \nMore than a record of the exhibition\, this catalogue expands and unfolds the universe of Àngel Jové from a plurality of perspectives. Thus\, the publication brings together contributions from leading voices in the fields of art\, literature\, and thought\, creating a multifaceted reading that engages with the complexity of his work. The texts by Enrique Vila-Matas\, Hans Ulrich Obrist\, Javier Antich\, José Luis Corazón\, Jesús Martínez Clarà\, and Maria Josep Balsach offer complementary approaches to Jové’s trajectory: from the most intimate and literary dimension to the international reach of his practice; from a historical review of the Catalan artistic context of the 1970s and 80s to the philosophical\, aesthetic\, and poetic readings that explore recurring concepts in his work\, such as illumination\, trauma\, the scream\, and the horizon. \nThis meeting will be an opportunity to share the key aspects of a publication that extends the research begun by the exhibition and contributes to situating Àngel Jové’s work from new interpretive frameworks\, making the catalogue a collective work that\, true to the spirit of Àngel Jové. De Intactu continues to raise questions and generate dialogue. \nThe event will feature the participation of Imma Prieto\, director of the Tàpies Museum; Maria Josep Balsach\, curator of the exhibitionÀngel Jové. De Intactu and Enrique Vila-Matas\, one of the voices included in the catalogue. As the culmination of the event\, and of the public program linked to the exhibition\, the poet\, narrator\, and literary critic Susanna Rafart will offer a reading of poems conceived as an activation of Àngel Jové’s poetic constellation.
URL:https://museutapies.org/en/event/presentation-of-the-catalogue-angel-jove-de-intactu/
CATEGORIES:Programas públicos
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/07/Feed-cover-jove.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260918T190000
DTEND;TZID=Europe/Madrid:20260918T210000
DTSTAMP:20260805T223010
CREATED:20260731T083206Z
LAST-MODIFIED:20260731T084406Z
UID:10001323-1789758000-1789765200@museutapies.org
SUMMARY:Anna Irina Russell uno\, dos\, tres.
DESCRIPTION:  \nPlaying lies at the heart of Anna Irina Russell’s artistic practice. Throughout her work\, she reclaims it as both a methodological framework and a mode of relation\, resisting interpretations that reduce it to mere frivolity. As Antoni Tàpies observed in his 1967 essay El joc de saber mirar\, “To play does not mean doing things ‘just because’ (…). Through play\, as children\, we learn to grow up. Through play\, we cultivate our spirit and expand the horizons of our vision and our understanding.” \nRussell’s work is deeply rooted in this sensibility. Play functions as a catalyst\, shifting the habitual relationships between people\, materials\, and their surroundings. Often taking the form of large-scale soft inflatable sculptures that move and breathe\, her practice unsettles the conventional hierarchy between artwork and audience\, transforming participants into active agents: bodies that reshape the work even as they are reshaped by it. \nIn the sculpture Antoni Tàpies envisioned for the Oval Hall of the MNAC\, he imagined an oversized sock that visitors could step inside—a hollow\, perforated body conceived to be inhabited. With uno\, dos\, tres.\, Anna Irina Russell revisits this playful imaginary and brings its latent possibilities to life. The work invites us to enter Tàpies’ imagined sock and explore the inner workings of an artistic practice that is as much about learning to see through play as it is about the distinctly contemporary—and profoundly poetic—urgency of reimagining the relationships between living beings\, objects\, and space. \n  \nThe artistic practice of Anna Irina Russell is articulated through soft sculpture and installation as a way of speculating on non-hegemonic communication processes\, where air and breathing function as relational materials. His work proposes situations in which matter becomes communicative and subtly subverts the structures that usually organize the way we relate. Based on a trust in the expressive capacity of matter\, his research focuses on inflatable structures that breathe\, expand and waver on the threshold of collapse\, attending to what resists words and overflows images: overflow\, contagion and asphyxiation. \nHe graduated in Fine Arts from the University of Barcelona in 2015 and later took the Master in Sound Art in 2018. He is currently an artist in residence at La Escocesa (Barcelona)\, after having been at Hangar and Fabra i Coats. In 2025 he received the Because of Many Suns award from the Collezione Taurisano during Artorama (Marseille)\, and in 2022 he obtained the Miquel Casablancas Prize for the installation Contain · Overflow. \nHe has just inaugurated his solo exhibition The first flower is born in the air at the Can Mario Museum of the Vila Casas Foundation\, curated by blanca arias. She has recently presented the solo exhibitions As elastic as a lung a Tabakalera (San Sebastian\, 2025) i A contagion in Bombon Projects (Barcelona\, ​​2025). He has also shown his work collectively in institutions such as the Fundació Joan Miró\, Santa Mònica\, La Panera\, MACBA\, La Casa Encendida\, CCCB\, among others. In 2024 he published Take a breath\, an artist’s book published by Brillo Editorial. \n  \nActivity programmed as part of the Museu Tàpies series Following the Sun\, entitled Uncovering the Gaze\, curated by Carolina Ciuti.
URL:https://museutapies.org/en/event/anna-irina-russell-uno-dos-tres/
CATEGORIES:Programa públic
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260922T180000
DTEND;TZID=Europe/Madrid:20260922T190000
DTSTAMP:20260805T223010
CREATED:20260724T102728Z
LAST-MODIFIED:20260730T153829Z
UID:10001317-1790100000-1790103600@museutapies.org
SUMMARY:Those Who Can Remember the Future. A series of artistic-poetic actions\, part of the Blai Bonet Year
DESCRIPTION:  \nThe Museu Tàpies joins the commemoration of the Blai Bonet Year\, participating in the series of artistic-poetic actions entitled Those Who Can Remember the Future\, with the collaboration of the Museu Picasso and the Fundació Joan Miró as well. \nBlai Bonet was a personal friend of both Joan Miró and Antoni Tàpies. He explored the work of Pablo Picasso on various occasions\, especially in the catalogue of the first Erotic Picasso exhibition in Barcelona. Drawing from this relationship\, and as part of the commemoration of the centenary of the birth of this writer from Santanyí\, the series Those Who Can Remember the Future explores the relationship between poetry and art\, examining how the word combines with other disciplines\, such as dance\, music and performance\, with a particular interest in researching the life of the gaze. \nThe session hosted by the Museu Tàpies takes as its title Here Pain is Made of Sweet Iron\, and features the participation of the poets Carme Alegre\, Júlia Febrer and Sergi Olivet\, who join the dancer Mar Aguiló. As a kind of triptych\, the three young poets and the dancer come into dialogue with the space and contents of the exhibition Antoni Tàpies: The Perpetual Movement of the Wall\, which recently could be visited at the Museu Tàpies. The voices of Carme Alegre\, Júlia Febrer and Sergi Olivet\, and the weaving elegance of Mar Aguiló’s steps\, offer a unique way to experience the exhibition space. \nThis activity has been developed jointly with the Institució de les Lletres Catalanes\, organiser of the entire series. \n  \nMar Aguiló \nBorn in Palma\, Aguiló is a choreographer\, dancer and artistic director. She trained at the École Atelier Rudra Béjart\, Switzerland\, and for the past sixteen years has performed with Spain’s Compañía Nacional de Danza\, working with choreographers such as William Forsythe\, Jiří Kylián\, Johan Inger and Mats Ek. \nAs a creator\, she has developed projects that explore the hybridisation of languages and the dialogue between dance and architectural and museum spaces. In this vein of work\, she has collaborated with institutions such as Museo del Prado\, Fundació Joan Miró\, Museo Thyssen-Bornemisza and MACBA. Featured projects include Stella\, Swan and Swans. She currently complements her career at the Compañía Nacional de Danza with the direction of the Palma Dansa festival. \n  \nCarme Alegre \nBorn in the district of L’Horta Nord (Valencia Region)\, Alegre studied English Philology at the University of València\, and has a Master’s degree in Literary Theory from the University of Barcelona. In 2023 she was a nominee for the Salvador Iborra Young Poetry prize\, and later participated in the anthology Solstici d’estiu released by Joves Poetes de la Mediterrània. Strappo seguit de Pare Aforístic o Galatea a la paret was her first book. Alegre makes a living teaching the past continuous and irregular verbs ad infinitum at an Official Language School. \n  \nSergi Olivet \nBorn in Tarragona\, Olivet has a degree in Literary Studies and is currently studying Philosophy at the University of Barcelona. In the field of music\, he has created his own rap project under the name XTerra\, releasing the EP La X del Mapa. He has twice been nominated for the Salvador Iborra Poetry Competition (2023 and 2025)\, and for many years has participated actively in politically-engaged venues\, initiating cultural activities in Tarragona and Barcelona. \n  \nJúlia Febrer \nBorn in Sant Joan\, Mallorca\, Febrer understands poetry as a way to be in the world and read the world. This relationship gives rise to texts\, photography and artistic installations. She has been the coordinator of Viure Poèticament (Manacor\, 2025)\, a thematic series on the relationship between literature and other disciplines. \nHer poetry book Arrel inoïda (Adia\, 2025) was awarded the Ciutat de Manacor Miquel Àngel Riera Prize. This upcoming autumn she will release Llum de cendra (Viena\, 2026)\, after having won the Martí Dot Prize in Sant Feliu de Llobregat. \nFebrer currently works as a linguistic consultant and proofreader\, but her writing is situated in the poetics of errors and gaps in language.
URL:https://museutapies.org/en/event/those-who-can-remember-the-future-a-series-of-artistic-poetic-actions-part-of-the-blai-bonet-year/
CATEGORIES:Programas públicos
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/07/Lamina-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260924T100000
DTEND;TZID=Europe/Madrid:20260924T190000
DTSTAMP:20260805T223010
CREATED:20260715T130135Z
LAST-MODIFIED:20260715T130135Z
UID:10001311-1790244000-1790276400@museutapies.org
SUMMARY:Open day and guided tour on the occasion of La Mercè 2026
DESCRIPTION:As every year\, on the occasion of the La Mercè 2026 festivities\, the Tàpies Museum offers an open day\, from 10 a.m. to 7 p.m.\, and a free guided tour\, at 5:30 p.m.\, to approach the exhibitions in course: \nAntoni Tàpies. The Perpetual Movement of the Wall  \nÀngel Jové. De intactu \nand the project Extramural 2026. Dora García. Timelines / resurrection \n  \n[Image: Museu Tàpies. Photo: Pep Herrero]
URL:https://museutapies.org/en/event/open-day-and-guided-tour-on-the-occasion-of-la-merce-2026/
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/07/Extramurs2026_DoraGarcia_Linies-de-temps_resurreccio_-resucitame.-serie-Frases-de-Oro.-Facana-Museu-Tapies_Foto_-Pep-Herrero-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260926T110000
DTEND;TZID=Europe/Madrid:20260926T133000
DTSTAMP:20260805T223010
CREATED:20250205T124154Z
LAST-MODIFIED:20260714T143947Z
UID:10000907-1790420400-1790429400@museutapies.org
SUMMARY:Montaner y Simón\, a publishing house with history. Itinerary 2026
DESCRIPTION:Guided itinerary that aims to introduce the history of the former Montaner y Simón publishing house through a visit to the Museu Tàpies\, the former headquarters of the publishing house and the work of the catalan modernist architect Lluís Domènech i Montaner\, and to two buildings by the same architect in Barcelona that are closely linked to it: the Palau Montaner\, now the headquarters of the Spanish government delegation in Catalonia\, and the Casa Thomas\, which today houses the Cubiñá design furniture store. \nThis activity is organized as part of the programme of Barcelona 2026\, World Capital of Architecture. \n 
URL:https://museutapies.org/en/event/montaner-y-simon-a-publishing-house-with-history-itinerary-2026/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/02/edifici-museu-tapies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260927T123000
DTEND;TZID=Europe/Madrid:20260927T140000
DTSTAMP:20260805T223010
CREATED:20250721T192031Z
LAST-MODIFIED:20260716T084648Z
UID:10001044-1790512200-1790517600@museutapies.org
SUMMARY:Approaches. Guided tour 2026
DESCRIPTION:Introduction to the history of the Tàpies Museum building and guided tour of the current exhibitions: \n  \n· Antoni Tàpies. The Perpetual Movement of the Wall \n· Àngel Jové. De intactu
URL:https://museutapies.org/en/event/approaches-guided-tour-2026/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/07/i-t4znZLb-X2.jpg
END:VEVENT
END:VCALENDAR