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X-WR-CALDESC:Events for Museu Tàpies
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DTSTART:20260329T010000
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DTSTART;TZID=Europe/Madrid:20260422T180000
DTEND;TZID=Europe/Madrid:20260422T200000
DTSTAMP:20260408T180833
CREATED:20260325T101208Z
LAST-MODIFIED:20260326T160134Z
UID:10001208-1776880800-1776888000@museutapies.org
SUMMARY:Drawing visit. "Àngel Jové. De intactu" with Bea Ortiz
DESCRIPTION:Drawing has a significant presence in the multifaceted work of the artist Àngel Jové: infinite landscapes that are part of series; fragmentary or partial drawings; recurring motifs; drawing strokes over press images; drawings as if they were archival documents. We invite you to explore these materials through a drawn visit to the exhibition Àngel Jové. De intactu; that is\, a tour of the exhibition that takes drawing as a means of dialogue with his works. \nDuring the session\, Bea Ortiz will propose various practices focused on exploring drawing as an intermediary between the work of Àngel Jové and our interpretation of it. Based on the perception of some of his works\, participants will be invited to observe and experiment with different representation strategies. Through small formal approaches\, emphasis will be placed on the process and the ability of drawing to generate research: trying ways of looking\, translating forms\, rhythms\, or relationships present in Jové’s pieces. Through awareness of gesture\, stroke\, texture\, supports\, and tools\, drawing becomes a testimony of what the artwork conveys. Rather than representing it faithfully\, the aim is to translate an atmosphere\, a state\, or a feeling\, and see how the language of drawing can shape these impressions. \n  \nBea Ortiz holds a degree in Fine Arts\, specialising in painting. She has participated in solo and group exhibitions in cities such as Barcelona\, Madrid\, and Paris. She later completed the Higher Level Training Cycle in Illustration at the Escola Massana. She has illustrated three albums published by Editorial Andorra\, as well as for magazines such as Cavall Fort and Tretzevents. Over time\, she realised she preferred to share her passion for art with others in a practical and collaborative way. After several years working as an educator in various museums in Barcelona\, she currently teaches at the Escola d’Art i Disseny de Sant Cugat (EAD). \n  \n[Image: Àngel Jové. Metafísica III (1976). Morera Collection. Museu d’Art Modern i Contemporani de Lleida.]
URL:https://museutapies.org/en/event/drawing-visit-angel-jove-de-intactu-with-bea-ortiz/
CATEGORIES:Education
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260507T180000
DTEND;TZID=Europe/Madrid:20260507T190000
DTSTAMP:20260408T180833
CREATED:20260325T155221Z
LAST-MODIFIED:20260325T165328Z
UID:10001215-1778176800-1778180400@museutapies.org
SUMMARY:Poem/me xx1. Listening session/Hybrid reading
DESCRIPTION:Ikram Bouloum is the third guest of the series of actions entitled “The Chairs of Tàpies. Invoking the crack”. \nWith Poem/me xx1\, the artist reappropriates narrative space\, presenting a listening session/hybrid reading in the form of a plurilingual narration\, bringing together diverse memories\, poems\, songs and images. This body of work allows her\, for one\, to introduce the notion of fissure that runs through her album: the inherited wound. On the other hand\, the context that goes along with this narrative movement moves from the intimate to the collective\, tracing a path towards diaspora. \n\nIkram Bouloum is a Catalan-Amazigh artist\, selector and curator. After various years working primarily as a musical programmer and artistic director\, she is currently reviving and recentring her artistic and research practice\, reconnecting with the voice\, storytelling and music\, with a multidisciplinary and anti-disciplinary approach. \nIn her music\, which she mostly performs in her native Amazigh language from the Rif region\, she explores subjects that the North African diaspora oftens finds difficult to address\, reimagining legacies through an experimental vision that is both poetic and political. \nSeries “The Chairs of Tàpies” are curated by Judith Barnés. \n  \n[Photography: Lúa Oliver]
URL:https://museutapies.org/en/event/poem-me-xx1-listening-session-hybrid-reading/
CATEGORIES:Public Programme
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260509T110000
DTEND;TZID=Europe/Madrid:20260509T130000
DTSTAMP:20260408T180833
CREATED:20260325T105447Z
LAST-MODIFIED:20260325T153041Z
UID:10001209-1778324400-1778331600@museutapies.org
SUMMARY:Visual Territories. Creative intervention workshop with images exploring landscapes in the work of Àngel Jové
DESCRIPTION:Àngel Jové. Sense títol (2023). Private collection\, Girona.\n  \nCreative intervention workshop focused on landscapes in the work of Àngel Jové\, using photographic narrative and shared practice\, exploring images and materials within the poetics of Arte Povera. Led by Món Casas (CliCme·educació). \nMón Casas is a photographer\, educator\, researcher\, curator\, and cultural mediator\, who develops her educational and artistic mediation work through CliCme·educació\, designing projects\, exhibitions\, and workshops for museums\, archives\, and other cultural institutions. \nThis activity is aimed at people interested in the arts and education. No prior experience is required.
URL:https://museutapies.org/en/event/territoris-visuals-taller/
CATEGORIES:Education
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260527
DTEND;VALUE=DATE:20260530
DTSTAMP:20260408T180833
CREATED:20260220T123140Z
LAST-MODIFIED:20260220T124140Z
UID:10001175-1779840000-1780099199@museutapies.org
SUMMARY:International symposium 'The Wall and the City: Visual Devices of Modernity'
DESCRIPTION:  \nThe international symposium The Wall and the City: Visual Devices of Modernity\, a critical reading of modernity through its material and visual devices—walls\, facades\, pavements\, shop windows\, posters and display structures—understood as active agents in mediation between art\, design\, architecture and perceptive experience. The symposium analyses how matter\, light\, montage and the arrangement of objects shape ways of seeing\, inhabiting and understanding the city. \nIn the context of European postwar reconstruction and the cultural isolation of Francoism\, the exhibition space and urban landscape worked as laboratories of modernity. Museums\, pavilions\, display windows and housing became experimental sites where architecture\, design and display gave rise to a new visual and urban sensibility. In Barcelona\, figures like Antoni Tàpies\, Josep Antoni Coderch\, Oriol Bohigas and Ricard Giralt Miracle articulated a contained modernity rooted in craft\, highly dense in material and gestural terms\, thus defining a kind of visual culture and model for display. \nThis symposium reexplores these languages from the 1950s and 1960s in order to explore their present-day validity and set them into dialogue with other European focal points of modernity\, like Milan\, Paris and London\, conceiving the contemporary museum and city as spaces for critique\, experimentation and aesthetic experience. \nThe symposium will feature\, among others\, Jordana Mendelson\, art historian and Professor at New York University; Juan José Lahuerta\, Professor of the History of Art and Architecture at the Barcelona School of Architecture (UPC); and Beatriz Colomina\, architect and Professor of the History and Theory of Architecture at the Princeton University School of Architecture. \nResearchers\, artists\, architects\, designers and curatorial professionals are invited to submit proposals that address these issues from critical\, historical or contemporary perspectives\, and with interdisciplinary approaches. The call for papers promoted by the Antoni Tàpies Chair – UPF of Contemporary Art and Thought broadens and deepens the curatorial proposal of the exhibition\, inviting critical investigation of these material and symbolic infrastructures from diverse historical and theoretical perspectives\, taking as a starting point the exhibition that can currently be visited at the Tàpies Museum. Beyond the exhibition narrative\, the symposium opens a space for academic debate to analyze how these devices have shaped aesthetic perception and experience\, as well as the social and political dynamics inscribed in the modern city. \n  \nThe complete programme will be published shortly. \n  \nWith the collaboration and participation of the Antoni Tàpies – UPF Chair of Contemporary Art and Thought. \n  \n[Image: Antoni Tàpies\, Porta metàl·lica i violí\, 1956.  Museu Tàpies Collection\, Barcelona. © Comissió Tàpies / VEGAP\, 2026.]
URL:https://museutapies.org/en/event/international-symposium-the-wall-and-the-city-visual-devices-of-modernity/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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