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DTSTART;TZID=Europe/Madrid:20240702T183000
DTEND;TZID=Europe/Madrid:20240702T210000
DTSTAMP:20260503T120554
CREATED:20240627T134325Z
LAST-MODIFIED:20240726T082109Z
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SUMMARY:Serge Attukwei Clottey. Beyond the Skin. Openning Programme
DESCRIPTION:  \n \n\nInauguration of the project Beyond the Skin\, by Serge Attukwei Clottey\, curated by Imma Prieto\, director of the Museum\, within the framework of Tàpies Centenary Year. \nOn Tuesday\, 2 July 2024\, at 7 p.m.\,  Step of Silence\, Dance\, Memories Resonate\, a performative itinerary that will cross the centre of Barcelona from the Museum\, where the artistic installation will be presented\, made in collaboration with einaidea\, Fundació Eina’s research and cultural programming platform and members of the Afro-descendant cooperative Periferia Cimarronas\, to the Teatre Nacional de Catalunya (TNC). Clottey will make a stop at the former headquarters of the Compañía General de Tabacos de Filipinas at La Rambla. \nThe ninety-minute itinerary is conceived as a collaborative community action with music and dance\, and is an invitation to reflect on the environment\, migration and the economy. Open to everyone\, the proceedings will end in the TNC gardens with a concert by the Senegalese musician Momi Maiga\, as part of Grec Festival programme\, and a gastronomic tasting of African products\, thanks to the collaboration of local Barcelona cooperatives of women of Afro-descent. The capacity in the TNC gardens is limited. \nOn Wednesday\, 3 July 2024\, at 7 p.m.\, Els homes de carbó\, performance by the artist at Sala Periferia Cimarronas\, within the framework of Grec Festival de Barcelona.
URL:https://museutapies.org/en/event/serge-attukwei-clottey-beyond-the-skin-openning-programme/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/06/NFON3268.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240703
DTEND;VALUE=DATE:20240704
DTSTAMP:20260503T120554
CREATED:20240628T094712Z
LAST-MODIFIED:20240701T065542Z
UID:10000781-1719964800-1720051199@museutapies.org
SUMMARY:The Coal Men
DESCRIPTION:The consequences of a migratory process or displacement for people’s life is the central theme of the performance staged by Serge Attukwei Clottey as part of the Grec festival programme. The Ghanaian artist asks himself how we can reconstruct family experiences when we do not live in our home because we have had to leave\, how each individual deals with prejudice\, cultural anxiety and the feeling of belonging when they live in a foreign country. What physical and mental barriers a person must overcome in order to get used to living amidst unfamiliar elements and what power relations arise from this situation are some of the question Clottey asks himself as he places his own body in a state of anxiety\, the usual state of a subject affected by an identity crisis who seeks elements to allow him to regain the feeling of home\, and is forced to struggle against anti-migrant prejudice.
URL:https://museutapies.org/en/event/the-coal-men/
LOCATION:Cooperativa Periferia Cimarronas\, C/ de Cerdanyola\, 26\, Barcelona
CATEGORIES:Public Programme
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240719T190000
DTEND;TZID=UTC:20240719T193000
DTSTAMP:20260503T120554
CREATED:20240610T082233Z
LAST-MODIFIED:20240612T124021Z
UID:10000748-1721415600-1721417400@museutapies.org
SUMMARY:The Chairs of Tàpies: Blanca Llum Vidal and Los Sara Fontán
DESCRIPTION:  \n \n  \nThe Chairs of Tàpies is a series of multidisciplinary sound actions organised in the context of the Tàpies Centenary Year\, with the collaboration of Pompeu Fabra University. The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way\, each of the thirteen sessions will feature a creator whose starting point will be the chair\, taken as a performative object\, linking back to the creative universe of Tàpies through the expressive languages and settings of the present day. \nThe eighth proposal of the series was conceived by Blanca Llum Vidal and Los Sara Fontán\, in an action that modulates textures\, processes the voice and lends musicality to things which perhaps were not meant to be music. Bringing together a host of authors\, the invited artists will attempt to transform words into rhythmic matter\, extracting sounds out of things while building a narrative. As occurs in Tàpies\, the chair will not just be an idea\, but above all an object and a reality to be considered\, agitated and meditated upon. \n  \nBlanca Llum Vidal studied Social Work and Catalan Philology\, and has a Master in Contemporary Thought. She works in the Zona Franca of Barcelona in a shelter for people who are functional diverse. With Arnau Pons she has translated La Douleur\, by Marguerite Duras\, and individually has translated Duras’s book Écrire. She has edited the poetry of Àngel Guimerà\, Mercè Rodoreda’s letters from exile to Anna Murià\, short stories by Víctor Català\, Dues Catalunyes: jocfloralescos i xarons\, by Àngel Carmona and\, amongst other projects\, the book accompanying the exhibition on Francesc Tosquelles and the catalogue for Agnès Varda\, to be released this year at the CCCB. She was editor of an anthology of feminist essays by Maria Aurèlia Capmany\, and has recited her work in the Catalan Countries\, Spain\, Ukraine\, Santiago de Chile and Buenos Aires (at the International Book Fair). She has written about Ausiàs March\, Blanchot\, Kafka\, Rodoreda\, Arendt\, Hersch\, Català and Duras\, amongst others. In 2023 she released an anthology of her work\, published by Textos Sentido Edição & Letras\, translated to Portuguese by Àlex Tarradellas\, and is currently preparing an anthology of her work to be translated into Italian by Marcelo Belotti\, and into Spanish by Unai Velasco. Her publications include La cabra que hi havia\, Nosaltres i tu\, Homes i ocells\, Visca!\, Punyetera flor\, Maripasoula (crònica d’un viatge a la Guaiana francesa)\, Aquest amor que no és u / Este amor que no es uno (Spanish translation by Berta García Faet)\, Amor a la brega\, La princesa sou Vós / La princesa sois Vos (Spanish translation by Unai Velasco)\, Llegir petit i escriure sobre literatura i amor and No cometràs adulteri. She has published in the Quadern supplement of El País and in the political and cultural daily El Temps\, and is currently a regular contributor to the digital review Catorze. She has been on stage with Maria Callís to perform La Infanticida\, by Víctor Català\, performing as well with the classic and post-rock music of Los Sara Fontán\, and most recently with the sound designs of Julián D’Avino\, in a show taking its aim at contradictions in politics\, love\, ethics and aesthetics\, both old and new. This year she was an invitee to the Guadalajara Book Fair (Mexico). \nLos Sara Fontán is an experimental duo featuring Sara Fontán and Edi Pou. They focus on live performance of a physical\, passionate and punk character\, ever-changing and open to the surroundings. A concert by Los Sara Fontán is a play on melody and rhythm\, adding features of programmatic romanticism to directly and indirectly narrate a story\, giving audience members freedom to interpret the work in a personal manner. \nStimulated by the question of whether it is possible to advance a career in music without following the productive routines of the music industry\, Los Sara Fontán spent five years touring\, playing at festivals and self-run venues across Europe\, without recording their music. This was possible thanks to a musical and personal underground network they feel fortunate to belong to. In the autumn of 2023\, they released Queda pendiente\, an album done at their own residence\, which they performed\, recorded and produced themselves. \nTheir music is open code\, as the prolific duo continually recomposes its own creations to open them up to broader\, multidisciplinary collectives\, whether other musicians (SO with Amorante\, 4132314 with Tarta Relena and Cocanha)\, different communities (Laboratório dos Riscos Impossíveis\, with residents of the Fontainhas neighbourhood in Porto)\, dancers (Fem una bona pena abans de morir\, with Sònia Gómez)\, poetry (La princesa sou Vós\, with Blanca Llum Vidal)\, theatre (Concrete Matter\, by Los Detectives\, and Songs for the bitch-witch women\, by Mariona Naudin)\, or TV series and films (the soundtracks for Autodefensa\, Magaluf Ghost Town and Remember My Name). \n  \nThis session of The Chairs of Tàpies will be part of the opening programme of the exhibition Antoni Tàpies. The Practice of Art.
URL:https://museutapies.org/en/event/the-chairs-of-tapies-blanca-llum-vidal-and-los-sara-fontan/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/I24-Blanca-Llum-001-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240719T190000
DTEND;TZID=Europe/Madrid:20240719T220000
DTSTAMP:20260503T120554
CREATED:20240714T161729Z
LAST-MODIFIED:20240714T221138Z
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SUMMARY:Antoni Tàpies. The Practice of Art | Opening programme
DESCRIPTION:  \nAntoni Tàpies The Practice of Art will be opened on July 19\, 2024\,  at 7 p.m.\, with an event curated by Imma Prieto and Judith Barnés\, which will feature the participation of Blanca Llum Vidal and Los Sara Fontán; Lolo&Sosaku and the tribute to Mika Vainio. \n  \nProgramme \n· Blanca Llum Vidal and Los Sara Fontán. Poetic action \nPublic presentation of the eighth “Tapies’ Chairs” programme. An action that will modulate textures\, process voices and give sound to what perhaps was not intended to be music. Summoning a lot of authors\, the poet and the musicians will try to transform the word into rhythmic matter and extract sounds from things to build a story. The chair\, like Tàpies\, will not only be an idea. It will be\, above all\, an object and reality to think about\, stir\, meditate on. \n  \n· Interlude. Tribute to Mika Vainio \nAs an interlude\, the work of Mika Vainio Sondear (Probe)  will allow us to hear what sounds in real time on the roof of the museum with the sculpture by Antoni Tàpies Núvol i Cadira (1990). This sound installation by the Finnish artist\, created in 2001 as part of the exhibition Discourse architectures\, was reactivated for the project Engagement within the framework of the Sónar 2022 festival\, which once again collaborates with the museum for this inauguration. \n  \n· Lolo & Sosaku. Sound piece Tribute to Antoni Tàpies \nUsing a set of machines and a vintage piano\, belonging to the composer and musical theorist Josep Barberà i Humbert\, a sound space will be built that will represent Tàpies’ relationship with the music of Luigi Nonno or Giacinto Scelsi\, among others. To do this\, the piano in question will be manipulated with the intervention of machines\, the human voice and the texts that Tàpies wrote in his paintings. The entire proposal will feature the participation of the soprano Ximena Agurto and the multidisciplinary artist Renata Gelosi. \n  \n· Cocktail on the terraces with music from DJ Bla&co \n  \n[Image: Piano & Machines\, Lolo & Sosaku\, 2020.]
URL:https://museutapies.org/en/event/antoni-tapies-the-practice-of-art-opening-programme/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/07/Piano-amb-maquina.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240720T190000
DTEND;TZID=Europe/Madrid:20240720T210000
DTSTAMP:20260503T120554
CREATED:20240624T185526Z
LAST-MODIFIED:20240717T084258Z
UID:10000751-1721502000-1721509200@museutapies.org
SUMMARY:Following the Sun: Berta Prieto + Aina Serena
DESCRIPTION:  \nThe roof of the Fundació Antoni Tàpies is to become an experimental playground for Opimelissa\, a collective who cook\, sing\, dance and lots more. We’ll be following the sun with the gentle irony and humour of Júlia Barbany\, the architecture of the catchy electrosong of Petit Ibèric\, the philosophical canticles of Max Grosse about the life and lovesickness of an odd sock with a hole in it\, the egodilirium of the sharp-penned dramatist and writer Berta Prieto (if you don’t know who she is yet\, you’re living in a cave!)\, the rhythm of DJ\, performer and militant for self-governance Meritxell de Soto\, the overflowing energy of tender\, multi-faceted punkmother Belén Barenys\, the experimental Latin music of Deprerreo\, the contorted body of Candela Capitán\, who denounces the sexualisation of women through convulsive metrics. \nFifth session of the programme Following the Sun\, an experimental series of sound and stage performances\, presenting nine new sessions by young creative talents. The programme\, curated and produced by Carolina Olivares Esturillo\, aims to promote the youthful\, inexhaustible energy of artists to light up and give new life to Tàpies’ solitary sock that presides over the Fundació’s roof terrace. \n  \nFifth session: Berta Prieto + Aina Serena \n“Final de curs\, tú la letra y yo la música” is an experiment that wants to conclude this year where the impossibility of finding concrete has marked our days. She blah blah blah blah and in the end nothing. I don’t even know what I’m saying\, but I can’t stop talking. Let everyone be quiet\, I want to hear my thoughts! Let my thoughts be silent\, I want to listen to everyone! Consent\, desire\, limits… My goodness\, what a year. How would all these reflections sound? Everything is so important! I don’t understand anything you’re saying. On the other side is the utopia of gesture\, abstraction\, suggestion… I also want to exist in doubt\, but doubt is only a fantasy: we don’t have time. You are too literal\, too literal\, you are too literal: “too much baby.” He has to learn to shut up in class. He doesn’t participate enough. With the inability to speak\, Berta Prieto\, the girl who cannot stop talking: something never seen before in this circus! And\, with the condemnation of abstraction\, Aina Serena: unable to materialize a single thought! Accompany these poor “geeks” to resolve the definitive dispute between word and gesture\, reason and emotion\, literality and poetics. \nBerta Prieto was born in 1998 and spent all her childhood and adolescence in Celrà\, until he decided to go to Barcelona and study interpretation. It started to write to give herself and her friends roles\, and so she has completed three works: El Chinabum (La Gleva)\, Fuck You Modern Family (Sala Beckett and Bitó Productions) and Derecho a Pataleta: the most exciting mission of the spies of true (Sala Beckett). She is one of the creators of the Autodefensa series\, nominated for many awards important etc. He has also started speaking and writing in different spaces of prestige such as the CCCB or El País. Now she is also very busy writing another play\, another series and having many ideas to continue living of the story. \n  \n\n\nProgramme curated and produced by Carolina Olivares Esturillo \nDesign: Ana Habash and Ignasi Ayats. Illustrated by: Eduard Sales \nTicket sales through the Fundació website and at the box office. Limited capacity \n\n\nLink to the full programme. \n 
URL:https://museutapies.org/en/event/following-the-sun-berta-prieto-aina-serena/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/06/FINAL-DE-CURS_-TU-LA-LETRA-Y-LA-MUSICA.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240725T180000
DTEND;TZID=Europe/Madrid:20240725T200000
DTSTAMP:20260503T120554
CREATED:20240709T113409Z
LAST-MODIFIED:20250526T095705Z
UID:10000791-1721930400-1721937600@museutapies.org
SUMMARY:Picnic at the Museu Tàpies! 2024
DESCRIPTION:Tickets\n \nWould you like to spend a summer afternoon at the museum to discover the exhibition Antoni Tàpies. The Practice of Art with your family\, and then have a picnic on the terrace? Come with your own evening meal and we will invite you to a drink to celebrate the Tàpies Centenary Year! \nWe have prepared various proposals so that together you can enjoy the exhibition\, along with a creative workshop that will be held in three different time slots: 6 pm\, 6.30 pm and 7 pm. \nIncollaboration with El Culturista
URL:https://museutapies.org/en/event/picnic-at-the-museu-tapies/
LOCATION:Museu Tàpies
CATEGORIES:Family
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/07/Picnic-al-Museu-Tapies.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240730T180000
DTEND;TZID=UTC:20240730T190000
DTSTAMP:20260503T120554
CREATED:20240327T113014Z
LAST-MODIFIED:20240723T125631Z
UID:10000381-1722362400-1722366000@museutapies.org
SUMMARY:Today is Tàpies: Remei Sipi - Erick Beltrán
DESCRIPTION:Tickets\n \n Today is Tàpies  is a series of conversations across generations and disciplines\, led and moderated by arts journalist Rita Roig (Terrassa\, 1997) and organised by the Museu Tàpies as part of the Tàpies Centenary Year. It sets out to interpret the artist’s texts as a starting point to discuss current issues such as environmentalism\, self-determination for peoples\, interculturality and the political commitment of art. \nThe series will encourage people to think about the artist’s words and thoughts though thirteen events at the Museu Tàpies involving people from a range of professional backgrounds (arts\, education\, science\, politics\, the environment\, health and life sciences) and different generations. Altogether it will construct a polyphonic dialogue that will be recorded in podcast form thanks to cooperation with Catalunya Ràdio\, in order to recover and experience the knowledge generated in a different format and a different context. \n  \nChapter 8: Activism from the sidelines \nTàpies celebrates the moment when Europe finally comes up against “other cultures up to then considered savage that shifted the hitherto untouchable centre of gravity away from the shattered humanism of Europe for good.” The artist was clear that looking beyond Europe did not mean fleeing\, and that in the art of some communities described as backward there was useful wisdom for modernity. In this conversation\, Remei Sipi and Erick Beltrán will be discussing why some western values still seem untouchable to us and some forms of cultural expression are regarded as exotic\, taking as a starting point Antoni Tàpies’ thoughts on the Eurocentric bias in the art world and about the colonial inheritance in our culture. \n  \nPARTICIPANTS \nRemei Sipi is a writer\, essayist\, children’s educator and activist\, an expert in gender and development. She works to defend women\, ethnic minorities and migrants\, and has helped organise African women’s associations in attempt to avoid the folklorisation of the intercultural events to which they are invited. Since the 1980s she has led different associations and been a member of groups like E’Waiso Ipola and the immigrant women’s network in Catalonia. In 1995 she set up the publisher Mey\, a landmark in Equatorial Guinean literature. She is currently the secretary of the association E’Waiso Ipola and promoter of the federation of African women’s associations in Spain. \n  \nErick Beltrán is an artist who explores and reflects on the concept of publishing and discourse construction. He takes an interest in the information that circulates and how it influences our view of the world. His work makes use of drawings\, photographs\, maps and other objects with the aim of linking public art and graphic languages. His aim is to reveal the mechanisms that define\, assess\, classify\, select\, reproduce and distribute images to create political\, economic and cultural discourses in contemporary society. \n  \nToday is Tàpies programme \nPodcasts Today is Tàpies\, by Catalunya Ràdio.
URL:https://museutapies.org/en/event/today-is-tapies-remei-sipi-erick-beltran/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/remei-sipi-erick-beltran.jpg
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