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DTSTART;TZID=UTC:20240913T190000
DTEND;TZID=UTC:20240913T193000
DTSTAMP:20260408T022259
CREATED:20240724T081614Z
LAST-MODIFIED:20240910T122605Z
UID:10000839-1726254000-1726255800@museutapies.org
SUMMARY:The Chairs of Tàpies. Hugo Gómez-Chao Porta
DESCRIPTION:The Chairs of Tàpies is a series of multidisciplinary sound actions organised in the context of the Tàpies Centenary Year\, with the collaboration of Universitat Pompeu Fabra (UPF). The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way\, each of the thirteen sessions will feature a creator whose starting point will be the chair\, taken as a performative object\, linking back to the creative universe of Tàpies through the expressive languages and settings of the present day. \nThe guest in the ninth Chair of Tàpies is Hugo Gómez-Chao\, who is to present the proposition entitled Three Voices. Three voices try to speak in the darkness. Three voices try to remember a text\, the words\, the inflections of their own voice. They try to learn to speak again through fragments of phrases\, words\, whispers\, but any trace of communication has been lost in this superimposition of air over nothing. Suddenly\, some signs appear that connect it all: en echo\, a flash of meaning\, a gesture that makes the three voices sing at the same time\, a pure word. And suddenly what can be heard becomes visible. \nBased on texts by Antoni Tàpies\, Leonardo da Vinci and Ángel Valente\, Three voices explores the physicality of the human voice to create a choreography that can only exist in the ear. This event also features the sopranos Margarita Rodríguez and Adriana Aranda and the mezzosoprano Cristina Segura\, as well as percussionists Noè Rodrigo and Sabela Castro. \n  \nHugo Gómez-Chao Porta \nBorn in A Coruña\, he studied composition with Beat Furrer at the University of Music and Performing Arts in Graz\, and with Ramón Lazkano at Musikene in Donostia/Sant Sebastián. In addition to his academic training\, he has attended classes with composers like Toshio Hosokawa\, Alberto Posadas\, Clemens Gadenstätter\, Bernhard Lang\, Mark Andre and Pierluigi Billone. \nHe has been resident composer at the Real Academia de España in Rome (2022–2023) and resident composer at Juventudes Musicales de España (2019)\, scholarship holder in Artistic Training from A Coruña provincial authority and REGA resident artist at the City of Culture of Santiago de Compostela. He has won accolades including the first prize for young composers from the SGAE-CNDM Xavier Montsalvatge foundation and special commendation from the Colegio de España in Paris. \nHe has received commissions and premiered work with the support of bodies including JONDE (Joven Orquesta Nacional de España)\, the AEOS foundation\, the SGAE foundation\, Orquesta Sinfónica de Galicia\, Real Filharmonía de Galicia\, Juventudes Musicales de España\, Impuls Festival\, Accademia Filarmonica Romana\, the Contrasti de Florència series\, Festival Ensems in Valencia\, the sacred music festival in Madrid\, La Phármaco dance company\, the City of Culture of Santiago de Compostela and Museu Tàpies\, among others. \nHis music has been performed in Italy\, Austria\, Germany and France\, among other countries\, by leading ensembles and artists such as Quartet Arditti\, Klangforum Wien\, IEMA Ensemble Modern\, Orquesta Sinfónica de Galicia\, Real Filharmonía de Galicia\, mdi ensemble\, Arxis Ensemble\, Vertixe Sonora Ensemble\, Grup Instrumental Segle XX\, Jove Orquestra de la Generalitat Valenciana and Ensemble So Extrem\, among others. \nIn 2018 he founded the RESIS international contemporary music festival in A Coruña (with the support of INAEM\, A Coruña city council\, A Coruña provincial authority and the government of Galicia)\, of which he is artistic director. He is also artistic director of the Associación Cultural Aïs\, with projects like the A_NEXOS series at the Luis Seoane foundation. In 2022 he founded Arxis Ensemble\, of which he is also artistic director. Since 2023 he has curated the Andrés Gaos award and been musical adviser to the culture department of A Coruña provincial authority. \n  \nMargarita Rodríguez  \nBorn in Mallorca\, she has worked with eminent international conductors like William Christie\, Masaaki Suzuki and Kent Nagano. In the contemporary music repertoire\, she made her début as L’Angelo in Il giardino della vita\, by José María Sánchez-Verdú\, conducted by Arturo Tamayo. Since then she has premiered and performed compositions by leading contemporary composers\, including Aleph\, by Iluminada Pérez-Frutos; KELAIA (Libro de los vientos)\, by José María Sánchez-Verdú; Lo grotesco\, by Sergio Blardony; Marii\, by Ward De Vleeschhouwer; Resonancias sobre la Folía de España\, by Alicia Díaz de la Fuente\, and Intérieur\, by Hugo Gómez-Chao\, and is now a regular figure at the top contemporary series and festivals. \n  \nAdriana Aranda  \nBorn in Barcelona\, she studied classical and contemporary singing at the Conservatori Superior de Música del Liceu and then the master’s course in Lied at the Escola Superior de Música de Catalunya\, specialising in contemporary music. She has won scholarships from the Fundació Victòria dels Àngels and also from Wolfram Rieger on the International Course for the Interpretation of Lied with Joventuts Musicals de Catalunya. In the field of contemporary music\, she was a member of the Académie Voix Nouvelles in Royaumont (France) in 2019. She has worked with different contemporary music ensembles including the CrossingLines Ensemble at the OUT·SIDE’20 FESTIVAL\, Grup Instrumental Segle XX at the Festival RESIS 2021\, Vertixe Sonora since 2021 and Arxis Ensemble at the Royal Spanish Academy in Rome in 2023. In September 2023 she played Pierrot Lunaire by Arnold Schoenberg at the Música als Masos festival. \n  \nBorn in Barcelona\, ​​she studied singing with Dolors Aldea (a disciple of Gérard Souzay) and Francisco Poyato\, as well as with Wolfram Rieger\, Dalton Baldwin\, Ulrich Eisenlohr\, Burkhard Kehring\, and Donatienne Michel-Dansac (currently the main European vocal reference in contemporary music). She received a scholarship from the Fundació Victoria de los Ángeles and twice from Wolfram Rieger in the Curs Internacional de Lied de Joventuts Musicals de Catalunya. In the field of Lied\, she has performed in different venues in Spain\, highlighting the LIFE Victoria Festival with Ian Burnside and Roderick Williams. She has taken part in different national and international multidisciplinary new creation projects with dance\, theatre and circus in festivals both in Spain and France. He has worked with the main national contemporary music ensembles\, such as Vertixe Sonora\, Arxis Ensemble or CrossingLines\, among others\, appearing in festivals such as RESIS Festival\, OUT•SIDE or the Festival de los Castillos and has premiered as a soloist three consecutive operas at the Gran Teatre del Liceu by Fabià Santcovsky\, Itziar Viloria with Álex Tentor and Jordi Oriol and the most recent one by Guillem Palomar. \n  \nCristina Segura \nAfter graduating from the Conservatori Superior de Música del Liceu under Maria Dolors Aldea\, she did two master’s degrees at the Haute école de musique in Geneva with Nathalie Stutzmann\, followed by further training in lied at the Conservatoire Royal de Bruxelles. She stands out for her extensive training and work both in opera and lied\, early and contemporary music and oratorios. She has sung as a soloist in Switzerland\, Slovenia\, France\, Belgium\, Brazil and Spain. She has sung the parts of Carmen (Carmen) and Suzuki (Madama Butterfly) at the Palau de la Música Catalana. At the Opéra de Lausanne she has played the parts of Smeton (Anna Bolena)\, Teresa (La sonnambula)\, Alisa (Lucia di Lammermoor)\, L’autruche (Les Zoocrates) and Pepa (La Belle de Cadix)\, as well as La maman\, La tasse and La libellule (L’enfant et les sortilèges).
URL:https://museutapies.org/en/event/the-chairs-of-tapies-hugo-gomez-chao-porta/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240916
DTEND;VALUE=DATE:20241126
DTSTAMP:20260408T022259
CREATED:20240718T073925Z
LAST-MODIFIED:20240723T073928Z
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SUMMARY:Gaudir UB course. Antoni Tàpies and the Practice of Art.
DESCRIPTION:Antoni Tàpies was born in Barcelona on 13 December 1923. Today he is recognised as one of the most important artists of the 20th century. However\, his work remains relatively little-known and is often considered cryptic and inaccessible. On this course we’ll give you some keys to get into Tàpies’ work. Through theoretical and practical sessions held in different parts of the museum\, we will look at a range of aspects: the artistic conception that like behind his work\, his creative techniques and processes\, the links with the art of his time and his contributions to the history of art.
URL:https://museutapies.org/en/event/gaudir-ub-course-antoni-tapies-and-the-practice-of-art/
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/07/curs-gaudir-ub.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240917T180000
DTEND;TZID=UTC:20240917T190000
DTSTAMP:20260408T022259
CREATED:20240408T101132Z
LAST-MODIFIED:20240909T185556Z
UID:10000713-1726596000-1726599600@museutapies.org
SUMMARY:Today is Tàpies: Gloria Moure - Mabel Palacín
DESCRIPTION:Tickets\n  \n \nOrganised by the Museu Tàpies as part of the Tàpies Centenary Year\, Today is Tàpies is a series of transgenerational and interdisciplinary conversations conducted and moderated by the cultural journalist Rita Roig (Terrassa\, 1997). The aim is to interpret Tàpies’ texts as a starting point for reflecting on current issues such as ecology\, the right to self-determination\, interculturality and political commitment in art. \nThe words and ideas of the artist will be revisited during a series of thirteen sessions\, with invited participants from different generations and diverse professional fields (culture\, education\, science\, politics\, environment\, health and human sciences) helping to construct a polyphonic story that will be collected in the form of a podcast. Thanks to the collaboration of Catalunya Ràdio\, the podcast will allow us to experience the generated knowledge in another format and in another context. \n  \nChapter 9: Being an Artist: Philosophers of Combat and Action \n“Can we talk today about the status of artist in a general way\, with features common to all of them?” wondered Antoni Tàpies. The artist was fascinated by creators of all kinds who represented radically different archetypes. From the spiritual Zen master to the versatile Renaissance man\, the definition of an artist can take so many forms\, that we can get lost in a sea of relativism and conventions. But what does being an artist mean in today’s world? Is mastery of a technique enough? Must one know one is an artist in order to be one? In this conversation Gloria Moure and Mabel Palacín discuss the conception of the artist and the role they are to play in society. \n  \nPARTICIPANTS \nGloria Moure is an art historian and freelance curator. In the course of her career she has been director of the Fundació Espai Poblenou (Barcelona) and the Centro Galego de Arte Contemporánea (CGAC\, Santiago de Compostela). In the last fifteen years\, alongside her role as a curator\, she has worked extensively in publishing. She currently heads Colección 20_21\, a series of monographs published by Ediciones Polígrafa that has a prominent place among the collections of work and writing by leading contemporary artists. \n  \nMabel Palacín is a multidisciplinary artist who works in film\, video and photography. Her work reflects on the centrality of images in the contemporary world and on how we relate to them. She is also interested in the multiplicity of formats of images and in how they influence our relationship with the world. She sees images as theoretical agents able to construct models on the basis of which to understand and expand today’s visual landscape. \n  \nToday is Tàpies programme \nPodcasts Today is Tàpies\, by Catalunya Ràdio. \n 
URL:https://museutapies.org/en/event/today-is-tapies-gloria-moure-mabel-palacin/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/01/Moure-Palacin-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240920T190000
DTEND;TZID=Europe/Madrid:20240920T203000
DTSTAMP:20260408T022259
CREATED:20240801T123332Z
LAST-MODIFIED:20240909T093225Z
UID:10000845-1726858800-1726864200@museutapies.org
SUMMARY:Tàpies\, Montsalvatge and Victoria
DESCRIPTION:  \nThroughout 2024\, the Fundación Victoria de los Ángeles and the Museu Tàpies are celebrating the centenary of the birth of the soprano and the artist\, respectively. To this end\, and within the framework of the commemoration\, the Museu Tàpies will host a concert to celebrate their friendship and highlight their artistic careers. Curiously\, despite both living in Barcelona\, Victoria de los Ángeles and Antoni Tàpies usually met in New York\, especially during the 1960s and 1970s\, coinciding with the internationalisation of Tàpies’ work and its inclusion in private and public collections.  \nTheir mutual admiration is demonstrated by various documents from that time. Together with his wife Teresa Barba\, Tàpies collected numerous records\, among which Carmen\, sung by Victoria de los Ángeles\, stood out as one of his most precious jewels. Equally\, Victoria de los Ángeles acquired several works by Tàpies over the years\, which she kept in her own home. Proof of this reciprocal recognition is the 2007 commission for the logo of the newly-created Fundación Victoria de los Ángeles\, designed by Tàpies for the occasion using some of his personal symbols. \nThe soprano Montserrat Seró returns to LIFE Victoria\, accompanied on the piano by Marc Serra\, who will also debut with saxophonist Gisela Dekort\, winner of the Xavier Montsalvatge Award in the Les Corts International Music Competition. Their recital will establish a dialogue with Tàpies’ paintings and his musical preferences\, exploring the relationship with Victoria and Montsalvatge. The repertoire will include works by Wolfgang Amadeus Mozart\, Johannes Brahms\, Federico García Lorca\, George Gershwin\, Xavier Montsalvatge and Leonard Bernstein\, among others.
URL:https://museutapies.org/en/event/tapies-montsalvatge-i-victoria/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/08/SERO.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240921T110000
DTEND;TZID=UTC:20240921T133000
DTSTAMP:20260408T022259
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000123-1726916400-1726925400@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-09-21/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240921T190000
DTEND;TZID=Europe/Madrid:20240921T210000
DTSTAMP:20260408T022259
CREATED:20240909T130959Z
LAST-MODIFIED:20240916T115143Z
UID:10000849-1726945200-1726952400@museutapies.org
SUMMARY:Following the Sun: Meritxell de Soto
DESCRIPTION:  \nThe roof of the Fundació Antoni Tàpies is to become an experimental playground for Opimelissa\, a collective who cook\, sing\, dance and lots more. We’ll be following the sun with the gentle irony and humour of Júlia Barbany\, the architecture of the catchy electrosong of Petit Ibèric\, the philosophical canticles of Max Grosse about the life and lovesickness of an odd sock with a hole in it\, the egodilirium of the sharp-penned dramatist and writer Berta Prieto (if you don’t know who she is yet\, you’re living in a cave!)\, the rhythm of DJ\, performer and militant for self-governance Meritxell de Soto\, the overflowing energy of tender\, multi-faceted punkmother Belén Barenys\, the experimental Latin music of Deprerreo\, the contorted body of Candela Capitán\, who denounces the sexualisation of women through convulsive metrics. \nFifth session of the programme Following the Sun\, an experimental series of sound and stage performances\, presenting nine new sessions by young creative talents. The programme\, curated and produced by Carolina Olivares Esturillo\, aims to promote the youthful\, inexhaustible energy of artists to light up and give new life to Tàpies’ solitary sock that presides over the Fundació’s roof terrace. \n  \nSixth session: Meritxell de Soto \nMeritxell de Soto presents Ultra Femme Frequencies\, a vinyl DJ set of drones and atmosphere\, where the music is not only heard\, but lived. In this piece\, De Soto challenges the technical conventions of DJing\, often associated with traditional masculinity\, through the choreographic practice of tapping with the whole body\, an investigation he has developed together with the dancer and choreographer Guillem Jiménez. The sound layers immerse the listener in a space of stillness and expansion\, evoking a tactile sensuality: the vibration travels from the frequencies to the skin\, establishing a dialogue between the sound and the body. Here\, the technique is transformed into choreography\, turning the body into an extension of the sound. Part of the choreographic movements are inspired by gestures taken from DJ archives\, re-contextualized in a performative space and impregnated with elements of Bimbo culture. The work proposes a re-reading of the act of piercing from the perspective of provocation\, play and irony\, exploring new territories on the periphery of outdated paradigms and hot takes. \n  \nMeritxell de Soto is an artist who challenges the boundaries between sound and performance\, investigating how sound devices interact with physicality and power dynamics. His work deals with topics such as the construction of gender\, identity and eroticism\, using sound to question and reimagine these concepts. De Soto creates spaces where the boundaries between the performer and technology are blurred\, generating sensory experiences that invite reflection on the body as a place of agency. \nIn projects like Espai Segur\, he subverts the traditional norms of DJing\, integrating his body into the action of punching and encouraging a critical dialogue about care and safety in high-intensity environments\, often dominated by traditional masculinity. \nOn a conceptual level\, Meritxell de Soto’s work is a constant exploration of how sound and popular spaces can become platforms for critical reflection. He has performed at festivals and parties such as Sónar (BCN)\, Tremor (PGL)\, Keep Hush (UK) and Ankali (PRG)\, and has participated as a performer with the LASADCUM company at Teatros del Canal and Centre de Cultura Contemporània de Barcelona (CCCB)\, among others. His piece Espai Segur has been presented at the Gayte Lyrique in Paris and Casa Monjuïc\, in Barcelona. In addition\, he has been part of the round table Dance Dance Revolution\, at Sónar+D\, and is currently curating the electronic music festivals Tresor\, at the CCCB. \nHis practice as a DJ is characterized by the hybridization of musical genres\, focused on the deconstructed club sound\, with a critical look at how these sound choices impact the collective experience of the public\, promoting the creation of communities. \n  \nTechnical details: \n· Creative direction and interpretation: Meritxell de Soto \n· Choreography and Movement collaborator: Guillem Jiménez \n· Styling: Romina Puga \n· Programme curated and produced by Carolina Olivares Esturillo \n\n\n· Design: Ana Habash and Ignasi Ayats. \n· Illustrated by: Eduard Sales \n· Ticket sales through the website and at the box office of Museu Tàpies. Limited capacity. \n  \n\n\nLink to the full programme. \n 
URL:https://museutapies.org/en/event/following-the-sun-meritxell-de-soto/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/09/unnamed-1-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240924T100000
DTEND;TZID=Europe/Madrid:20240924T190000
DTSTAMP:20260408T022259
CREATED:20240711T152202Z
LAST-MODIFIED:20240918T114309Z
UID:10000794-1727172000-1727204400@museutapies.org
SUMMARY:Open day and guided tour on the occasion of La Mercè 2024
DESCRIPTION:  \nAs every year\, on the occasion of the La Mercè 2024 festivities\, the Tàpies Museum offers an open day\, from 10 a.m. to 7 p.m.\, and a free guided tour\, at 5:30 p.m.\, to approach the exhibitions in course: \n– Antoni Tàpies. The practice of art \n– Serge Attukwei Clottey. Beyond the Skin
URL:https://museutapies.org/en/event/open-day-and-guided-tour-on-the-occasion-of-la-merce-2024/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/07/merce2024-20165140-1236x824-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240925
DTEND;VALUE=DATE:20241003
DTSTAMP:20260408T022259
CREATED:20240628T095329Z
LAST-MODIFIED:20241004T100949Z
UID:10000783-1727222400-1727913599@museutapies.org
SUMMARY:Sarah Maldoror. An Alternative Identity
DESCRIPTION:The season of films Sarah Maldoror. An Alternative Identity responds to the need to network with the city’s institutions to develop a de-localised programme and the desire to highlight a pioneer of African film like Sarah Maldoror\, who left us a wonderful legacy on the subject of negritude. The season sets out to revisit Maldoror’s work\, as a figure as yet little-known but essential in dealing with the decolonial movement and struggles for social diversity. The four sessions\, designed by the Museu Tàpies with the special support of Annouchka de Andrade\, the film-maker’s daughter\, will set out from Maldoror’s visual poetics to portray a future society rooted in anticolonialism and pan-Africanism.  \nSarah Maldoror (Condom\, France\, 1929 – Fontenay-lès-Bris\, France\, 2020) is considered the first black woman to make a feature-length film in Africa and represents a key figure in world and revolutionary cinema\, firmly and unabashedly anti-racist. Over several decades\, her prolific body of work includes more than forty films that combine fiction and documentary in the broadest sense of the term. Altogether it is a kind of poetry dedicated to translating the black cultural\, social and political movement into images and sound. \nThe seminar will invite film critics\, activists and sociologists to help to construct a fruitful dialogue around concepts like colonialism\, social justice and migration\, but will also deal with broader terms in connection with possession\, baggage\, heritage or identity. \n  \nSession 1:     Date: 25 September 2024 | Venue: Filmoteca de Catalunya | 6 pm \nPresentation of the series Sarah Maldoror: An Alternative Identity with the directors of the Museu Tàpies and the Filmoteca de Catalunya\nOpening lecture: Filming Means Taking Sides\, by Annouchka de Andrade\nScreening of Monangambé (1968\, 17 min) and Ana Mercedes Hoyos (2008\, 13 min)\nPublic debate and questions to Annouchka de Andrade \n  \nSession 2:     Date: 27 September 2024 | Venue: Filmoteca de Catalunya | 6 pm \nPresentation of the session by the Filmoteca de Catalunya\nPresentation of the Carnaval trilogy by Annouchka de Andrade\nPerformative reading by Yazel Parra Nahmens\nScreening of the Carnaval trilogy: Un carnaval dans le Sahel\, Fogo\, île de feu and Carnaval en Guinée-Bissau (1979-1980\, 80 min). First screening in Spain of the restored copies. \n  \nSession 3:     Date: 1 October 2024 | Venue: Institut Français | 6 pm \nPresentation of the series by the Tàpies museum\nPreamble: In Search of an Identity\, by Annouchka de Andrade\nScreening of Aimé Césaire: le masque des mots (1987\, 47 min)\nPublic debate and questions to Annouchka de Andrade \n  \nSession 4:     Date: 2 October 2024 | Venue: Museu Tàpies | 5.30 pm \nPresentation of the series by the Tàpies museum\nScreening of Sambizanga (1972-1973\, 102 min)\nRound table with Annouchka de Andrade and Daniellis Hernández\, moderated by Yazel Parra Nahmens \n  \n  \nWith the participation and collaboration of the Filmoteca de Catalunya and the Institut Français de Barcelone\, With the support of the programme Museu Habitat\, an initiative by the Generalitat de Catalunya. \n 
URL:https://museutapies.org/en/event/sarah-maldoror-an-alternative-identity/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/06/mt1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20240929T110000
DTEND;TZID=Europe/Madrid:20240929T120000
DTSTAMP:20260408T022259
CREATED:20240718T074030Z
LAST-MODIFIED:20240729T085013Z
UID:10000832-1727607600-1727611200@museutapies.org
SUMMARY:Tàpies landscape
DESCRIPTION:Tour/workshop for families at the exhibition Antoni Tàpies: The Practice of Art. \nAntoni Tàpies and his family spent their summers in the Montseny area\, where they enjoyed the nature park. We often find landscapes or elements that make reference to nature in his work. During the tour we’ll speculate about the different stories some of his pictures have to tell\, by asking each other questions. What is Somac the lion doing in the middle of a landscape by Tàpies? Can bulls fly? Can a man be bigger than a landscape? During the workshop we’ll make our own Tàpies landscape-collage. We’ll create a landscape with techniques used by the artist\, adding elements taken from his works.
URL:https://museutapies.org/en/event/tapies-landscape/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/07/Paisatge-ta╠Cpies.png
END:VEVENT
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