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DTSTART;VALUE=DATE:20240916
DTEND;VALUE=DATE:20241126
DTSTAMP:20260408T052706
CREATED:20240718T073925Z
LAST-MODIFIED:20240723T073928Z
UID:10000830-1726444800-1732579199@museutapies.org
SUMMARY:Gaudir UB course. Antoni Tàpies and the Practice of Art.
DESCRIPTION:Antoni Tàpies was born in Barcelona on 13 December 1923. Today he is recognised as one of the most important artists of the 20th century. However\, his work remains relatively little-known and is often considered cryptic and inaccessible. On this course we’ll give you some keys to get into Tàpies’ work. Through theoretical and practical sessions held in different parts of the museum\, we will look at a range of aspects: the artistic conception that like behind his work\, his creative techniques and processes\, the links with the art of his time and his contributions to the history of art.
URL:https://museutapies.org/en/event/gaudir-ub-course-antoni-tapies-and-the-practice-of-art/
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/07/curs-gaudir-ub.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241108T190000
DTEND;TZID=UTC:20241108T210000
DTSTAMP:20260408T052706
CREATED:20240515T122304Z
LAST-MODIFIED:20241029T093144Z
UID:10000739-1731092400-1731099600@museutapies.org
SUMMARY:The Chairs of Tàpies: Mal Pelo
DESCRIPTION:  \nThe Chairs of Tàpies is a series of multidisciplinary sound actions organised in the context of the Tàpies Centenary Year\, with the collaboration of Universitat Pompeu Fabra (UPF). The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way\, each of the thirteen sessions will feature a creator whose starting point will be the chair\, taken as a performative object\, linking back to the creative universe of Tàpies through the expressive languages and settings of the present day. The proposal for the month of November is Mal Pelo.  \n  \nMal Pelo\, a creative theatre group under the artistic direction of Pep Ramis and María Muñoz\, is known for its practice of shared authorship\, arising from dialogue between creators from various disciplines (dance\, philosophy\, music\, audiovisual). Over the course of its long career\, it has developed its own artistic language through movement and the creation of theatrical performances\, featuring text\, original soundtracks\, live music and the construction of stage settings\, as well as light and video\, amongst other theatrical techniques. The overall symbiosis makes it possible to understand space by means of the careful and peculiar capacity to listen to bodies and to objects. This in turn generates a personalised world\, characterised by an amalgam of gestures and stimulations that approximate the work of Mal Pelo to a type of dance-essay\, understood as a dialogue between body\, text and sound.  \n  \nMaría Muñoz and Pep Ramis have found on the stage an ideal place to express their urge to experiment\, query and share subjects that are essential to their trajectory. Mal Pelo has presented the shows Quarere (1989)\, Sur\, Perros del Sur (1992)\, Dol (1994)\, La calle del Imaginero (1996)\, Orache (1998)\, El alma del bicho (1999)\, L’animal a l’esquena (2001)\, Atrás los ojos (2002)\, An (el silenci) (2003)\, BACH (2004)\, ATLAS (2005)\, Testimoni de llops (2006)\, He visto caballos (2008)\, Tots els noms (2010)\, Caín & Caín (2011)\, L’esperança de vida d’una llebre (2013)\, El cinquè hivern (2015)\, 7 lunas (2015)\, The Mountain\, the Truth and the Paradise (2017)\, On Goldberg Variations / Variations (2019)\, Inventions (2020)\, Highlands (2021)\, De haber nacido (2023) and Double Infinite – The Bluebird Call (2023)\, amongst others. \n  \nOver the course of their career\, Mal Pelo has collaborated with various creators and projects\, including John Berger\, Erri de Luca\, Lisa Nelson\, Àngels Margarit\, Steve Noble\, Núria Font\, Steve Paxton\, Eduard Fernández\, Andrés Corchero\, Toni Serra\, Lilo Baur\, Cesc Gelabert\, Faustin Linyekula\, Raffaella Giordano\, Baró d’Evel\, Leonor Leal\, Niño de Elche and Marta Izquierdo\, amongst others.  \n  \nThe company has received numerous distinctions\, including the National Culture Award of Catalonia\, the City of Barcelona Award and the Spanish National Culture Award\, acknowledging its career in the field of choreography\, as well its achievements opening up new paths in contemporary dance.  \n  \nIn 2001\, María Muñoz and Pep Ramis initiated the project L’Animal a l’Esquena\, a creation and research centre located at Mas Espolla\, in Celrà\, Girona. The centre is conceived to enliven the intersection of various disciplines and interests\, leading to artistic interchange through a working model based on creative residencies. Its location enhances the relationship between creators and the centre’s natural surroundings\, intensifying the possibility of new dialogues between art and nature.  \n[Photo credit: Mal Pelo]
URL:https://museutapies.org/en/event/the-chairs-of-tapies-mal-pelo/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/MAL-PELO-a-la-Fundacio-Antoni-Tapies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241110T110000
DTEND;TZID=Europe/Madrid:20241110T123000
DTSTAMP:20260408T052706
CREATED:20240628T074959Z
LAST-MODIFIED:20241004T135222Z
UID:10000769-1731236400-1731241800@museutapies.org
SUMMARY:Let’s Turn Objects into Skin. Family activity
DESCRIPTION:Tickets\n \nWhere do the piles of boxes that protect our internet purchases end up? And what about disposable paper or plastic cups? How could we give them a new life? One of the concerns of artist Serge Attukwei Clottey is the excess of disposable objects that clutter up our everyday life. Both the work of Toni Tàpies and that of this Ghanaian artist involve giving a new life to everyday objects. All together we’ll discover what the use was of the yellow containers that Clottey has turned into the new skin of the front of the museum. We propose a tour/workshop to think about the memory\, uses and future of some of these elements. We’ll take inspiration from Clottey’s process to design the costumes for a critical tour of the museum. \nFor children aged 6 and upwards\, accompanied by adults.
URL:https://museutapies.org/en/event/lets-turn-objects-into-skin-family-activity/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/06/transformem-els-objectes-en-pell.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241113
DTEND;VALUE=DATE:20241116
DTSTAMP:20260408T052706
CREATED:20240718T073805Z
LAST-MODIFIED:20241119T104654Z
UID:10000828-1731456000-1731715199@museutapies.org
SUMMARY:International Symposium: Representation and Enigma. From the Threshold of Images
DESCRIPTION:  \nThe Museu Tàpies wants the celebration of the Tàpies Year to culminate in an international symposium to encourage new interpretations and new ways of approaching the artist’s legacy today\, given that we are currently rewriting certain historiographical genealogies. As has been pointed out repeatedly\, the centenary of Antoni Tàpies’ birth involves not only a homage to the past but also a celebration of all that is to come. In this respect\, it is absolutely necessary for us to be able to rethink a legacy that still speaks to us and in which there still remain many layers of interpretation to reveal and discover. \nThe international symposium Representation and Enigma: From the Threshold of Images\, coordinated by Imma Prieto\, director of the Museu Tàpies\, Manuel Borja-Villel and Judith Barnés\, public programmes coordinator of the Museu Tàpies will revolve around three conceptual areas: \n\nRepresentation and non-representation\, focusing on the inherent dychotomy of the reflection of reality\, and on the pair of figuration and abstraction\, generating new\, more permeable nominal situations.\nTime and non-time\, concentrating on the continuity and otherwise of techniques\, of symbolic languages\, breaking with linearity and with the chronological sense of the creative process.\nEnigma and specificness\, relating creation to magic\, incorporating the concept of the demiurge and highlighting the multiple layers of interpretation of a work of art and the active role of the viewer in activating narratives.\n\nThrough these three areas\, and with the works by Antoni Tàpies that make up the retrospective as a backdrop\, participants in the symposium will be encourage adopting a free\, personal approach\, to allow them to look again at a visual and though code in order to rethink it and rethink ourselves today. As indicated in the symposium programme\, the invitation goes out to researchers\, academics and curators from Spain and abroad without any apparent connection with the artist\, precisely to encourage this disruption. \nThe three sessions of the international symposium will begin with an initial talk\, followed by two replies to encourage criticism and dialogue between the guests. The programme features Hans D. Christ\, Nausikaä El-Mecky\, Isabel de Naverán\, Leda Martins\, Carmen Pardo\, José A. Sánchez\, Rita Segato\, María Sierra and Amador Vega. \n  \nSESSION 1. Enigma and Concretion | Date: 13 November 2024 \n5 pm Presentation and welcome by Imma Prieto \n5.10 pm Talk “Tàpies’ Crossroad” by Amador Vega \n6 pm Break \n6.15 pm Approach “Under the Eyelids” by Isabel de Naverán \n6.45 pm Approach “Appearance\, Disappearance and Violence” by Nausikaä El-Mecky \n7.15 pm Discussion between Amador Vega\, Isabel de Naverán and Nausikaä El-Mecky\, moderated by Manuel Borja-Villel \n7.45 pm Open discussion \n8.15 pm Closing \n  \nSESSION 2. Time and Non-Time | Date: 14 November 2024 \n5 pm Talk “Six Moments for Another Time” by Manuel Borja-Villel \n5.50 pm Break \n6.05 pm Approach “Times of an Ear: Fragment by Tàpies” by Carmen Pardo \n6.35 pm Approach  “On Negativity” by José A. Sánchez \n7.05 pm Discussion between Manuel Borja-Villel\, Carmen Pardo and José A. Sánchez\, moderated by Judith Barnés \n7.35 pm Open discussion \n20.00 pm Closing \n  \nSESSION 3. Representation and Non-Representation | Date: 15 November 2024 \n5 pm Talk “The Path of Art: from Representation to Deconstruction” by Rita Segato \n5.50 pm Break \n6.05 pm Approach “The Image of the Romany People: Overexposure as a Form of (non) Representation” by María Sierra \n6.35 pm Approach “The Fortune of the Abstraction” by Hans D. Christ \n7.05 pm Discussion between Rita Segato\, María Sierra and Hans D. Christ\, moderated by Imma Prieto \n7.35 pm Open discussion \n08.05 pm Conclusions and close by Imma Prieto \n08.30 pm Closing \n 
URL:https://museutapies.org/en/event/international-symposium-representation-and-enigma-from-the-threshold-of-images/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/07/ftapies240718_127-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241116T110000
DTEND;TZID=UTC:20241116T133000
DTSTAMP:20260408T052706
CREATED:20240112T150743Z
LAST-MODIFIED:20240214T155433Z
UID:10000125-1731754800-1731763800@museutapies.org
SUMMARY:Montaner y Simón: A Publishing House with History. Guided Tour
DESCRIPTION:Tickets\n  \n \nA guided tour that aims to explore the history of the former Montaner y Simón publishing house\, the work of the modernista architect Lluís Domènech i Montaner\, through a visit to the Fundació Antoni Tàpies\, the former main offices of the publishing house\, and two closely related buildings by the same architect: the Palau Montaner\, now headquarters of the Spanish government’s delegation in Catalonia\, and the Casa Thomas\, currently the Cubiñá designer furniture store.
URL:https://museutapies.org/en/event/la-montaner-y-simon-una-editorial-amb-historia-itinerari/2024-11-16/
LOCATION:Museu Tàpies
CATEGORIES:Visites i diàlegs
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2019/02/itinerari_montaner-simon_agenda.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241119T183000
DTEND;TZID=Europe/Madrid:20241119T200000
DTSTAMP:20260408T052706
CREATED:20240628T095831Z
LAST-MODIFIED:20241118T124721Z
UID:10000770-1732041000-1732046400@museutapies.org
SUMMARY:Book-Wall. Reading club
DESCRIPTION:As part of the project Beyond the Skin a reading club will be offered with the collaboration of the bookshops Finestres\, La Central and La Impossible. This time\, the selection of books will be related to themes touched on by Clottey’s work\, such as ecology\, climate change and the migrations imposed by the global economic system. The reading club is a place to pool thoughts about necessary readings in the context of social and climate emergency in which we live.  \nLlibre-mur [Book-Wall] (1990) is a work by Antoni Tàpies that lends its name to the series of reading clubs we have organised in recent years in collaboration with bookshops in the neighbourhood concerning our current exhibitions. Tàpies’ interest in books\, both as objects and as sources of knowledge\, and the fact that the museum premises formerly housed a publishing company\, Montaner y Simón\, make dialogues like this about writing\, reading and art appropriate.
URL:https://museutapies.org/en/event/book-wall-reading-club/
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/06/Llibre-mur.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241123T100000
DTEND;TZID=Europe/Madrid:20241123T140000
DTSTAMP:20260408T052706
CREATED:20240718T074303Z
LAST-MODIFIED:20241120T135618Z
UID:10000834-1732356000-1732370400@museutapies.org
SUMMARY:A fold\, a wrinkle\, a line\, a body
DESCRIPTION:A workshop so draw with the body\, by making folds\, wrinkling\, tearing or walking\, and explore matter for building and the infinite notebook. Training course aimed at social work and education professionals registered in the Apropa Cultura programme. \nBy Teresa Rubio
URL:https://museutapies.org/en/event/a-fold-a-wrinkle-a-line-a-body/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2024/07/Un-plec-una-arruga-un-trac╠o-un-cos-.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241123T110000
DTEND;TZID=Europe/Madrid:20241123T133000
DTSTAMP:20260408T052706
CREATED:20240718T073956Z
LAST-MODIFIED:20240930T114220Z
UID:10000831-1732359600-1732368600@museutapies.org
SUMMARY:Tàpies\, political commitment
DESCRIPTION:Combined visit to the Museu Tàpies and the Museu d’Història de Catalunya \nOn the occasion of the Tàpies Year\, the Museu Tàpies and the Museu d’Història de Catalunya are organising a joint guided tour of the exhibitions Antoni Tàpies: The Practice of Art (Museu Tàpies) and Tàpies: Art and Activism (Museu d’Història de Catalunya) to explain the artist’s most social and committed side. \n  \n Image: MHC (Pep Herrero)
URL:https://museutapies.org/en/event/tapies-political-commitment/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/07/MHC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241126T180000
DTEND;TZID=UTC:20241126T190000
DTSTAMP:20260408T052706
CREATED:20240408T105524Z
LAST-MODIFIED:20241111T105358Z
UID:10000718-1732644000-1732647600@museutapies.org
SUMMARY:Today is Tàpies: Gemma Carbó - Jordi Ferreiro
DESCRIPTION:Tickets\n  \n \nOrganised by the Fundació Antoni Tàpies as part of the Tàpies Centenary Year\, Today is Tàpies is a series of transgenerational and interdisciplinary conversations conducted and moderated by the cultural journalist Rita Roig (Terrassa\, 1997). The aim is to interpret Tàpies’ texts as a starting point for reflecting on current issues such as ecology\, the right to self-determination\, interculturality and political commitment in art. \nThe words and ideas of the artist will be revisited during a series of thirteen sessions\, with invited participants from different generations and diverse professional fields (culture\, education\, science\, politics\, environment\, health and human sciences) helping to construct a polyphonic story that will be collected in the form of a podcast. Thanks to the collaboration of Catalunya Ràdio\, the podcast will allow us to experience the generated knowledge in another format and in another context. \n  \nChapter 12: The Coordinates of Artistic Practice and Mediation \nTàpies associated visual culture with a critical spirit. This is why he always argued for an aesthetic education inculcated from early childhood and reaching as much of the population as possible. According to the artist\, making the public aesthetically aware was a guarantee of progress\, especially if it consisted of a “proper” aesthetic education. This means one that covered everything: “Defending natural landscapes\, fighting pollution\, against dreadful town planning for ‘profit’\, against the din of advertising…” In this conversation\, Gemma Carbó and Jordi Ferreiro will be talking about visual culture\, democracy\, pedagogy and the responsibility of artists and cultural institutions to act as mediators in the media-saturated context in which we live. \n  \nPARTICIPANTS \nGemma Carbó is director of the Museum of Rural Life\, Catalonia. She is a historian\, arts administrator and doctor of education\, specialising in the field of cultural and educational policy. She has always taken an interest in connections between the world of culture\, education and sustainable development\, and argues for culture as an axis for public policy to achieve social change. She is president of the Fundació Interarts\, which works in international cultural cooperation\, and of the Associació ConArte Internacional for arts in education. She also lectures in teacher training and arts administration at the University of Girona and the UOC\, the Catalan open university. \n  \nJordi Ferreiro\, artist and educator\, sees no distinction between the disciplines in which he works. He combines teaching with artistic practice and arts administration on projects aiming to transform the relationship between artists\, the public and museums through participatory structures\, entertainment and surprise. Examples of this include choreographed tours\, passive performances\, interactive audioguides and social sculptures. He also explores out of the ordinary pedagogical situations\, affect and meaningful learning and experimental systems of assessment. He is currently the coordinator of education and mediation at Manifesta 15. \n  \n  \nToday is Tàpies programme \nPodcasts Today is Tàpies\, by Catalunya Ràdio. \n 
URL:https://museutapies.org/en/event/today-is-tapies-gemma-carbo-jordi-ferreiro/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Carbo-ferreiro-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241127
DTEND;VALUE=DATE:20241129
DTSTAMP:20260408T052706
CREATED:20240718T073847Z
LAST-MODIFIED:20250929T105118Z
UID:10000829-1732665600-1732838399@museutapies.org
SUMMARY:Conference: I\, you\, world: Symbol and universe
DESCRIPTION:  \nThis retrospective exhibition spotlights the work of Antoni Tàpies\, but also his life\, as well as the people around him. Teresa Barba Fàbregas\, who he married in 1954\, was his travelling companion and the person who experienced at first hand the construction of a language of his own and the forging of one of the most important figures of the second artistic avant-garde\, both nationally and internationally. \nIn this respect\, for the first time the Museu Tàpies is organising conference on the series of 56 drawings entitled Sèrie Teresa (1966) and the portfolio of 66 lithographs\, lithocollages and collages entitled Cartes per a la Teresa [Letters for Teresa] (1974). The first is a long love letter with explicit allusions to domesticity and shared sexuality\, and a compendium of the signs Tàpies generally used. The second refers to the love letters he exchanged with Teresa Barba during his stay in Paris in from 1950 to 1951. It is therefore a set of material that discusses poetry\, art and writing form a holistic point of view that transcends language itself. The series reveals a world that is only decipherable by the couple\, but at the same time allows free interpretation by the spectator\, ranging from everyday experience to the universal. In this respect\, the conference meet a need to give a new dimension to the series\, establishing new connections and meanings from the metaphor of words and fleshing out the cosmic dimension of gesture. \nThe conference I\, You\, World: Symbol and Universe will feature theorists from the fields of art and poetry and pots such as Maria Josep Balsach\, Anna Gual\, Gabriel Ventura\, José Manuel Cuesta Abad\, Valentín Roma and Rasha Omran. \n  \nPROGRAMME \n  \nSESSION 1 | 27 November 2024 \n6 pm. Presentation of the seminar by Imma Prieto \n6.10 pm. Talk “Tàpies and the Sèrie Teresa: The Fragile Hotbed of Bodies\, Silences and Rips in a Secret Image” by Maria Josep Balsach \n6.50 pm. Talk “The Intimacy of the T: The Poetic Conceptions in the Sèrie Teresa (1966) and Cartes per a la Teresa (1974)” by Anna Gual \n7.30 pm. Poetic reading of “† for Time” by Gabriel Ventura \n8 pm. Time for questions \n8.30 pm. Close \n  \nSESSION 2 | 28 November 2024 \n6 pm. Presentation of the programme by Imma Prieto \n6.10 pm. Talk “Tàpies’ Papers” by José Manuel Cuesta Abad \n6.50 pm. Talk “Love as an Artistic Epiphany” by Valentín Roma \n7.30 pm. Poetic reading of “I Look in the Depths of the Earth for the Language to Love You” by Rasha Omran. With translation into Catalan by actress Susanna Barranco. \n8 pm. Time for questions \n8.30 pm. Close \n  \nThe book «Aquella que va habitar la casa abans que jo»\, by Rasha Omran\, published by Èter Edicions\, will be presented at the Fundació Joan Brossa on December 4. Coinciding with the celebration of the seminar\, it will be on sale for the first time at the Museu Tàpies bookshop. \n  \nImage of Teresa Series\, by Antoni Tàpies\, exhibited at The Practice of Art at Museu Tàpies. Photo: Pep Herrero \n  \nLink to the second edition of the seminar. \n  \nPlaylist of conference videos from the 2024 seminar.
URL:https://museutapies.org/en/event/conference-i-you-world-symbol-and-universe/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/07/ftapies240719_118-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241130T103000
DTEND;TZID=Europe/Madrid:20241130T130000
DTSTAMP:20260408T052706
CREATED:20241120T140250Z
LAST-MODIFIED:20241120T140332Z
UID:10000868-1732962600-1732971600@museutapies.org
SUMMARY:Plant intelligence. A derive
DESCRIPTION:  \nrhizome {notebook} plant intelligence. A derive \nAs part of the Espais C programme and the research-action project rhizome {notebook} plant intelligence\, by the artist Anita García\, the creator proposes a derive in the area of the Museu Tàpies. A derive is a walk\, normally in urban space\, that has no pre-established destination. Anita García uses this practice as an instrument to research how we perceive plant species and relate to them. With the observations gathered from this derive and other research processes\, the artist creates tools for promotion and learning to be integrated into projects dedicated to social design and artistic-community mediation\, as related to formal and informal educational programmes that encourage ecological awareness and multi-species coexistence. \nThis activity is conceived for publics of all ages interested in art and education.  \n  \nAnita García has a degree in Design\, and has worked professionally in eco-design\, art\, mediation and social design. She has experience in arts management\, teaching\, educational consulting and sustainability\, and has done projects in artistic research and mediation\, participation and citizen co-creation.  \nAs an artist\, she researches and centres her work on the dialogue between art\, science and design. She is inspired in nature\, and her explorations seek to understand herself as an emotional-sensorial being in harmony with other living beings. Through her work\, she undertakes reflection to establish the critical/creative/conceptual foundations making it possible to collaborate in actions intended to encourage social\, environmental and economic equilibrium.  \nAs a social designer and artistic-community mediator\, Anita García conceives educational workshops\, actions\, kits\, devices and cases. She facilitates and coordinates projects meant for entities in education\, culture\, business\, the public administration and collectives. Further to this\, she addresses a diverse set of issues such as gender perspectives\, human rights\, the environment\, architecture\, landscape\, public space and co-existence.
URL:https://museutapies.org/en/event/plant-intelligence-a-derive/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/11/unnamed-scaled.jpg
END:VEVENT
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