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DTSTART;TZID=Europe/Madrid:20241201T110000
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DTSTAMP:20260408T064505
CREATED:20240718T074339Z
LAST-MODIFIED:20241004T135559Z
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SUMMARY:Walls\, Surfaces or Tàpies
DESCRIPTION:During his career\, Antoni Tàpies explored the new possibilities offered by painting and experimented with extra-pictorial materials such as powdered marble to achieve different textures in his work. As he was doing this\, as he himself said\, the painting surprised him by turning into a wall surface. \nHave you ever noticed the walls around you at home? What do they tell us? How do they do it? During the activity we want to listen to the surfaces of the walls [the Catalan name of the activity\, Parets\, murs i tàpies is a play on words in Catalan: all of them mean different types of wall\, and of course one is also the artist’s name]. All together\, we’ll find out about the creative process behind Antoni Tàpies’ wall creations\, about his communicative ability and his fascination for walls. At the same time\, while walking around\, we will look at the marks on the walls around the museum to see what stories they have to tell. \nFamily activity
URL:https://museutapies.org/en/event/walls-surfaces-or-tapies/
LOCATION:Museu Tàpies
CATEGORIES:Education
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DTSTART;TZID=UTC:20241210T180000
DTEND;TZID=UTC:20241210T190000
DTSTAMP:20260408T064505
CREATED:20240408T111139Z
LAST-MODIFIED:20241128T151739Z
UID:10000720-1733853600-1733857200@museutapies.org
SUMMARY:Today is Tàpies. Jordi Colomer - Brigitte Vasallo
DESCRIPTION:Tickets\n \nOrganised by the Fundació Antoni Tàpies as part of the Tàpies Centenary Year\, Today is Tàpies is a series of transgenerational and interdisciplinary conversations conducted and moderated by the cultural journalist Rita Roig (Terrassa\, 1997). The aim is to interpret Tàpies’ texts as a starting point for reflecting on current issues such as ecology\, the right to self-determination\, interculturality and political commitment in art. \nThe words and ideas of the artist will be revisited during a series of thirteen sessions\, with invited participants from different generations and diverse professional fields (culture\, education\, science\, politics\, environment\, health and human sciences) helping to construct a polyphonic story that will be collected in the form of a podcast. Thanks to the collaboration of Catalunya Ràdio\, the podcast will allow us to experience the generated knowledge in another format and in another context. \n  \nChapter 13: In Common: The System as a Wall \nWe idealise artists as unquestionable geniuses and enclose their work within four walls. On the other hand\, the internet and new technology promise immediate access to anything we want to know. But who actually has access to real art? And what exactly is this art that we consider real? “For me\, any living gesture has far more value\, even if it is just scrawling something on a wall\, when this gesture is justified by a human fact\, than all the paintings in galleries that lack any connection with our lives\,” wrote Antoni Tàpies. This reflection by the artist leads us to question institutions in today’s world\, in a conversation in which Jordi Colomer and Brigitte Vasallo wonder whether they should all just be abolished or whether they can survive\, even as part of a system that must be contested. \n  \nPARTICIPANTS \nJordi Colomer is an artist with a strong performative sense who puts to the test the conventions of architecture and urban space to subvert them\, in an exercise that sets out to encourage people to think about cultural tradition\, the status of art and the role in the inhabitant in today’s cities. Colomer works in the field of sculpture\, installations\, photography and video art\, and his creations deal with topics like nomadism\, the periphery\, the popular imagination\, community and utopia. Since 2018\, together with producer Carolina Olivares\, he has been involved with La Infinita\, a creative laboratory and meeting place between visual and performing arts in L’Hospitalet de Llobregat. \n  \nBrigitte Vasallo is a writer and activist focused on processes of otherness\, affective policy and cognitive capitalism. She is the author of the novel PornoBurka and the essay Pensamiento monógamo\, terror poliamoroso (La Oveja Roja\, 2018)\, an exploration of the centrality of monogamy in our amorous constructions and of how this system has prevailed. She lectures on the master’s degree in Gender and Communication at the Universitat Autònoma de Barcelona\, on the postgraduate course in the Culture of Peace at the same university and the LAP at Es Baluard museum of contemporary art in Palma\, and has been an international consultant on the project INTIMATE – Citizenship\, Care and Choice: The Micropolitics of Intimacy in Southern Europe at the Centro de Estudos Sociais (CES) of the University of Coimbra. \n  \n  \nToday is Tàpies programme \nPodcasts Today is Tàpies\, by Catalunya Ràdio. \n  \n  \n 
URL:https://museutapies.org/en/event/today-is-tapies-jordi-colomer-brigitte-vasallo/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2024/01/Jordi-Colomer-Brigitte-Vasallo.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241211T190000
DTEND;TZID=UTC:20241211T203000
DTSTAMP:20260408T064505
CREATED:20240220T150623Z
LAST-MODIFIED:20241126T142653Z
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SUMMARY:Antoni Tàpies’ Suitcase
DESCRIPTION:  \nAntoni Tàpies had two studios: one in Barcelona\, on Carrer Saragossa\, and the other in Campins\, in the Montseny. The house-studio in Barcelona was designed by architect J. A. Coderch following the artist’s requirements in terms of materials and the sober and calm environment he needed. The Campins farmhouse was acquired by the family in 1960 and was used\, mainly in the summer months\, as a retreat to escape the distractions of the city. \nWhen Tàpies moved from one place to another\, he carried with him a suitcase full of vinyl records\, which were swapped and reviewed depending on personal interests and the musical fashions of the moment. Although Tàpies did not mix his activities\, that is\, when he painted\, he painted\, and when he listened to music\, he listened to music\, from a very early age music had been his passion. \nAfter the artist’s death\, Miquel Tàpies\, his youngest son\, listed the contents of one of the suitcases with the aim of generating an anthology of twentieth-century classics: Webern\, Schoenberg\, Scelsci\, Ligeti\, Xenakis\, Feldman\, Cage\, Boulez… \nAs part of the celebration of the centenary of the birth of Antoni Tàpies (Tàpies’ Year)\, the Escola Superior de Música de Catalunya (ESMUC) is collaborating with Museu Tàpies to stage a series of live performances in front of Tapies’ works in othen institiutions. The cycle is titled Antoni Tàpies’ Suitcase\, and features the work Hyxos by Giacinto Scelsi\, performed by ESMUC students. \n  \nUpcoming Performances \n  \n. December 11\, 2024\, at 7 p.m.\, the action will take place at the Museu Tàpies \n  \nProgramme of Performances \n  \n· 13 December 2023\, at 14 h\, in the Parliament of Catalonia\, the first performance of the cycle took place before the work 7 de novembre\, by Antoni Tàpies. The event coincided with the start of the Tàpies Centenary Year activities. \n· 22 December 2023\,  in front of the work by Antoni Tàpies titled Complement\, exhibited in the Barcelona City Council. \n· 12 January 2024\, in front of the work by Antoni Tàpies titled Les quatre cròniques\, in Palau de la Generalitat. \n· 25 February 2024\, at the Museu de Sant Boi\, in front of the work by Antoni Tàpies titled 11 de setembre. \n· 4 March 2024\, in Sala de Reflexió\, a work by Antoni Tàpies\, in Universitat Pompeu Fabra (UPF)\, Barcelona (Campus de la Ciutadella\, Carrer Ramon Trias Fargas\, 25-27).  \n· 31 May 2024\, at 7:30 p.m.\, at Museu de Valls\, on the occasion of the “Antoni Tàpies. Intervening Bronzes (1987-1989)” exhibition. \n· 21 June 2024\, at 1.30 p.m.\, at the Institut Français in Barcelona. \n· September 24\, 2024\, at 12 m. and 12:30 p.m.\, the performance will take place at the Recinte modernista de Sant Pau in Barcelona\, featuring the participation of the Victoria de los Ángeles Foundation\, in front of the work by Antoni Tàpies titled Painted and Scraped Wood. \n· September 26\, 2024\, at 18.30 p.m.\, the performance will take place at the Museu d’Art Contemporani de Barcelona\, in front of Tàpies’ Paisatge blanc i negre I (1985) and Dues creus negres (1973)\, at the exhibition Col·lecció MACBA: Preludi. Intenció poètica. \n· October 17\, 2024\, at 18.30 p.m.\, the action was at the Fundació Suñol in Barcelona. \n· October 25\, 2024\, at 8 p.m.\, at the CCCB in Barcelona. Agnès Varda had connections with and an interest in Catalan art. The CCCB exhibition includes\, among other pieces\, the Antoni Tàpies painting Ocre-gris sobre marró (Ochre-Grey over Brown\, 1962)\, which dialogues with an excerpt from Varda’s documentary film Les Glaneurs et la Glaneuse (2004). In this film\, Varda looks at the ceiling of her house\, sees a damp patch\, and says it reminds her of a work by Tàpies. Concert by ESMUC students Juan Carlos Narvaez (alto flute) and Álvaro Ayuso (percussion) at the exhibition Agnès Varda. Photograph\, Film\, Recycle. \n· November 18\, 2024\, at 6:30 p.m.\, performance at the Ateneu Barcelonès. Sala Oriol Bohigas. Conversation between Imma Prieto\, director of Museu Tàpies\, and Vicenç Altayó\, writer and art critic\, moderated by Alba Font and Bárbara Astals. The musical pieces will be performed accompanied by the work entitled Roig i Negre 2\, by Antoni Tàpies\, which is part of the artistic heritage of the Ateneu Barcelonès. Concert with ESMUC students who will perform several musical works by the composer Alban Berg. \n· November 25\, 2024\, at 8 p.m.\, at the Cercle del Liceu\, in collaboration with the Lliga Jove del Cercle del Liceu. \n  \n\n  \nList of records kept in the suitcase as noted by Miquel Tàpies Barba \n  \n\nContemporary piano music | Hungaroton HCD 12659 | Klara Kormendi.\nGiacinto Scelsci | Wergo | Canti di capricornio.\nIannis Xenakis | WDR | Musique de chambre 1955-1990 | Arditti String Quartet and Claude Helffer.\nAlban Berg | CBS | Three Orchestral Pieces\, Op. 6 – Violin Concerto | Pierre Boulez.\nCharles Ives | Wergo | Sonate fur Klavier No. 1\nMilton Babbitt | Harmonia Mundi | Piano Works | Robert Taub.\nArnold Schoenberg | Adès | Pierrot Lunaire / Serenade | Helga Pilarczyck.\n Stockhausen | Deutsche Grammophon | Suzane Stephens.\n Xenakis | Harmonia Mundi | Pléiades | Les Percussionistes de Strasbourg.\nGurdjieff and Thomas de Hartmann | Journey to inaccessible places and other music | Elan Sicroff.\nCharles Ives | CBS | Symphony No. 3 and Orchestral Set No. 2 | Michael Tilson Thomas and Concertgebouw Orchestra.\n Berio | Deutsche Grammophon | Coro | Kölner Rundfunk-Sinfonie-Orchester.\nAntoine Tisné | Caliope | Ragas: Visions des temps immémoriaux.\nRoberto Gerhard | Auvidis | Symphony No. 4\, New York and Metamorphosis (Symph. No. 2) | The plague / Epithalamion.\nLigeti | Sony | Cello concerto\, Piano concerto\, Chamber concerto | Ensemble Modern.\nAlban Berg | Accord | Portrait | SIMC-IGNM.\nLutoslawski | Naxos | Symphony No. 3\nBoulez | Wergo | Première\, deuxième et troisième sonate pour piano.\nLutoslawski\, Penderecki\, Cage | Deutsche Grammophon | Mayuzumi | LaSalle Quartet.\n Xenakis/Messiaen | Denon | Yuji Takahashi.\nPierre Boulez | Harmonia Mundi | Domaines | Michel Portal\, Diego Masson.\n\n  \n[Photograph: Performance at Barcelona City Council.]
URL:https://museutapies.org/en/event/antoni-tapies-suitcase/
CATEGORIES:Public Programme
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