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X-ORIGINAL-URL:https://museutapies.org/en/
X-WR-CALDESC:Events for Museu Tàpies
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DTSTART;TZID=Europe/Madrid:20250301T120000
DTEND;TZID=Europe/Madrid:20250614T120000
DTSTAMP:20260505T073745
CREATED:20250204T120416Z
LAST-MODIFIED:20250619T151931Z
UID:10000889-1740830400-1749902400@museutapies.org
SUMMARY:Approximations. Museu Tàpies Guided Tour 2025
DESCRIPTION:Guided tour of the Museu Tàpies’ current exhibitions\, with an introduction to the history of the building. \n  \nCurrent exhibitions: \n  \n· Antoni Tàpies. The imagination of the world \n· Marta Palau. My Paths are Earthly \n· Anna Malagrida. Opacitas: Veiling Transparency \n· Noor Abed. A Night We Held Between \n 
URL:https://museutapies.org/en/event/approximations-guided-tour-2025/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/02/i-k74b6sw-XL-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250611T170000
DTEND;TZID=Europe/Madrid:20250611T190000
DTSTAMP:20260505T073745
CREATED:20250406T185926Z
LAST-MODIFIED:20250611T162639Z
UID:10000971-1749661200-1749668400@museutapies.org
SUMMARY:Weaving Generations: Intergenerational Project on Textile Art and the Work of Marta Palau
DESCRIPTION:I propose a dialogue where I will speak in a language of knots\, braided cord\, entwined forms. My language will be . . . the harsh clamour of the broken cord\, knotted\, woven\, twisted\, braided\, tied. . . \nCuesta\, Rosendo\, ‘Marta Palau\, notas de una entrevista imaginaria’.  \nMarta Palau in El arte feminista de Marta Palau\, Vindictas Artes Visuales\, TV UNAM. Video \n  \nWeaving Generations aims to create a space for encounter and knowledge exchange in relation to textile art. The project is conceived for a group comprised of twelve individuals from Espais de Gent Gran de l’Eixample [Eixample Senior Spaces] of Barcelona\, as well as six more from Eix Jove de l’Eixample [Eixample Youth Alliance] and six students with connections to the textile workshop at Escola Massana.  \nThe proposal will be for the group to enter into dialogue with the work of Marta Palau through three practical sessions\, dedicated to experimentation with weaving and knot-making techniques. Particular attention will be paid to the materials used\, prioritizing those connected to the immediate context or the personal environment of each participant.  \nThe project will conclude with a public activity to assess the processes and results of the sessions\, culminating with a performance piece by members of the G.A.C. (Grup d’Acció Creativa) from Eix Jove de l’Eixample. \n  \nProgramme \n  \n· Session 1 (30 April): visit to the exhibition Marta Palau: My Paths are Earthly. A small tapestry done with a vertical frame will be made in pairs. Previously\, the looms will be prepared with the warp\, while the kinds of fibres and materials that can be used for the grid will be explained. \n  \n· Session 2 (14 May): collaborative creation of a large tapestry made from materials taken from the immediate territory\, along with others brought by the participating individuals. The session is conceived as a way to encourage shared narratives related to materials\, their qualities and their origins. This session will feature the special participation of the project Tornen les esquelles [The Sheep Bells Return] and the design firm Cortana. \n  \n· Session 3 (28 May): collaborative creation of a circular macramé tapestry\, derived from the sculptural volumes and knot-making techniques employed by Marta Palau. \n  \n· Public Presentation (11 June): presentation of the results and the technical and learning processes involved in the project. The session will conclude with a performance that dialogues with the work of Marta Palau\, conceived and performed by members of the G.A.C. (Grup d’Acció Creativa) from Eix Jove de l’Eixample. \n 
URL:https://museutapies.org/en/event/weaving-generations-intergenerational-project-on-textile-art-and-the-work-of-marta-palau/
LOCATION:Museu Tàpies
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/04/Marta-Palau.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250614T190000
DTEND;TZID=Europe/Madrid:20250614T200000
DTSTAMP:20260505T073745
CREATED:20250725T114500Z
LAST-MODIFIED:20250725T114638Z
UID:10001048-1749927600-1749931200@museutapies.org
SUMMARY:Following the Sun. Adrasha
DESCRIPTION:The project mebrat / Հայանական is born from an ongoing investigation into lighthouses understood as an unusual architecture that\, paradoxically\, resonates with both the idea of guidance and that of border. The experimental artist and sound DJ has dedicated time to studying the different periodicities with which lighthouses emit light\, and has translated them into various rhythms and sounds. \nMoving away from the nautical connotations of the lighthouse\, the sound performance seeks to connect with emotional and geopolitical complexities such as homeland\, the need to travel\, composite identities\, changes in communication and mutating destinies\, through a series of field recordings and autobiographical samples: audio recordings of friends and family in Ethiopia and Spain\, interwoven with textures of his own voice and maritime motifs. \nThis sound collage —with a collaboration by Bamba\, from the Jokkoo collective— becomes a meditation on the fragility of memory and identity\, origin and destination\, acceptance and resistance. \n  \nAdrasha is an Ethiopian multidisciplinary artist based in Barcelona. She began her career as a dancer in Addis Ababa\, influenced by traditional and urban sounds from the Horn of Africa. Focused on exploring underground sounds —in particular\, contemporary club music from the African continent and its diaspora—\, Adrasha’s work attempts to create a dialogue between hybrid sound expressions\, such as Afropunk\, Gqom\, Future Dancehall and current experimental electronic music. \nA session within the framework of the second edition of Following the sun series\, curated by Gabriel Virgilio Luciani
URL:https://museutapies.org/en/event/following-the-sun-adrasha/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/06/m4.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250619T183000
DTEND;TZID=Europe/Madrid:20250619T210000
DTSTAMP:20260505T073745
CREATED:20250508T142119Z
LAST-MODIFIED:20250512T123355Z
UID:10001007-1750357800-1750366800@museutapies.org
SUMMARY:Florilegium of Lands and Bodies. Performance by Equipo Jeleton
DESCRIPTION:Equipo Jeleton offers us a public oracle reading of the Florilegium tarot\, questioning the exhibition Marta Palau: My Paths Are Earthly. Throwing threads into the past and the future to engage with the works and their enigmas. \nEquipo Jeleton’s Florilegium tarot brings together elements from their Political History of Flowers in twenty-five arcana that depict parts of the body\, plants and flowers\, and allegorical figures. \nThe performance will take place in two sessions. \n  \nEquipo Jeleton was established in 1999 by Gelen Alcántara Sánchez (Murcia\, 1975) and Jesús Arpal Moya (Barakaldo\, 1972). They reinterpret literary\, musical and visual repertoires in a critical and twisted way with the aim of transmuting poison into medicine. They have recently presented their work at Hangar\, Bulegoa Z/B\, Bilbao Museoa\, MACBA\, Fundació Miró\, Centro Párraga\, La Taller\, Universitat Miguel Hernández and Tabakalera. \n 
URL:https://museutapies.org/en/event/florilegium-of-lands-and-bodies-performance-by-equipo-jeleton/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/05/foto_tarot.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250626T190000
DTEND;TZID=Europe/Madrid:20250626T193000
DTSTAMP:20260505T073745
CREATED:20250424T093327Z
LAST-MODIFIED:20250625T104745Z
UID:10000991-1750964400-1750966200@museutapies.org
SUMMARY:Untitled Performances with Esther Ferrer
DESCRIPTION:The second edition of the series The Chairs of Tàpies is fortunate to feature Esther Ferrer\, a pioneering figure in action art who has made her body an essential tool for resistance\, expression and thought. Ferrer sees the body not just as matter\, but as a symbolic medium for experiences\, memories and conflicts. Her practice works with the persistence of gesture\, the construction of time by repetition and the ability of the body to store and transmit\, almost like a written skin\, the tensions between the I and the world. \nOn the basis of silence\, humour and radicalism\, from a coherent\, free positioning\, she confronts convention\, offering a distinctive view of how bodies resist and explain\, becoming sensitive archives of identity\, absence and presence. Within this framework\, Ferrer will therefore be inviting us to celebrate gesture as living memory\, as a place from which the body appeals\, questions and transforms itself. \n  \nEsther Ferrer has been staging actions since the mid-sixties\, both individually and as a member of the ZAJ group (which broke up in 1996). In the early 1960s she set up\, together with the painter José Antonio Sistiaga\, the first Taller de Libre Expresión [Free Expression Workshop]\, the seed for a whole range of other\, parallel activities\, among them an experimental school in Elorrio\, in Bizkaia province in the Basque Country. From the mid-seventies onwards\, she resumed her visual work\, with retouched photographs\, installations\, paintings based on a series of first names and on the number pi\, objects and so on. \nIn the course of her long career as a performance artist\, she has taken part in festivals in Spain\, Germany\, Italy\, Switzerland\, Belgium\, France\, Denmark\, Norway\, Britain\, the Netherlands\, Poland\, Slovakia\, the Czech Republic\, Hungary\, Bulgaria\, the United States\, Canada\, Mexico\, Cuba\, Brazil\, Thailand\, Japan\, Korea and Palestine\, among others. \nShe has exhibited her visual work at: Museo Reina Sofía (Madrid)\, Galerie J. & J. Donguy (Paris)\, Galerie Lara Vincy (Paris)\, Galerie Satellite (Paris)\, Galería Trayecto (Vitoria)\, Staatsgalerie Stuttgart\, Koldo Mitxelena (San Sebastián)\, Galeria Àngels (Barcelona)\, Galeria Trinta (Santiago de Compostela)\, Galería 1 Mira Madrid\, Centro Andaluz de Arte Contemporáneo (Seville)\, Roskilde Museum of Contemporary Art (Denmark)\, Círculo de Bellas Artes (Madrid)\, MOCARoma (Mexico City)\, Museo de Bellas Artes (Rio de Janeiro)\, ARTIUM (Vitoria)\, Es Baluard (Palma)\, Centre Pompidou (Paris)\, Centro Galego de Arte Contemporánea (A Coruña)\, MAC/VAL (Vitry-sur-Seine\, France)\, CEART (Fuenlabrada)\, Museo Guggenheim Bilbao and Centre nacional de la danse (Lyon)\, among others. \nShe has taught numerous courses at universities\, museums and schools of fine art in Canada\, France\, Italy\, Mexico and Switzerland\, as well as Spain. \nIn 1999 she was one of the two artists who represented Spain at the Venice Biennale. \nShe has won accolades including: Trace: John Boehme Performance Art – Lifetime Achievement Award (2006); the Spanish National Visual Arts Prize (2008); the Basque government’s Gure Artea prize (2012); the MAV prize\, the Women in Visual Arts prize (2014); the Marie Claire contemporary art prize (2014); the Velázquez prize (2014); the Golden Drum of the City of Donostia/San Sebastián (2022); the Bernard Heidsieck prize from the Centre Georges Pompidou (2022); and the Francisco Prieto prize from the FNMT\, the Spanish national mint (2024). \n  \n[Inauguration of the rue Marcel Duchamp in Paris\, 1995. Photo: A. Szfran.]
URL:https://museutapies.org/en/event/untitled-performances/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/04/Screenshot_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250627T120000
DTEND;TZID=Europe/Madrid:20250627T133000
DTSTAMP:20260505T073745
CREATED:20250619T153945Z
LAST-MODIFIED:20250623T075216Z
UID:10001033-1751025600-1751031000@museutapies.org
SUMMARY:Antoni Llena: Smokey Memories
DESCRIPTION:The publishers L’Avenç and Blume are pleased to jointly present the publication Antoni Llena. Memòries de fum [Antoni Llena: Smokey Memories]\, on the terrace of the Museu Tàpies. \nIn this book\, Antoni Llena seeks to explain artistic consciousness on the basis of defects and fears\, in a fresco that unfolds like a mural charged with contradictions. He begins by sketching out his family context\, how he met the person who would be his first partner\, a person he still lives with\, and enduring friendship. It continues by explaining the unique way Llena discovered art\, and his choice to live in the world at a distance\, searching for modernity through anachronisms. His decision to live in the world from outside the world. His discovery of art\, his interests and his ambitions. His own particular way of doing things\, and the roots that have made it grow. His struggles to find a place of his own that was radical\, without it being detached from tradition. The artistic personalities who have shaped it\, along with the works he has created and others that have influenced him. The path he has taken\, without having to lay out a set of markers along the way to get there. Eroticism\, loves and phobia\, and so much more. Understanding art as a political reality set apart from trendy political choices. Then\, all told\, his efforts to ensure it is all well written. \nThis presentation features the presence of the author\, Antoni Llena\, the philosopher Xavier Antich and the publishers Leopoldo Blume and Josep M. Muñoz. \n \n  \nFoto: Antoni Bernad
URL:https://museutapies.org/en/event/antoni-llena-smokey-memories/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/06/Tapies_Llena.jpg
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