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X-WR-CALDESC:Events for Museu Tàpies
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DTSTART:20260329T010000
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DTSTART:20261025T010000
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DTSTART;TZID=Europe/Madrid:20260203T180000
DTEND;TZID=Europe/Madrid:20260203T203000
DTSTAMP:20260505T041346
CREATED:20260109T143140Z
LAST-MODIFIED:20260217T171007Z
UID:10001157-1770141600-1770150600@museutapies.org
SUMMARY:The Rebellious Image: Germaine Dulac and the Feminine Imagination in Surrealism
DESCRIPTION:On the occasion of the exhibition dedicated to filmmaker Germaine Dulac\, a pioneer in avant-garde film and a key figure in cinematographic surrealism\, the Museu Tàpies has organised a debate centred on exploring the symbolic\, aesthetic and political realm of the feminine imagination in surrealism. \nFrom a critically rigorous and poetically attuned perspective\, the event constitutes a space for reflection on the forms in which female artists and thinkers have intervened in\, expanded or subverted the codes of surrealism\, often conceived from a masculine perspective. Debate participants will consider questions such as the construction of the body and desire\, feminine authorship within the avant-garde and the relationship between cinema\, dreams and symbolic liberation. \n“The Rebellious Image: Germaine Dulac and the Feminine Imagination in Surrealism” is an invitation to rethink avant-garde narratives on the basis of gesture\, symbolism and rupture\, while likewise paying attention to how an avant-garde movement that was able to transform the invisible into image and desire in language\, might resonate in our day. \n  \nPROGRAMME \n  \n6 pm. Presentation of the session\, by the Museu Tàpies \n6.10 pm. Tami Williams\, “Germaine Dulac and Long Impressionist Cinema” \n6.40 pm. Julia Ramírez Blanco\, “Poetics of the Anti-Fascist Body” \n7.10 pm. Elena Castro Córdoba\, “Dance\, Images\, Dance!” \n7.40 pm. Debate with Tami Williams\, Julia Ramírez Blanco and Elena Castro Córdoba\, moderated by Bruna Lo Biundo \n20.15 h. Closing \n  \nPARTICIPANTS  \n  \nTami Williams is Associate Professor of English and Film Studies at the University of Wisconsin-Milwaukee\, and has been president for two mandates of Domitor – International Society for the Study of Early Cinema (2015–2023). She is the author and editor of various books on early cinema and modern cinema\, including Germaine Dulac: A Cinema of Sensations (2014)\, Global Cinema Networks (2018)\, Germaine Dulac: What Is Cinema? (2019\, awarded the CNC Film Book Prize in 2020)\, Provenance and Early Cinema (2021) and Crafts\, Trades\, and Techniques of Early Cinema (2024). A specialist in intermediality and intercultural exchange\, she has organised international retrospectives in leading institutions\, including La Cinémathèque française\, Musée d’Orsay\, Il Cinema Ritrovato\, Le Giornate del Cinema Muto\, the Library of Congress and the Lincoln Center for the Arts. She is a member of the committee of Women and Film History International. \n  \nJulia Ramírez Blanco is a Ramón y Cajal Researcher at the Universidad Complutense de Madrid. Her research connects art history\, utopian studies and activist movements. She has published various monographs\, including Artistic Utopias of Revolt (Palgrave\, 2018)\, 15M. El tiempo de las plazas (Alianza\, 2021)\, Amigos\, disfraces y comunas. Las hermandades de artistas del siglo xix (Cátedra\, 2022) and La ciudad del Sol. Le mouvement 15M entre formes et performances (Éditions Lorelei\, 2023). She is also a book and journal issue editor\, as with Los ismos del siglo xxi (Alianza\, 2025)\, with A. M. Guasch. She has done research residencies in New York\, Paris\, Nantes\, Amiens and Princeton. With Lise Lérichomme and Sally Bonn\, she has co-directed the research project and exhibition Grande Révolution Domèstique-Guise\, on feminist utopias at the Familistère de Guise\, France. She was on the editorial board of The Society for Utopian Studies and is a member of the international research group Center for Artistic Activism (C4AA). Currently she is researching environmental utopias in the face of climate crisis. \n  \nElena Castro Córdoba has a PhD in Feminist and Gender Studies from the Universidad Complutense de Madrid\, a Master in Gender\, Media & Culture from Goldsmiths University\, London\, and a BA in Philosophy from the Universidad Complutense de Madrid. She has been an FPU pre-doctoral researcher at the Universidad Complutense de Madrid\, where she developed a thesis on queer and affective temporalities applied to the archive\, and is co-founder of the artistic collective Ontologías Feministas\, specialised in virtuality and practices with a feminist perspective. She is currently a lecturer at EINA and a teaching collaborator at Universitat Pompeu Fabra. She researches and writes on contemporary feminism\, the archive\, temporal politics and their interrelationship with contemporary aesthetics. \n  \nBruna Lo Biundo is a researcher specialised in the representation of women in the period between the wars\, with particular interest in surrealism and the feminist film pioneer Germaine Dulac. With a PhD in French Literature from the University of Palermo\, she has worked as a curator and head researcher in institutions such as the Mémorial de la Shoah and La Contemporaine (Nanterre University)\, as well as projects on female immigrants and refugees in France in the 20th century. She is co-founder of the association Past/Not Past\, and is currently preparing a documentary exhibition on Germaine Dulac. Since 2024\, she has coordinated the Master in Audiovisual Heritage at the Institut National de l’Audiovisuel\, where she also teaches on curating and participative practices. \nFilm still from La Coquille et le Clergyman (The Seashell and the Clergyman)\, 1928. \n  \nPlaylist with the video conferences: \n \n 
URL:https://museutapies.org/en/event/the-rebellious-image-germaine-dulac-and-the-feminine-imagination-in-surrealism/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/01/Dulac-debat.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260207T110000
DTEND;TZID=Europe/Madrid:20260207T140000
DTSTAMP:20260505T041346
CREATED:20260112T154342Z
LAST-MODIFIED:20260123T142256Z
UID:10001160-1770462000-1770472800@museutapies.org
SUMMARY:Objects and Other Things: Guided Carnival Visit
DESCRIPTION:A common feature of the artistic practices of Joan Brossa and André du Colombier is the key role played by poetry and objects. Du Colombier was born in 1952 in Barcelona\, though rather by chance\, as his father taught philosophy in French schools abroad. Even so\, his family did not stay for very long\, and there is no evidence he would have met Brossa\, who was born in the same city in 1919. Their works share an interest in language\, a sense of humour and a playful spirt\, along with a common concern for everyday objects\, an anti-establishment attitude and a political scope. \nWith this in mind\, we visit the exhibition Digues\, cosa. Joan Brossa i els poemes objecte at the Centre de les Arts Lliures de la Fundació Joan Brossa\, followed by a visit to the exhibition André du Colombier: A Lyrical Point of Vie\, at the Museu Tàpies. While on this walk from one institution to the other\, artist Estel Boada will enliven a mediation proposal related to objects. The activity concludes with an aperitif on the Museu Tàpies terrace. \nParticipants can come dressed as objects or bring a personal object. \n  \nGuided by Estel Boada\, Sílvia Galí and Maria Sellarès
URL:https://museutapies.org/en/event/objects-and-other-things/
CATEGORIES:Education
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/01/llapis1-1-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260213T190000
DTEND;TZID=Europe/Madrid:20260213T210000
DTSTAMP:20260505T041346
CREATED:20260129T173824Z
LAST-MODIFIED:20260212T093028Z
UID:10001164-1771009200-1771016400@museutapies.org
SUMMARY:Opening of the exhibition “Antoni Tàpies. The Perpetual Movement of the Wall”
DESCRIPTION:NEW DATA \nThe Museu Tàpies will officially open the new exhibition\, Antoni Tàpies. The Perpetual Movement of the Wall\, on Friday\, February 13\, 2026\, at 7:00 p.m. The opening event is free and open to the public; no prior reservation is required. The exhibition will run until September 6\, 2026\, offering the public the opportunity to explore a pivotal moment in the work of Antoni Tàpies. \nThe monographic project will consist of an exploration of the artist’s work on the basis of his exhibition contexts and forms. The project takes as its object of study four exhibitions staged by Antoni Tàpies in the decade\, each with very different sets of his work\, and also set up in different ways. The divergence between these approaches\, as well as the particular vicissitudes of the organisation of each of them\, will make it possible to relate Tàpies’ output in each case with wider debates about modern architecture\, industry\, graphic design and editorial composition\, urban space and certain ways of life at the time. \nThe exhibition is curated by Imma Prieto\, director of the Museu Tàpies\, and Pablo Allepuz\, head of collection at the museum. \n: \n[Image: Antoni Tàpies\, El foc encantat de Farefa\, 1949. Private Collection\, Barcelona. © Comissió Tàpies / VEGAP\, 2026.]
URL:https://museutapies.org/en/event/opening-of-the-exhibition-antoni-tapies-the-perpetual-movement-of-the-wall/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2025/11/Antoni-Tapies-El-foc-encantat-de-Farefa-1949.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260221T180000
DTEND;TZID=Europe/Madrid:20260221T190000
DTSTAMP:20260505T041346
CREATED:20260203T154434Z
LAST-MODIFIED:20260218T160503Z
UID:10001167-1771696800-1771700400@museutapies.org
SUMMARY:Tarte Tatin
DESCRIPTION:When the Museu Tàpies began to give shape to the first solo exhibition dedicated to André du Colombier\, the curator Anka Ptaszkowska\, a close friend of the artist\, opened the doors of her Paris flat to representatives of the museum. It was a space suspended in time\, a dense\, chaotic world where many unknown works were uncovered: documents\, everyday objects and the remains of an intensely-lived life. Many of those pieces are now part of the exhibition André du Colombier: A Lyrical Point of View. \nThat rich disorder\, brimming with remnants from life\, also featured a few loose sheets of paper that seemed to belong to a theatrical piece written by du Colombier. It was Tarte Tatin\, a virtually unheard-of piece that has only been performed once\, and which ironically reflects on the passing of time\, friendship and the absurdity of humans’ inability to communicate. \nFor the closure of this exhibition\, the Museu Tàpies has commissioned playwright and theatre director Berta Prieto to prepare a performance of the theatrical text in the form of a dramatized reading. The proposal was to create a dialogue with the exhibition’s visual content\, so that the artist’s words might fill the exhibition space with new layers of meaning\, activating concerns that continue to resonate with uncommon force. \n  \nBerta Prieto (1998) is a playwright\, actress\, director and screenwriter. She studied in various acting schools and has a degree in Humanities (Universitat Oberta de Catalunya). Her professional debut was with El Chinabum (2018)\, written together with Lola Rosales and directed by Paula Ribó. That piece went to many festivals and theatres\, and gave rise to the collective Las Chatis de Montalbán. \nAfterwards\, she co-wrote and directed FUCK YOU MODERN FAMILY (2019) and Derecho a pataleta (2020)\, both of which premiered and had runs at the Sala Beckett. Her most recent work as a playwright and director is Del fandom al troleig\, una sàtira del bla bla bla\, premiered and performed at the Sala Beckett\, Barcelona\, and at Teatro de la Abadía\, in Madrid.  \nShe is likewise co-creator of the series AUTODEFENSA (2022)\, produced by FILMIN and Boogaloo Films\, which was selected for festivals such as the Sevilla European Cinema Festival\, l’Alternativa and Series Mania. It was also nominated for various awards\, including the Feroz Awards and the ALMA Awards. Prieto currently is working on new theatrical and audiovisual projects\, exploring the limits of playwrighting and contemporary creation. \n  \nTeam Credits \n· Playwright and Director: Berta Prieto \n· Cast: Belén Barenys\, Laura Roig and Berta Prieto \n· Scenography: Cecília Ruíz Baena \n· Art Director: Cecília Ruíz Baena \n. Art and wardrobe assistant: Patrícia Feliu Juárez \n. Graphic Design: Eduard Sales \n. Sound Design: Belén Barenys \n. Pianist: Roger Cassola
URL:https://museutapies.org/en/event/tatin-cake/
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/png:https://museutapies.org/wp-content/uploads/2026/02/Tarte-Tatin.png
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