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DTSTART:20260329T010000
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DTSTART:20261025T010000
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DTSTART;TZID=Europe/Madrid:20260312T180000
DTEND;TZID=Europe/Madrid:20260312T183000
DTSTAMP:20260505T034734
CREATED:20260302T152553Z
LAST-MODIFIED:20260311T115028Z
UID:10001193-1773338400-1773340200@museutapies.org
SUMMARY:Enric Casasses: The Bean and the Chickpea. Up on the Chair
DESCRIPTION:Enric Casasses opens the new edition of the series The Chairs of Tàpies with a talk-lecture-action-recital-event on how the chair\, however small it might be\, FILLS the stage. Casasses recurs to the vision of how a poem transforms itself over the rift of time (months\, years\, decades). The first version of the poem is from the 1980s; the second\, from the first decade of the 21st century; and the third will appear\, if it does at all\, during this session. Meanwhile\, we will see how the chair appears and disappears in different moments in the 20th century. We still know nothing about the 21st century: we are watching it live. \nThe poem in question is called “The Bean and the Chickpea”\, which in its earliest version was included in an unpublished volume featuring early Casasses poems\, entitled Ànsia vella [Old Craving]. \nEnric Casasses. Born in Barcelona with roots in the coastal town of L’Escala\, he has lived a relatively nomadic life and won various awards. Casasses has written verse (small poems\, big poems\, songs and also poetic essays)\, prose (poetic and philosophical\, especially works of philosophical fiction) and a few plays. He is the author of Calç\, Uh\, Do’m\, El nus la flor\, la policia irà de bòlit and other works.
URL:https://museutapies.org/en/event/the-bean-and-the-chickpea-up-on-the-chair/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/02/km-1915-Suprematisme.-Nou-realisme-pictoric.jpg
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DTSTART;TZID=Europe/Madrid:20260319T190000
DTEND;TZID=Europe/Madrid:20260319T210000
DTSTAMP:20260505T034734
CREATED:20260227T123700Z
LAST-MODIFIED:20260311T175318Z
UID:10001192-1773946800-1773954000@museutapies.org
SUMMARY:Opening of the exhibition “Àngel Jové. De intactu”
DESCRIPTION:Next Thursday\, March 19\, 2026\, at 7:00 p.m.\, will take place the general inauguration of the new exhibition of the Museu Tàpies entitled “Àngel Jové. De intactu”. The event will be public and free\, and no prior reservation is required. The exhibition will be available until September 27\, 2026\, allowing the public the opportunity to delve deeper into the work of the Catalan artist. \nThe exhibition “Àngel Jové. De intactu”\, curated by art historian Maria Josep Balsach\, is the first major retrospective on Àngel Jové (Lleida\, 1940 – Girona\, 2023)\, this displays a significant part of his work in order to provide a more intimate space around his figure\, revealing an artist who avoided the conventional institutional frameworks of museums. Considered one of the most enigmatic artists of the seventies\, Jové shifted between arte povera\, informalism and conceptualism. \n  \n[Image: Àngel Jové\, Untitled. Sèrie Metafísica\, 1975. © Rafael Bartolozzi Collection\, 2025.] \n  \n \n 
URL:https://museutapies.org/en/event/opening-of-the-exhibition-angel-jove-de-intactu/
LOCATION:Museu Tàpies
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2025/11/Angel-Jove-baixa.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260321T120000
DTEND;TZID=Europe/Madrid:20260321T140000
DTSTAMP:20260505T034734
CREATED:20260224T125850Z
LAST-MODIFIED:20260312T144331Z
UID:10001182-1774094400-1774101600@museutapies.org
SUMMARY:blanca arias: At the Edge of a Forest\, a Girl
DESCRIPTION:‘At the edge of a forest\, a girl.’ There is a promise\, from teller to listener\, concealed in that opening\, like a note tucked into a pocket\, a hint that something is about to happen. Anyone in the vicinity would turn their head and prick their ears\, their mind already forming a picture of the girl\, perhaps picking her way through trees or standing beside the green wall of a forest. \nExcerpt from Hamnet\, by Maggie O’Farrell \n  \nIt is with this horizon of expectation that At the Edge of a Forest\, a Girl unfolds. Taking the apparent voids in Antoni Tàpies’ work Mitjó [Sock] as her starting point\, the artist blanca arias invites us to inhabit the hole as an ambiguous space: absence and openness\, vulnerability and possibility. That which decorum usually casts aside — excess\, the abject\, deviation from the norm — becomes here a place for rethinking the perception of bodies and what our gaze says about us. \nIn this context\, body and matter are presented as surfaces for writing\, conveying what words cannot express. As an act of methodological care\, arias ‘pulls the thread’\, symbolically linking textile practices\, oral memory and discreet genealogies that are often left out of the official narrative. \nFrom a feminist perspective\, intuition and listening to the soft areas of the body are claimed here as forms of knowledge. Poetry\, conceived as a fold in language\, opens up spaces where other meanings emerge and allows us to question what we expect from the artistic experience today. \nActivity held as part of the third edition of the “Following the Sun” series\, entitled “Uncovering the Gaze”\, curated by Carolina Ciuti. \n  \nblanca arias (she/they) is an artist-researcher\, educator and curator. She holds a degree in Art History from the University of Barcelona and a master’s degree in Comparative Studies from the Universitat Pompeu Fabra. She develops her practice in the field of image\, from where she fabulates about possible lesbian feminist gestures and materialities. Blandito blandito. ¿Qué le hacemos las feministas al arte? (Cielo Santo\, 2025) is her first book. \nShe is currently a member of the Public and Social Programming Department at the Fundació Miró\, as well as an educator at MACBA and a volunteer at the Ca la Dona archive. She has curated exhibitions at the CCCB (2026)\, Fundació Miró (2025)\, Sala d’Art Jove (2024) and La Panera (2024)\, and has also carried out art mediation activities at Matadero\, MNAC\, La Capella\, MACBA\, Monestir de Pedralbes and the Centre LGBTI\, among others. As an artist\, her work has been recognised with grants from Barcelona Crea (2024) and Sala d’Art Jove (2023)\, and has been exhibited in spaces such as the EACC (Espai d’Art Contemporani de Castelló)\, Loop Festival and Tabakalera.
URL:https://museutapies.org/en/event/blanca-arias/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/02/blanca-arias-retrat-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260329T110000
DTEND;TZID=Europe/Madrid:20260329T123000
DTSTAMP:20260505T034734
CREATED:20260204T175318Z
LAST-MODIFIED:20260326T123716Z
UID:10001170-1774782000-1774787400@museutapies.org
SUMMARY:Walls\, Dividers or Partitions. Family activity
DESCRIPTION:Over the course of his career\, Antoni Tàpies explored new possibilities for painting\, experimenting with extra-pictorial materials such as marble dust to give varied textures to his works. As he himself would say\, while working with such practices the canvas would surprise him\, turning into a wall. \nHave you ever paid attention to the walls at your home? What do they tell us? How do they do it? During this activity we will listen to walls\, dividers and partitions. While doing so\, we will get to know the creative process behind the wall-works of Antoni Tàpies\, with his communicative capacity and fascination for walls. Then\, as we go for a walk\, we will focus on the marks on the walls found around the museum to reveal the stories they have to tell us. \nActivity in the context of the exhibition “Antoni Tàpies. The Perpetual Movement of the Wall“.
URL:https://museutapies.org/en/event/walls-dividers-or-partitions-dynamic-visit/
CATEGORIES:Education
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