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DTSTART:20260329T010000
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DTSTART:20261025T010000
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DTSTART;TZID=Europe/Madrid:20260409T180000
DTEND;TZID=Europe/Madrid:20260409T193000
DTSTAMP:20260505T032205
CREATED:20260226T162438Z
LAST-MODIFIED:20260410T102410Z
UID:10001188-1775757600-1775763000@museutapies.org
SUMMARY:Carles Congost. Grey Has Declinations
DESCRIPTION:Carles Congost presents Grey Has Declinations\, a performative intervention that gives precedence to the role of text and sound. The imposing influence of the writings of Antoni Tàpies is expressed through various musical and sound tracks\, created previously by the artist. \nCongost adopts the role of a DJ\, turning a clubbing session into a hybrid\, reflexive performance. This hybridisation responds to various ways of intervening on the tracks\, and is also expressed in the various creative processes undertaken. \nIn some cases\, Congost improvises over preexisting instrumental bases\, introducing new effects and voices created by artificial intelligence\, so as to organise the messages within the particular economy of the song format. In other circumstances\, he recreates ambience landscapes where the text appears in a more abstract\, suggestive manner. \nDespite clear formal differences between Congost’s work and that of Tàpies\, this performance seeks to highlight the essential ideas they share as related to the creative act\, which here deserve to be united and celebrated. The Tàpies texts utilised work as foundational material for this study\, bringing to the fore the free association of ideas as a valid way of working. Congost ravels up and reworks the original texts\, which never appear in literal fashion\, with the aim of emphasising the transversality\, pertinence and universality of the ideas of the painter Antoni Tàpies. With Andrés Papas Pérez collaboration. \nActivity carried out within the framework of the third edition of the cycle “The Chairs of Tàpies“\, curated by Judith Barnés. \n  \nCarles Congost employs various visual and sound procedures\, including video\, photography\, drawing and installation\, to create narratives that ironically and sensually reflect on the forging of identity\, consumer habits and artistic creation itself. In his work he analyses the codes of popular culture as vehicles for differentiating constructions\, and as hegemonic forms of subjectivity. \nCongost has participated in numerous national and international exhibitions\, including Music as a Foreign Language\, Museu Es Baluard\, Palma\, 2023; What are Songs Good For? \, La Casa Encendida\, Madrid\, 2020; A Sense of Wonder\, Centre d’Art Contemporani Fabra i Coats\, Barcelona\, 2018; X Nicaragua Biennial\, 2016; Manifesta 11\, Zurich\, 2016; The Real Royal Trip\, PS1/MOMA\, New York\, 2003; Popcorn Love\, Espacio Uno – Museo Nacional Centro de Arte Reina Sofía\, 2001; and Country Girls\, Espai 13 – Fundació Miró\, Barcelona\, 2000. \n  \nImage: Montseny with violence
URL:https://museutapies.org/en/event/carles-congost-grey-has-declinations/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260418T120000
DTEND;TZID=Europe/Madrid:20260418T140000
DTSTAMP:20260505T032205
CREATED:20260303T122520Z
LAST-MODIFIED:20260415T154405Z
UID:10001197-1776513600-1776520800@museutapies.org
SUMMARY:Laura Llaneli. Mute Murmur
DESCRIPTION:  \nIn Mute Murmur\, Laura Llaneli places sound in a space of unexpected possibility. Through this minimal yet sustained action\, she shifts listening towards the world of imagination and invites us to consider the extent to which a sound can exist without actually sounding. In a cultural context dominated by the visual\, this imagined listening project seeks to reshape\, albeit temporarily\, the perceptual frenzy that characterises contemporary life. \nThis performance is the result of ongoing research into sound perception and transmission and takes the form of a score without sounds\, open to each member of the audience’s individual and collective resonance. By evoking the sounds that frame the museum’s everyday institutional life\, the sounds of the urban fabric and the sounds of the natural surroundings\, it gives rise to frictions and expectations often lost in the background but which decisively shape our sensory experience. \nIn this way\, the museum terrace becomes especially permeable to these tensions. Situated simultaneously both inside and outside the institution\, in a seemingly sheltered place that is also exposed to the shifting sounds of the city that filter in\, it is reconfigured as a privileged setting for attentive listening to the (mute) murmurs that often go unnoticed yet which softly and subtly shape our collective perception. \nActivity held as part of the third edition of the “Following the Sun” series\, entitled “Uncovering the Gaze”\, curated by Carolina Ciuti. \n  \nThe work of Laura Llaneli (Granada\, 1986) explores the relationship between sound production and experience\, language and contemporary visual arts practices. Her projects focus on the impact of variations on patterns and stable structures in certain cultural products\, while also testing the resilience of language as a code and of sound as a social icon. \nShe is represented by ADN Galeria and is the winner of the 2019 Art for Change Prize\, the 2018 Miquel Casablancas Visual Arts Prize and the 2017 Embarrat Prize\, among others. She has held solo exhibitions in venues across Spain and abroad\, including the Centre de les Arts Lliures de la Fundació Joan Brossa\, Barcelona; La Capella\, Barcelona; Casal Solleric\, Palma; ADN Galeria\, Barcelona; Fundació Joan Miró\, Barcelona; Casaplan\, Valparaíso\, Chile; Swinton & Grant\, Madrid; and art3\, Valence\, France. She has also taken part in group shows at Lo Pati\, Amposta; The Clemente\, NYC; Palacio de los Condes de Gabia\, Granada; Centro de Arte Rafael Botí\, Córdoba; Tecla Sala\, L’Hospitalet de Llobregat; and Casa de Velázquez\, Madrid\, among others. She has performed at festivals such as Asistir 2022\, Mexico; Signal Reload\, Sardinia; Intermediale\, Poland; Mixtur\, Barcelona; POESIA i +\, Caldes d’Estrac; CAAMsonora\, Gran Canaria; LEM\, Barcelona; Tsonami IX\, Chile; and Eufònic\, Terres de l’Ebre. \nShe currently lives and works in Barcelona. She studied music before completing a diploma in Graphic Design. She holds a BA in Fine Arts from the University of Barcelona\, where she went on to do an MA in Sound Art and an MA in Teacher Training.
URL:https://museutapies.org/en/event/laura-llaneli-mute-murmur/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
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DTSTART;TZID=Europe/Madrid:20260422T180000
DTEND;TZID=Europe/Madrid:20260422T200000
DTSTAMP:20260505T032205
CREATED:20260325T101208Z
LAST-MODIFIED:20260422T121212Z
UID:10001208-1776880800-1776888000@museutapies.org
SUMMARY:Drawing visit. "Àngel Jové. De intactu" with Bea Ortiz
DESCRIPTION:Drawing has a significant presence in the multifaceted work of the artist Àngel Jové: infinite landscapes that are part of series; fragmentary or partial drawings; recurring motifs; drawing strokes over press images; drawings as if they were archival documents. We invite you to explore these materials through a drawn visit to the exhibition Àngel Jové. De intactu; that is\, a tour of the exhibition that takes drawing as a means of dialogue with his works. \nDuring the session\, Bea Ortiz will propose various practices focused on exploring drawing as an intermediary between the work of Àngel Jové and our interpretation of it. Based on the perception of some of his works\, participants will be invited to observe and experiment with different representation strategies. Through small formal approaches\, emphasis will be placed on the process and the ability of drawing to generate research: trying ways of looking\, translating forms\, rhythms\, or relationships present in Jové’s pieces. Through awareness of gesture\, stroke\, texture\, supports\, and tools\, drawing becomes a testimony of what the artwork conveys. Rather than representing it faithfully\, the aim is to translate an atmosphere\, a state\, or a feeling\, and see how the language of drawing can shape these impressions. \n  \nBea Ortiz holds a degree in Fine Arts\, specialising in painting. She has participated in solo and group exhibitions in cities such as Barcelona\, Madrid\, and Paris. She later completed the Higher Level Training Cycle in Illustration at the Escola Massana. She has illustrated three albums published by Editorial Andorra\, as well as for magazines such as Cavall Fort and Tretzevents. Over time\, she realised she preferred to share her passion for art with others in a practical and collaborative way. After several years working as an educator in various museums in Barcelona\, she currently teaches at the Escola d’Art i Disseny de Sant Cugat (EAD). \n  \n[Àngel Jové. Untitled\, c. 1984. Private collection\, Girona.]
URL:https://museutapies.org/en/event/drawing-visit-angel-jove-de-intactu-with-bea-ortiz/
CATEGORIES:Education
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DTSTART;TZID=Europe/Madrid:20260426T123000
DTEND;TZID=Europe/Madrid:20260426T140000
DTSTAMP:20260505T032205
CREATED:20250721T192031Z
LAST-MODIFIED:20260303T102321Z
UID:10001044-1777206600-1777212000@museutapies.org
SUMMARY:Approaches. Guided tour 2026
DESCRIPTION:Introduction to the history of the Tàpies Museum building and guided tour of the current exhibitions: \n  \n· Antoni Tàpies. The Perpetual Movement of the Wall \n· Àngel Jové. De intactu
URL:https://museutapies.org/en/event/approaches-guided-tour-2026/
CATEGORIES:Education
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260506
DTSTAMP:20260505T032205
CREATED:20260423T144740Z
LAST-MODIFIED:20260430T080629Z
UID:10001264-1777507200-1778025599@museutapies.org
SUMMARY:Screening of "Lo pedrís\, viatge per terres de Ponent" (1989)\, by Carles Hac Mor\, Àngel Jové and Benet Rossell
DESCRIPTION:As an extension of the exhibition Àngel Jové. De intactu\, the Museu Tàpies will present a screening of Lo pedrís\, viatge per terres de Ponent (1989)\, created by Àngel Jové\, Benet Rossell and Carles Hac Mor. The film is a feature-length piece resulting from extensive video recording. It documents a journey through the Franja de Ponent and takes shape as a hybrid artifact between film\, performance\, and writing. Far from any conventional narrative intention\, the film unfolds a fragmented and experimental perspective on the landscape\, understood as a space of friction between reality\, memory\, and language. \nThe work makes it possible to situate the intellectual and creative affinities between three key figures of the Catalan artistic and literary scene of the second half of the 20th century\, all linked to avant-garde practices and to an expanded conception of art. In this sense\, the project becomes a privileged point of entry for understanding how\, in Jové’s work\, the artistic gesture intertwines with poetic language and with a sustained attention to territory as a space of experience and thought. Within this context\, the journey becomes not only a physical displacement\, but also a poetic and conceptual device from which to rethink language\, perception\, and forms of representation. \n. \nVideo recording (camera take)\, colour\, sound\, 12:04:16. The recording is divided into ten videos numbered 001 to 010\, never previously edited: \n\n\n\n\nFragment 001 — 00:21:49\nFragment 002 — 01:02:08\nFragment 003 — 01:32:38\nFragment 004 — 01:02:13\nFragment 005 — 01:03:15\nFragment 006 — 01:32:56\nFragment 007 — 01:32:56\nFragment 008 — 01:03:02\nFragment 009 — 01:27:00\nFragment 010 — 01:53:32\n\n  \n\n\n\nThe film will be screened in the auditorium of the Museu Tàpies on the following dates and at the following times: \n\nThursday\, April 30\, from 3 to 7 p.m.\nFriday\, May 1\, from 10 a.m. to 7 p.m.\nSaturday\, May 2\, from 10 a.m. to 7 p.m.\nSunday\, May 3\, from 10 a.m. to 3 p.m.\nTuesday\, May 5\, from 3 to 5 p.m.\n\n  \nThe film has been loaned by the Museu Morera of Lleida\, courtesy of Cristina Giorgi\, widow of Benet Rossell. \nAs a closing event\, the activity Cartografía de un viaje: Jové\, Rossel y Hac Mor\, scheduled for May 5\, 2026 at 6:00 p.m.\, will further explore the experimental film by Jové\, Rossell and Hac Mor. \n\n\nÀngel Jové. Polaroids (The Maialussa Country)\, 1989. © Maria Josep Balsach\, 2026
URL:https://museutapies.org/en/event/screening-of-the-road-movie-sidamun-alamus-almatret-viatge-a-la-franja-de-ponent-1989-by-angel-jove-benet-rossell-and-carles-hac-mor/
LOCATION:Museu Tàpies
CATEGORIES:Public Programme
ATTACH;FMTTYPE=image/jpeg:https://museutapies.org/wp-content/uploads/2026/04/163-copia.jpg
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