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DTSTART;TZID=Europe/Madrid:20261117T180000
DTEND;TZID=Europe/Madrid:20261117T200000
DTSTAMP:20261114T085554
CREATED:20260910T143134Z
LAST-MODIFIED:20261111T104145Z
UID:10001344-1794938400-1794945600@museutapies.org
SUMMARY:Extramural 2026. Second time/resurrection
DESCRIPTION:To close the art project Extramural: Timelines / resurrection\, and in partnership with the Filmoteca de Catalunya and the Loop Festival\, the Museu Tàpies is organising a season of screenings featuring three films by Dora García that share a single question: what does it mean to come back? Coming back to reading something\, talking about something\, bringing back bodies\, idea and voices that history has tended to erase. Rather than seeing resurrection as a supernatural event\, the season approaches it as a political and poetic practice: a gesture to reactivate memory that makes possible new forms of transmission\, resistance and community. \nThe screenings of The Joycean Society (2013)\, Segunda Vez (2018) and (Revolución\, cumple tu promesa) Amor rojo (2024) revisit different times and geographies in order to explore the persistence of ideas despite their apparent defeat. In all three films\, reading\, conversation\, performance and film become devices able to bring out what seemed lost and keep alive things that continue to address the present. \nThe Second Time / resurrection series brings to cinema the issues that have run throughout the art project Extramural: Timelines / resurrection: how ideas outlast absences\, how pictures can reactivate memory and what forms of life continue to emerge even after their disappearance. Instead of bringing it to an end\, these three screenings propose a new opening up: each viewing is a second time\, a new reading\, a possible resurrection. \n  \nPROGRAMME \n10 November \nThe Joycean Society is a film that follows a reading group at the James Joyce Foundation in Zurich\, which has been meeting since 1986 to read Finnegans Wake together. This film turns shared reading into an exercise of perseverance\, interpretation and construction of meaning\, revealing the reading community as a form of cultural resistance. \nThe screening will be followed by an introduction by Judith Barnés\, public programme of the Museu Tàpies and coordinator of the project Extramural\, and a conference by writer and translator Miriam Cano. \n  \n17 November \nSegunda Vez takes the figure of Argentinian psychoanalyst and theorist Oscar Masotta as its starting point to revisit the relations between concept art\, psychoanalysis and political violence during the Argentinian dictatorship. Somewhere between a document\, a fiction and a historical recreation\, the film reflects upon the forced disappearances and the possibility of restoring\, through art\, what power has tried to erase. \nThe session will end with a conversation between Dora García and researcher Cloe Masotta. \n  \n20 November \n(Revolución\, cumple tu promesa) Amor rojo takes up the legacy of thinker and revolutionary Alexandra Kollontai to ask what remains today of the emancipatory promise of the 20th century. Connecting the revolutionary experiments of Russia and Mexico with contemporary Latin American trans-feminisms\, the film imagines revolution not as a closed event\, but as promise that remains open. \nThe screening will be accompanied by a conversation between Dora García and writer and journalist Andrea Valdés. \n  \nFilm series with the collaboration of the Filmoteca de Catalunya\, as part of the Loop Festival \nA proposal of the project Extramural 2026\, by Dora García\, Timelines / resurrection. \nCoordination: Judith Barnés\, head of public programme at the Museu Tàpies \n  \n[Image: Still from Segunda Vez\, digital film by Dora García\, 2018]
URL:https://museutapies.org/en/event/extramural-2026-second-time-resurrection/
CATEGORIES:Programa públic
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DTSTART;TZID=Europe/Madrid:20261121T120000
DTEND;TZID=Europe/Madrid:20261121T140000
DTSTAMP:20261114T085554
CREATED:20261109T150401Z
LAST-MODIFIED:20261109T150822Z
UID:10001375-1795262400-1795269600@museutapies.org
SUMMARY:Mireia Molina Costa. Visibility Under 1 km
DESCRIPTION:What does the gaze tell us when it no longer clearly distinguishes what it finds in front of it? Mist and darkness erase the contours and alter our habitual way of perceiving our surroundings. For Antoni Tàpies\, looking is an exercise that makes it possible to broaden knowledge and discover what we have not noticed. Yet when visibility is diminished\, how might we orientate ourselves? \nThis question resonates in two Tàpies works found at the museum: Mitjó [Sock]\, on the terrace\, and Núvol i cadira [Cloud and Chair]\, on the façade. The tangled threads inside the sock echo the dense\, metallic web of the cloud. In both works of art\, the irregular workings of these materials blur any outlines and call on us to look beyond recognisable shapes\, searching for what remains partially hidden. \nIn Visibility Under 1 km\, Mireia Molina Costa explores lack of visibility as a condition with its own identity\, able to give rise to other forms of perception and knowledge. In the context of Following the Sun\, the artist contrasts sunlight and hegemonic systems that order\, measure and map the world\, with a “lunar system of orientation”\, where half-light\, drowsiness and disorientation make it possible to explore other ways of inhabiting the world. Perhaps it is not a question of finding a new north\, but of learning to guide oneself without having all the answers. \nThe proposal takes the form of a sound experience set partway between reading\, poetical exercises and lullabies. Using voice and a screen\, Molina Costa invites us to relax our gaze and enter into an intermediary state between wakefulness and sleep. An invitation to suspend the need to see clearly\, and thus explore what might arise when we let ourselves be guided by other senses. \n  \nVisibility Inferior to 1 km has the support of the Beques FAR 2026 grants for artistic creation\, research and innovation of the Government of Catalonia. \n  \nMireia Molina Costa (Barcelona\, 1997) is interested in language as an ecological\, affective and ritual material\, in its oral\, written as well as non-verbal and inintelligible forms of transmission. Her practice moves principally through writing\, singing and sound-making\, as well as auditive\, editorial and curatorial processes. She has shown her sound work at MACBA\, Arts Santa Mònica\, Hangar\, ESMUC (Gender Sounds IV)\, La Caldera (Art Jove Creació award)\, Fundació Miró and CACiS – El Forn de la Calç (with cossos d’aigua collective\, 2024)\, among others. She is currently a research resident at La Escocesa\, while from 2022 to 2025 she worked as an editor at einaidea\, where she continues to participate as an external collaborator. \n  \nActivity programmed as part of the Museu Tàpies series Following the Sun\, entitled Uncovering the Gaze\, curated by Carolina Ciuti. \n  \n[Image: ama ara l’eco nua\, sound performance\, 2024. Part of the collective exhibition Un paisatge reverberant\, laberíntic\, fangós\, dens i estrellat a cura d’amor rumor\, Sala d’Art Jove i La Caldera. Photo: Irene Royo] \n 
URL:https://museutapies.org/en/event/mireia-molina-costa-visibility-under-1-km/
CATEGORIES:Programa públic
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