{"id":1766,"date":"2018-01-23T09:22:31","date_gmt":"2018-01-23T09:22:31","guid":{"rendered":"https:\/\/museutapies.org\/?page_id=1766"},"modified":"2019-05-02T08:00:01","modified_gmt":"2019-05-02T08:00:01","slug":"1949-1953","status":"publish","type":"page","link":"https:\/\/museutapies.org\/en\/biography\/1949-1953\/","title":{"rendered":"1949-1953"},"content":{"rendered":"

1949<\/strong>
\nExhibits at the II Sal\u00f3 d\u2019Octubre in Barcelona (Galeries Laietanes) and at the show\u00a0Un aspecto de la pintura catalana<\/i>, organised by Cobalto 49 at the Institut Fran\u00e7ais of Barcelona and presented by the poet Jo\u00e3o Cabral de Melo, then Brazilian vice-consul in Barcelona. In Madrid, he shows works in the Sal\u00f3n de los Once, at the invitation of Eugeni d\u2019Ors. Becomes acquainted with various members of the Club 49, founded that same year: the poet Joan Teixidor, the art historian and critic Alexandre Cirici, the architect Sixte Illescas, Joan Prats, etc.<\/p>\n

 <\/p>\n

1950<\/strong>
\nFirst solo exhibition in Barcelona (Galeries Laietanes), organised by Josep Gudiol; Juan Eduardo Cirlot writes the catalogue text. A special issue of\u00a0Dau al Set<\/i>\u00a0published to mark the occasion includes Brossa\u2019s “Oracle sobre Antoni T\u00e0pies”; Tharrats\u2019 monograph\u00a0T\u00e0pies o el dau modern de Versalles<\/i>\u00a0is also published. With a grant from the French government, he spends a period in Paris, living and working at number 8, avenue Eug\u00e9nie in Saint-Cloud. During his stay there he becomes interested in Marxism and closely involved in the controversy surrounding social realism. Exhibits in Pittsburgh, selected for the Carnegie Institute Prize.<\/p>\n

 <\/p>\n

1951<\/strong>
\nVisits Picasso in his studio in rue des Grands Augustins, where he meets Christian Zervos and Jaume Sabart\u00e9s. In the spring of that year he travels in Belgium and Holland. Influenced by Marxist thinking and concerned about the political situation in Spain, he produces numerous paintings on social themes.<\/p>\n

 <\/p>\n

1952<\/strong>
\nExhibits at the XXVI Biennale di Venezia, and is again invited to take part (alongside Pierre Alechinsky, Jean Dubuffet, Tal Coat, Ben Nicholson, Karel Appel, Franz Kline, Willem de Kooning and Robert Motherwell, among many others) in the Carnegie Institute show in Pittsburgh. Another solo exhibition in Barcelona (Galeries Laietanes).<\/p>\n

 <\/p>\n

1953<\/strong>
\nFirst solo exhibition in the USA (Marshall Field and Company, Chicago). Travels to New York for his exhibition at the Martha Jackson Gallery; acquires a greater understanding of American abstract expressionism, in which he discovers affinities and correspondences with his own work. Resumes the investigations into materials he began eight years earlier, working with earth, collages, incisions, etc. In Madrid for his exhibition at the Galer\u00edas Biosca, he meets Vicente Aleixandre. Receives a prize at the II Bienal de S\u00e3o Paulo.<\/p>\n","protected":false},"excerpt":{"rendered":"

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