{"id":1771,"date":"2018-01-23T09:26:13","date_gmt":"2018-01-23T09:26:13","guid":{"rendered":"https:\/\/museutapies.org\/?page_id=1771"},"modified":"2018-01-23T09:26:13","modified_gmt":"2018-01-23T09:26:13","slug":"1959-1962","status":"publish","type":"page","link":"https:\/\/museutapies.org\/en\/biography\/1959-1962\/","title":{"rendered":"1959-1962"},"content":{"rendered":"

1959<\/strong>
\nTravels to New York for another solo exhibition at the Martha Jackson Gallery; meets the painters Franz Kline, Willem de Kooning, Robert Motherwell, Hans Hoffman, Saul Steinberg and Fritz Bultmann. Michel Tapi\u00e9 publishes the monograph\u00a0Antoni T\u00e0pies<\/i>. Solo exhibitions in Munich and Paris. He is selected for the II Documenta in Kassel and takes part in the collective exhibitions\u00a04 Maler. T\u00e0pies, Alechinsky, Messagier, Moser<\/i>\u00a0(Kunsthalle, Berne) and\u00a015 Maler in Paris<\/i>\u00a0(K\u00f6lnischer Kunstverein, Cologne).<\/p>\n

 <\/p>\n

1960<\/strong>
\nJuan Eduardo Cirlot publishes the monograph\u00a0T\u00e0pies<\/i>, and the magazine\u00a0Papeles de Son Armadans<\/i>\u00a0(Palma de Mallorca), edited by Camilo Jos\u00e9 Cela, devotes a special issue to him, with contributions from Giulio Carlo Argan, Umbro Apollonio, Jacques Dupin, Pierre Restany and Herbert Read, among others. In\u00a0New Forms-New Media<\/i>\u00a0(Martha Jackson Gallery, New York), his works are hung alongside those of Arp, Burri, Calder, Chamberlain, Cornell, Jim Dine, Dubuffet, Dan Flavin, Jasper Johns, Kaprow, Yves Klein, Nevelson, Oldenburg and Rauschenberg. Takes part in the collective exhibitions\u00a0New Spanish Painting and Sculpture<\/i>\u00a0(The Museum of Modern Art, New York),\u00a0Before Picasso, after Mir\u00f3<\/i>\u00a0(The Solomon R. Guggenheim Museum, New York) and\u00a0Neue Malerei. Form, Struktur, Bedeutung<\/i>\u00a0(St\u00e4dtische Galerie, Munich). At the Tokyo Biennial he receives the Prize of the Japanese Foreign Ministry. Solo exhibitions in Barcelona, New York, Milan, Bilbao and Stockholm. His son Miquel is born.<\/p>\n

 <\/p>\n

1961<\/strong>
\nTravels to New York for his latest exhibition at the Martha Jackson Gallery, coinciding with the publication of\u00a0T\u00e0pies. A Catalog of Paintings in America<\/i>, with text by James J. Sweeney; together with Tapi\u00e9, he visits the composer Edgar Var\u00e8se, whose work he has long admired. In the course of the year, various galleries in Europe and America hold exhibitions of his work (in Washington DC, Essen, Munich, Paris, Buenos Aires and Stockholm). He takes part in the collective exhibitions\u00a0Arte e contemplazione<\/i>\u00a0(Palazzo Grassi, Venice) and\u00a0Paris, carrefour de la peinture 1945-1961<\/i>\u00a0(Stedelijk Van Abbemuseum, Eindhoven).<\/p>\n

 <\/p>\n

1962<\/strong>
\nFirst retrospective exhibitions devoted to his work: at the Kestner-Gesellschaft in Hannover, Solomon R. Guggenheim Museum in New York and at the Kunsthaus in Zurich, organised by Werner Schmalenbach, Thomas Messer and Eduard H\u00fcttinger, respectively. He attends the Congress for Peace in Moscow chaired by Bertrand Russell. Spends the summer months in Sankt Gall in Switzerland, where he paints a large mural for the town\u2019s new Hochschule St. Gallen f\u00fcr Wirtschafts und Sozialwissenschaften Schifferstoff. J.E. Cirlot publishes\u00a0Significaci\u00f3n de la pintura de T\u00e0pies<\/i>. Solo exhibitions in Rome, Stockholm and Caracas.<\/p>\n","protected":false},"excerpt":{"rendered":"

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