{"id":35236,"date":"2024-07-24T10:16:14","date_gmt":"2024-07-24T08:16:14","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&#038;p=35236"},"modified":"2024-09-10T14:26:05","modified_gmt":"2024-09-10T12:26:05","slug":"the-chairs-of-tapies-hugo-gomez-chao-porta","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/the-chairs-of-tapies-hugo-gomez-chao-porta\/","title":{"rendered":"The Chairs of T\u00e0pies. Hugo G\u00f3mez-Chao Porta"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-35230\" src=\"https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-800x617.jpg\" alt=\"\" width=\"800\" height=\"617\" srcset=\"https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-800x617.jpg 800w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-900x694.jpg 900w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-768x592.jpg 768w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-500x385.jpg 500w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-380x293.jpg 380w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1-600x463.jpg 600w, https:\/\/museutapies.org\/wp-content\/uploads\/2024\/01\/Gomez-Propuesta1.jpg 1240w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><a href=\"https:\/\/museutapies.org\/en\/series\/the-chairs-of-tapies\/\"><em>The Chairs of T\u00e0pies <\/em><\/a>is a series of multidisciplinary sound actions organised in the context of the T\u00e0pies Centenary Year, with the collaboration of Universitat Pompeu Fabra (UPF). The proposal focuses on the voice and words to create a sound accompaniment to oral memory. In this way, each of the thirteen sessions will feature a creator whose starting point will be the chair, taken as a performative object, linking back to the creative universe of T\u00e0pies through the expressive languages and settings of the present day.<\/p>\n<p>The guest in the ninth <em>Chair of T\u00e0pies<\/em> is Hugo G\u00f3mez-Chao, who is to present the proposition entitled <em>Three Voices<\/em>. Three voices try to speak in the darkness. Three voices try to remember a text, the words, the inflections of their own voice. They try to learn to speak again through fragments of phrases, words, whispers, but any trace of communication has been lost in this superimposition of air over nothing. Suddenly, some signs appear that connect it all: en echo, a flash of meaning, a gesture that makes the three voices sing at the same time, a pure word. And suddenly what can be heard becomes visible.<\/p>\n<p>Based on texts by Antoni T\u00e0pies, Leonardo da Vinci and \u00c1ngel Valente, <em>Three voices<\/em> explores the physicality of the human voice to create a choreography that can only exist in the ear. This event also features the sopranos Margarita Rodr\u00edguez and Adriana Aranda and the mezzosoprano Cristina Segura, as well as percussionists No\u00e8 Rodrigo and Sabela Castro.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hugo G\u00f3mez-Chao Porta<\/strong><\/p>\n<p>Born in A Coru\u00f1a, he studied composition with Beat Furrer at the University of Music and Performing Arts in Graz, and with Ram\u00f3n Lazkano at Musikene in Donostia\/Sant Sebasti\u00e1n. In addition to his academic training, he has attended classes with composers like Toshio Hosokawa, Alberto Posadas, Clemens Gadenst\u00e4tter, Bernhard Lang, Mark Andre and Pierluigi Billone.<\/p>\n<p>He has been resident composer at the Real Academia de Espa\u00f1a in Rome (2022\u20132023) and resident composer at Juventudes Musicales de Espa\u00f1a (2019), scholarship holder in Artistic Training from A Coru\u00f1a provincial authority and REGA resident artist at the City of Culture of Santiago de Compostela. He has won accolades including the first prize for young composers from the SGAE-CNDM Xavier Montsalvatge foundation and special commendation from the Colegio de Espa\u00f1a in Paris.<\/p>\n<p>He has received commissions and premiered work with the support of bodies including JONDE (Joven Orquesta Nacional de Espa\u00f1a), the AEOS foundation, the SGAE foundation, Orquesta Sinf\u00f3nica de Galicia, Real Filharmon\u00eda de Galicia, Juventudes Musicales de Espa\u00f1a, Impuls Festival, Accademia Filarmonica Romana, the Contrasti de Flor\u00e8ncia series, Festival Ensems in Valencia, the sacred music festival in Madrid, La Ph\u00e1rmaco dance company, the City of Culture of Santiago de Compostela and Museu T\u00e0pies, among others.<\/p>\n<p>His music has been performed in Italy, Austria, Germany and France, among other countries, by leading ensembles and artists such as Quartet Arditti, Klangforum Wien, IEMA Ensemble Modern, Orquesta Sinf\u00f3nica de Galicia, Real Filharmon\u00eda de Galicia, mdi ensemble, Arxis Ensemble, Vertixe Sonora Ensemble, Grup Instrumental Segle XX, Jove Orquestra de la Generalitat Valenciana and Ensemble So Extrem, among others.<\/p>\n<p>In 2018 he founded the RESIS international contemporary music festival in A Coru\u00f1a (with the support of INAEM, A Coru\u00f1a city council, A Coru\u00f1a provincial authority and the government of Galicia), of which he is artistic director. He is also artistic director of the Associaci\u00f3n Cultural A\u00efs, with projects like the A_NEXOS series at the Luis Seoane foundation. In 2022 he founded Arxis Ensemble, of which he is also artistic director. Since 2023 he has curated the Andr\u00e9s Gaos award and been musical adviser to the culture department of A Coru\u00f1a provincial authority.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Margarita Rodr\u00edguez <\/strong><\/p>\n<p>Born in Mallorca, she has worked with eminent international conductors like William Christie, Masaaki Suzuki and Kent Nagano. In the contemporary music repertoire, she made her d\u00e9but as L\u2019Angelo in <em>Il giardino della vita<\/em>, by Jos\u00e9 Mar\u00eda S\u00e1nchez-Verd\u00fa, conducted by Arturo Tamayo. Since then she has premiered and performed compositions by leading contemporary composers, including <em>Aleph<\/em>, by Iluminada P\u00e9rez-Frutos; <em>KELAIA (Libro de los vientos)<\/em>, by Jos\u00e9 Mar\u00eda S\u00e1nchez-Verd\u00fa; <em>Lo grotesco<\/em>, by Sergio Blardony; <em>Marii<\/em>, by Ward De Vleeschhouwer; <em>Resonancias sobre la Fol\u00eda de Espa\u00f1a<\/em>, by Alicia D\u00edaz de la Fuente, and <em>Int\u00e9rieur<\/em>, by Hugo G\u00f3mez-Chao, and is now a regular figure at the top contemporary series and festivals.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Adriana Aranda <\/strong><\/p>\n<p>Born in Barcelona, she studied classical and contemporary singing at the Conservatori Superior de M\u00fasica del Liceu and then the master&#8217;s course in Lied at the Escola Superior de M\u00fasica de Catalunya, specialising in contemporary music. She has won scholarships from the Fundaci\u00f3 Vict\u00f2ria dels \u00c0ngels and also from Wolfram Rieger on the International Course for the Interpretation of Lied with Joventuts Musicals de Catalunya. In the field of contemporary music, she was a member of the Acad\u00e9mie Voix Nouvelles in Royaumont (France) in 2019. She has worked with different contemporary music ensembles including the CrossingLines Ensemble at the OUT\u00b7SIDE\u201920 FESTIVAL, Grup Instrumental Segle XX at the Festival RESIS 2021, Vertixe Sonora since 2021 and Arxis Ensemble at the Royal Spanish Academy in Rome in 2023. In September 2023 she played Pierrot Lunaire by Arnold Schoenberg at the M\u00fasica als Masos festival.<\/p>\n<p>&nbsp;<\/p>\n<p>Born in Barcelona, \u200b\u200bshe studied singing with Dolors Aldea (a disciple of G\u00e9rard Souzay) and Francisco Poyato, as well as with Wolfram Rieger, Dalton Baldwin, Ulrich Eisenlohr, Burkhard Kehring, and Donatienne Michel-Dansac (currently the main European vocal reference in contemporary music). She received a scholarship from the Fundaci\u00f3 Victoria de los \u00c1ngeles and twice from Wolfram Rieger in the Curs Internacional de Lied de Joventuts Musicals de Catalunya. In the field of Lied, she has performed in different venues in Spain, highlighting the LIFE Victoria Festival with Ian Burnside and Roderick Williams. She has taken part in different national and international multidisciplinary new creation projects with dance, theatre and circus in festivals both in Spain and France. He has worked with the main national contemporary music ensembles, such as Vertixe Sonora, Arxis Ensemble or CrossingLines, among others, appearing in festivals such as RESIS Festival, OUT\u2022SIDE or the Festival de los Castillos and has premiered as a soloist three consecutive operas at the Gran Teatre del Liceu by Fabi\u00e0 Santcovsky, Itziar Viloria with \u00c1lex Tentor and Jordi Oriol and the most recent one by Guillem Palomar.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cristina Segura<\/strong><\/p>\n<p>After graduating from the Conservatori Superior de M\u00fasica del Liceu under Maria Dolors Aldea, she did two master&#8217;s degrees at the Haute \u00e9cole de musique in Geneva with Nathalie Stutzmann, followed by further training in lied at the Conservatoire Royal de Bruxelles. She stands out for her extensive training and work both in opera and lied, early and contemporary music and oratorios. She has sung as a soloist in Switzerland, Slovenia, France, Belgium, Brazil and Spain. She has sung the parts of Carmen (<em>Carmen<\/em>) and Suzuki (<em>Madama Butterfly<\/em>) at the Palau de la M\u00fasica Catalana. At the Op\u00e9ra de Lausanne she has played the parts of Smeton (<em>Anna Bolena<\/em>), Teresa (<em>La sonnambula<\/em>), Alisa (<em>Lucia di Lammermoor<\/em>), L\u2019autruche (<em>Les Zoocrates<\/em>) and Pepa (<em>La Belle de Cadix<\/em>), as well as La maman, La tasse and La libellule (<em>L\u2019enfant et les sortil\u00e8ges<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The composer Hugo G\u00f3mez-Chao will present the musical proposal entitled &#8220;Three Voices&#8221;.<\/p>\n","protected":false},"author":208,"featured_media":35230,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Chairs of T\u00e0pies. 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