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Archivo General de la Naci\u00f3n de M\u00e9xico<\/span><\/p>\n <\/p>\n Exile is a reality that is very difficult to make visible, since it is, above all, an experience of internal uprooting. Nevertheless, women artists, among them the filmmakers who went into exile, tried time and again to stage and represent their woundedness.<\/p>\n Film producer and director T\u00e0nia Ball\u00f3 and filmmaker, theorist and film promoter Luis E. Par\u00e9s programme a film series linked to the exhibition Marta Palau: My Paths are Earthly<\/em>, with the aim of presenting three different approaches to this wound and the way it is incarnated. Thus, through screenings, talks and conferences, we will generate a space for debate and reflection on these films and on other, more contemporary ones, which have allowed us to rediscover these works and their authors in the present day.<\/p>\n \u00a0<\/strong><\/p>\n T\u00e0nia Ball\u00f3 Colell<\/strong> is a filmmaker, writer, cultural promoter and researcher. She is the creator and director of the project Las Sinsombrero<\/em> (2014\u2013present) and Las An\u00f3nimas. <\/em>Obras sin relato en las colecciones de arte moderno de los museos espa\u00f1oles<\/em> (Leonardo Grant for Researchers and Cultural Creators, Fundaci\u00f3n BBVA, 2023). As a filmmaker, her films El Museo Invisible<\/em> (2023) and the documentary trilogy Las Sinsombrero<\/em> (2015\u20132021) stand out. She is the author of the Las Sinsombrero<\/em> trilogy (2016, 2018, 2022), of Querido Diario: hoy ha empezado la guerra<\/em> (2017) and of Les Combatents. <\/em>La hist\u00f2ria oblidada de les milicianes antifeixistes<\/em> (2021). She is also curator of the exhibitions Jorge Sempr\u00fan. El largo viaje<\/em> (2024\u20132025), Las Sinsombrero<\/em> (2022) and No Pasar\u00e1n. <\/em>16 d\u00edas Madrid 1936<\/em> (2018).<\/p>\n <\/p>\n Lu\u00eds E. Par\u00e9s<\/strong> holds a PhD in Communication from the Pompeu Fabra University and is artistic director of Cineteca Matadero Madrid. He has worked as part of the programming department of the Filmoteca Espa\u00f1ola, the editorial board of Caim\u00e1n CDC<\/em> and the programming committee of the Sevilla Film Festival, and was coordinator of the RTVE programme Historia de nuestro cine<\/em>. He has published the books Notes sur l\u2019\u00e9migration-Espagne 1960. <\/em>Apunts per a una pel\u00b7l\u00edcula invisible<\/em> (2011) and Filmar el exilio desde Francia<\/em> (2012). He has directed the short films Los conspiradores<\/em> (2021) and El espectro pol\u00edtico<\/em> (2023), as well as the feature film La primera mirada<\/em> (2023).<\/p>\n \u00a0<\/strong><\/p>\n Programme<\/strong><\/p>\n 4.March 25<\/p>\n 22 April 25<\/p>\n 20 May 25<\/p>\n <\/p>\n Mar\u00eda Luisa El\u00edo in En el balc\u00f3n vac\u00edo<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Film series linked to the exhibition Marta Palau: My Paths are Earthly. With T\u00e0nia Ball\u00f3, Luis E. Par\u00e9s, Meritxell Colell and Maria Cam\u00ed-Vela<\/p>\n","protected":false},"author":207,"featured_media":39612,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"\n![\"\"](\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/02\/MP-cicle-cinema-imatge-791x800.jpg\")
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