{"id":41382,"date":"2025-09-29T17:41:05","date_gmt":"2025-09-29T15:41:05","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&#038;p=41382"},"modified":"2025-09-30T10:18:33","modified_gmt":"2025-09-30T08:18:33","slug":"leo-castro-over-half-way","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/leo-castro-over-half-way\/","title":{"rendered":"Leo Castro. Over half way"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41359\" src=\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--800x450.png\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--800x450.png 800w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--900x506.png 900w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--768x432.png 768w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--1536x864.png 1536w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--500x281.png 500w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--380x214.png 380w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2--600x338.png 600w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/09\/4_LUGAR-2-.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><span style=\"font-weight: 400\">\u201cI always carry memory with me for a long time, in body and in thought, in any process of constructing a poetics or a fiction, which then end up being shared with lots of other strangers\u00a0.\u00a0.\u00a0. Imagined landscapes, decisive conversations, those that are left halfway or unfinished because the thread leads somewhere else, the visual or drawn elements, I sketch them out. I talk about what\u2019s left out but shapes the journey, which is no less beautiful than all that is finally validated.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Revisiting thoughts and the body, with the space as a landscape, to recall the half of the way travelled so far.<\/span><\/p>\n<p>Activity within the framework of the second edition of the action cycle <a href=\"https:\/\/museutapies.org\/en\/event\/the-chairs-of-tapies-tattooed-memories\/\"><em>The Chairs of T\u00e0pies<\/em><\/a>, led by Judith Barn\u00e9s, head of public programs at the T\u00e0pies Museum.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Leo Castro <\/b><span style=\"font-weight: 400\">is an artist, performer and graduate in Philosophy from the University of Barcelona (1996). She trained as an actress from 1992 to 1996 at the Estudi Nancy Tu\u00f1\u00f3n (Stanivslaski\/Strasberg), and in dance in 1996, coming into contact with a range of contemporary techniques and creative talents: Beno\u00eet Lachambre, Ruth Zaporah, Mark Tompkins, Lisa Nelson, Mar\u00eda Mu\u00f1oz, Andr\u00e9s Corchero, DD Dovilier and Julyen Hamilton, among others. In 1999 she founded Col\u00b7lectiu SIAMB, devoted to Improvisation and Contact Improvisation. She acts in productions by TVE, TV3, TVC and the Teatre Nacional de Catalunya, as well as with the companies Senza Tempo, Sol Pic\u00f3 and Konic Thtr, and intermittently with the LaViuda company since 2002.<\/span><\/p>\n<p><span style=\"font-weight: 400\">She began her partnership with the Mal Pelo company in 2004, and since then has worked with them as an actor and assistant director, as well as on audiovisual directing and creativity for the company\u2019s stage and exhibition projects. She embarked on her own creative exploration in presenting the stage productions <\/span><i><span style=\"font-weight: 400\">Amadou<\/span><\/i><span style=\"font-weight: 400\"> (2009) and <\/span><i><span style=\"font-weight: 400\">Olivia<\/span><\/i><span style=\"font-weight: 400\"> (2012). In 2010 she started working with creative centre L\u2019animal a l\u2019esquena as head of videographic documentation of residency projects and the centre\u2019s different artistic activities. From 2008 to 2016, together with Hermann Bonnin, she worked on productions for Teatro Espa\u00f1ol in Madrid, Teatre Nacional de Catalunya and La Seca \/ Espai Brossa, as movement director, stage director and acting coach. She worked as assistant director with the loscorderos.sc company on its pieces <\/span><i><span style=\"font-weight: 400\">El mal menor<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">El cielo de los tristes<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Ultrainocencia<\/span><\/i><span style=\"font-weight: 400\">. Since 2013 she has worked as an audiovisual editor with film producer and distributor Fromzero. In 2015 she started teaching Performance Technique in Dance and Composition on the postgraduate course in Performing Arts at ERAM, University of Girona.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Activity within the framework of the second edition of the action cycle &#8220;The Chairs of T\u00e0pies&#8221;.<\/p>\n","protected":false},"author":3,"featured_media":41359,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Leo Castro. 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