, the Museu T\u00e0pies is organising an international symposium to explore the study of the image on the basis of its collection. This initiative is part of the museum\u2019s ongoing line of research and aims to rethink the visual narratives that shape our collective imagination, paying special attention to the symbolic, aesthetic world view surrounding Antoni T\u00e0pies\u2019 work.<\/span><\/p>\nThe symposium sets out from the body of work on exhibition, made up of works by T\u00e0pies from the forties and fifties, prior to his material period; pieces belonging to the artist\u2019s private collection from non-Western cultures or by other artists in his context, and archive material\u2014both belonging to the museum and acquired by it specifically to prepare this exhibition\u2014related to the popular imagination of the day.<\/span><\/p>\nOn the basis of these materials, the symposium concentrates on three subject areas that can be followed throughout the exhibition: <\/span>primitivism, psychoanalysis and popular culture. These areas allow us to place T\u00e0pies\u2019 artistic output in the context of a post-war Barcelona deeply marked by social, political and cultural changes, and to connect it with international avant-garde movements. At the same time, this encounter sets out to explore other aspects, such as the way T\u00e0pies approached vernacular traditions and ancestral practices, the impact of psychoanalytic thought on his work as a tool for addressing psychological concerns typical of an era, and the dialogue between academic art and popular knowledge as forms of resistance and radical expression.<\/span><\/p>\nThe symposium stands out for its interdisciplinary approach, incorporating philosophy and psychoanalysis to address images not only as aesthetic forms but also as instruments of thought and symbolic construction. Its ultimate goal is to offer an updated, critical reading of T\u00e0pies\u2019 work, opening up spaces for discussion of the image, the historical narrative and cultural memory.<\/span><\/p>\n <\/p>\n
Programme of the symposium<\/b><\/span><\/p>\n <\/p>\n
Wednesday, 3 December 2025<\/b><\/p>\n
\u00b7 6 pm. Welcome and presentation by the Museu T\u00e0pies<\/span><\/p>\n\u00b7 6.10 pm. Talk: \u2018The Material Imagination\u2019, by Emmanuel Alloa<\/span><\/p>\n\u00b7 6.50 pm. Talk: \u2018A Visionary Context: Spiritualism, Clairvoyance and the Unconscious\u2019, by Andrea Graus Ferrer<\/span><\/p>\n\u00b7 7.30 pm. Break<\/span><\/p>\n\u00b7 7.40 pm. Talk: \u2018The Origin and Context of primitivism in Antoni T\u00e0pies\u2019, by Estela Ocampo<\/span><\/p>\n\u00b7 8.20 pm. Round table and debate moderated by the Museu T\u00e0pies<\/span><\/p>\n\u00b7 9 pm. Closing<\/span><\/p>\n <\/p>\n
Thursday, 4 December 2025<\/b><\/p>\n
\u00b7 6 pm. Welcome and presentation by the Museu T\u00e0pies<\/span><\/p>\n\u00b7 6.10 pm. Talk: \u2018Imagination, imagined, imaginary\u2019, by Chiara Boticci (online)<\/span><\/p>\n\u00b7 6.50 pm. Talk: \u2018Club 49, a Window on the World\u2019, by Muriel G\u00f3mez<\/span><\/p>\n\u00b7 7.30 pm Break<\/span><\/p>\n\u00b7 7.40 pm Talk: \u2018Swing and Modernity: Jazz in postwar Barcelona\u2019 by Jordi Pujol Baulenas\u00a0<\/span><\/p>\n\u00b7 8.20 pm. Round table and debate moderated by the Museu T\u00e0pies<\/span><\/p>\n\u00b7 9 pm. Close with \u2018Echoes of Club 49\u2019, by the Carlos Falanga Trio<\/span><\/p>\n <\/p>\n
Speakers<\/b><\/span><\/p>\n <\/p>\n
Emmanuel Alloa.\u00a0<\/b>Professor of Aesthetics and Philosophy at the University of Freiburg (Switzerland). A researcher at NCCR eikones, he has lectured at Paris 8 University and been a guest lecturer at the universities of Weimar (Germany), Morelia (Mexico), Belo Horizonte (Brazil), Shanghai (China) and Berkeley, Columbia and Yale (United States).<\/span><\/p>\nAlloa has published a dozen books on contemporary philosophy, phenomenology and the relations between aesthetics and politics. His work has been translated into English, German, French, Spanish, Portuguese and Chinese. Highlights among his publications in Spanish include: <\/span>La resistencia de lo sensible<\/span><\/i> (2009), <\/span>\u00bfC\u00f3mo (no) leer las im\u00e1genes?<\/span><\/i> (2019), <\/span>La imagen di\u00e1fana<\/span><\/i> (2021), <\/span>Pensar la imagen I & II <\/span><\/i>(2020 and 2022) and <\/span>Repartos de la perspectiva<\/span><\/i> (2024). His research work has won several awards, including the Latsis Award in 2016 and the Aby Warburg Award in 2019.<\/span><\/p>\n <\/p>\n
Chiara Bottici.\u00a0<\/b>An Italian philosopher and writer, she lives and works in New York. She holds a chair in Philosophy in the Philosophy department of the New School for Social Research, where she lectures, among other things, on the thought of Hannah Arendt and \u00c1gnes Heller. As well as lecturing in political philosophy and aesthetics, at the same institution she has founded and run the Gender and Sexualities Studies Institute.<\/span><\/p>\nShe has written, among other things, <\/span>Filosof\u00eda del mito pol\u00edtico<\/span><\/i> (Bollati Boringhieri, 2012), <\/span>The Myth of the Clash of Civilizations<\/span><\/i> (2010, with Beno\u00eet Challand), <\/span>Imagining Europe: Myth, Memory and Identity<\/span><\/i> (2013, with Beno\u00eet Challand), <\/span>Manifest anarcafeminista<\/span><\/i> (Laterza, 2022), <\/span>Cap submissi\u00f3: El feminisme com a cr\u00edtica de l\u2019ordre social<\/span><\/i> (2023), <\/span>Mitologia feminista<\/span><\/i> (Castelvecchi, 2022) and <\/span>La pol\u00edtica de la imaginaci\u00f3<\/span><\/i> (Castelvecchi, 2023). Her work has been translated into a dozen foreign languages.<\/span><\/p>\n <\/p>\n
Carlos Falanga.\u00a0<\/b>Born in Buenos Aires (Argentina), at a very early age he started learning drums with Roberto Cesari Jr. At the age of 22 he decided to move to Barcelona, where he continued his study of harmony and the piano at the Taller de M\u00fasics, and of the drums with the great Aldo Caviglia. He subsequently graduated from the Barcelona Conservatory (ESMUC), where he studied with Jo Krause and David Xirgu.<\/span><\/p>\nSince 2002 he has played an active part in the Catalan music scene, performing in clubs and festivals all over Europe, Asia and the Americas, with a range of Spanish musicians and artists including Jorge Rossy, Marco Mezquida, Amparo Sanchez, Carme Canela, Horacio Fumero, Bill McHenry, Fredrik Carlquist, Guillermo Klein and the Orquestra Simf\u00f2nica del Liceu, among others. He has released two albums under his own name: <\/span>Gran Coral<\/span><\/i> (Underpool) and <\/span>Quasar<\/span><\/i> (Fresh Sound New Talent), and with his experimental project IHHH he has made several recordings and performed at many festivals, including S\u00f3nar Festival and Keroxen.<\/span><\/p>\n <\/p>\n
Muriel G\u00f3mez.\u00a0<\/b>She has a doctorate in the History of Art from the University of Zaragoza. She is currently an associate lecturer and vice-dean for Alliances, Community and Culture in Art and Humanities Studies at the Universitat Oberta de Catalunya (UOC). A member of the SEC (Society, State and Culture) history research group, her research focuses on the analysis of processes of rupture and continuity in Catalan artistic modernity between the pre-war and post-war periods. Her main areas of study include the links between ADLAN and Club 49, and the figures of Joan Mir\u00f3 and the sculptor Eudald Serra.<\/span><\/p>\n <\/p>\n
Andrea Graus Ferrer.\u00a0<\/b>Ram\u00f3n y Cajal researcher at the Instituci\u00f3 Mil\u00e0 i Fontanals d\u2019Investigaci\u00f3 en Humanitats at the CSIC. With a doctorate in the History of Science from the UAB, she worked at the Centre Alexandre Koyr\u00e9 at the CNRS in Paris and at the University of Anvers (Belgium) for six years. The author of <\/span>Ci\u00e8ncia i espiritisme a Espanya (1880-1930)<\/span><\/i> (Comares, 2019), she has published work on the history of psychic research with mediums, hypnosis and mystical phenomena in the 19th and early 20th centuries. Her current line of research focuses on the history of gifted children and child talent in contemporary Europe, the subject of her next book. She curated the exhibition <\/span>Gifted Children: Fame, Science and Politics <\/span><\/i>(Biblioteca de Catalunya, 2024).<\/span><\/p>\n <\/p>\n
Estela Ocampo.\u00a0<\/b>She was a tenured lecturer at the University of Barcelona from 1987 and at the Pompeu Fabra University in Barcelona from 1987 until her retirement in September 2021. Academic secretary at the Pompeu Fabra University\u2019s Institut de Cultura (2000\u20132008). Director of the Pompeu Fabra University\u2019s Institut Universitari de Cultura (2008\u20132014), She is currently director and lead researcher at CIAP, the Research Centre for Primitive Art and Primitivism at the Pompeu Fabra University. She has carried out research projects funded by the Spanish ministry of education and science into primitive art between 1997 and 2003, and into primitivism and modern art between 2007 and 2016.<\/span><\/p>\nShe has published numerous articles in Spanish and international journals. Her most recent books are: <\/span>El Fetitxe en el Museu<\/span><\/i>, (Madrid, 2011), <\/span>Primitivisme a Europa i Am\u00e8rica<\/span><\/i>, (Barcelona, 2017) and <\/span>Tra\u00e7os. Pintura aborigen australiana:<\/span><\/i> tradici\u00f3 i contemporane\u00eftat<\/span><\/i> (Barcelona, 2022), among others. She has given numerous lectures and seminars in Spain and abroad. She has curated several exhibitions, the last being <\/span>Strokes. Australian Aboriginal Painting: Tradition and Contemporaneity<\/span><\/i> (Museu Etnol\u00f2gic i de les Cultures del M\u00f3n, December 2021 \u2013 June 2022).<\/span><\/p>\n <\/p>\n
Jordi Pujol Baulenas.\u00a0<\/b>Born in Barcelona in 1953, in 1983 he founded the music label Fresh Sound Records, devoted to jazz, after having worked as a textile designer in Lyon and Barcelona. In the course of his career, he has recovered historic recordings like the concert by Louis Armstrong in Windsor (1955), and, with the label Fresh Sound New Talent, recorded the debut albums by artists like Brad Mehldau, Robert Glasper, Ambrose Akinmusire and Kurt Rosenwinkel, as well as numerous local musicians. The winner of awards from the Acad\u00e9mie du Jazz and the Acad\u00e9mie Charles Cros, he has featured in articles and interviews in media including <\/span>Down Beat<\/span><\/i>, <\/span>Jazz Magazine<\/span><\/i>, <\/span>The New York Times<\/span><\/i> and <\/span>Los Angeles Times<\/span><\/i>. He is the author of the book <\/span>Jazz a Barcelona 1920-1965<\/span><\/i>, winner of the Ciutat de Barcelona Award in 2006.<\/span><\/p>\n <\/p>\n
[Imagen: Antoni T\u00e0pies,\u00a0Gossos\u00a0<\/em>(Dogs), 1948. Col\u00b7lecci\u00f3 particular, Barcelona \u00a9 Comissi\u00f3 T\u00e0pies \/ VEGAP, 2025]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"The symposium concentrates on three subject areas that can be followed throughout the exhibition: primitivism, psychoanalysis and popular culture.<\/p>\n","protected":false},"author":3,"featured_media":42043,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"\n
International Symposium "Primitive Images, Modern Dreams: T\u00e0pies and Post-War Visual Culture" - Museu T\u00e0pies<\/title>\n<meta name=\"description\" content=\"The symposium at Museu T\u00e0pies (Barcelona) concentrates on three subject areas: primitivism, psychoanalysis and popular culture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Symposium "Primitive Images, Modern Dreams: T\u00e0pies and Post-War Visual Culture" - Museu T\u00e0pies\" \/>\n<meta property=\"og:description\" content=\"The symposium at Museu T\u00e0pies (Barcelona) concentrates on three subject areas: primitivism, psychoanalysis and popular culture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/museutapies.org\/en\/event\/international-symposium-primitive-images-modern-dreams-tapies-and-post-war-visual-culture\/\" \/>\n<meta property=\"og:site_name\" content=\"Museu T\u00e0pies\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/museutapies\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-29T14:01:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/11\/Gossos-Antoni-Tapies.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"855\" \/>\n\t<meta property=\"og:image:height\" content=\"627\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/museutapies.org\/en\/event\/international-symposium-primitive-images-modern-dreams-tapies-and-post-war-visual-culture\/\",\"url\":\"https:\/\/museutapies.org\/en\/event\/international-symposium-primitive-images-modern-dreams-tapies-and-post-war-visual-culture\/\",\"name\":\"International Symposium \\\"Primitive Images, Modern Dreams: T\u00e0pies and Post-War Visual Culture\\\" - 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<\/p>\n