{"id":43072,"date":"2025-12-19T12:29:08","date_gmt":"2025-12-19T11:29:08","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&#038;p=43072"},"modified":"2026-01-08T12:58:00","modified_gmt":"2026-01-08T11:58:00","slug":"where-is-political-art-debate-and-presentation-of-the-book-estetica-posfundacional","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/where-is-political-art-debate-and-presentation-of-the-book-estetica-posfundacional\/","title":{"rendered":"Where Is Political Art? Debate and presentation of the book Est\u00e9tica posfundacional"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43079\" src=\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-800x374.jpg\" alt=\"\" width=\"800\" height=\"374\" srcset=\"https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-800x374.jpg 800w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-900x421.jpg 900w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-768x359.jpg 768w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-1536x718.jpg 1536w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-500x234.jpg 500w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-380x178.jpg 380w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110-600x281.jpg 600w, https:\/\/museutapies.org\/wp-content\/uploads\/2025\/12\/coberta-goap-20260110.jpg 1625w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>The question of the political power of art runs through the 20th and 21st centuries. But where is political art today? What we are radically asking is \u201cwhere\u201d it is, in all respects. What practices is it present in? What theories is it defined in? In what situations is it useful to us?<\/p>\n<p>The multi-author publication <em>Est\u00e9tica posfundacional<\/em> [Post-Foundational Aesthetics] (Dykinson, 2005) brings together a body of philosophical essays that seek to respond to these and other questions related to the notion of post-foundational aesthetics. In the wake of the ideas of Oliver Marchart, who will be present at the event, the contributing authors address issues such as anarchy, dissent, the curatorial function and artistic activism, in an effort to comprehend art\u2019s revolutionary power. As we understand that the political foundations of our societies are historical and material, aesthetic reflection becomes essential in questioning the underlying violence of political systems, while imagining alternatives.<\/p>\n<p>The book presentation will feature the presence of various of the participating authors.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Oliver Marchart<\/strong> is an Austrian political philosopher and sociologist who is internationally recognised for his research in social theory, post-Marxism, post-structuralism and social movements. His books have given rise to far-reaching debate in many fields, as in the case of <em>Post-Foundational Political Thought<\/em> (Edinburgh University Press, 2007) and <em>Conflictual Aesthetics<\/em> (Sternberg Press, 2019), translated into Spanish by FCE and Ned Ediciones, respectively.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Laura Llevadot<\/strong> is a Professor in the Faculty of Philosophy of the University of Barcelona, and lead researcher in the research group Post-Foundational Contemporary Thought.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Juan Evaristo Valls Boix<\/strong> is a writer and Professor of the Philosophy of Culture at the Universidad Complutense de Madrid. He has a PhD in Contemporary Philosophy and Literary Theory, and is member of the research groups Post-Foundational Contemporary Thought and Est\u00e9tica Contempor\u00e1nea. His research engages laziness and the rejection of work in late capitalism, with special attention to the politics of affects and contemporary French philosophy. His publications include the essays <em>Giorgio Agamben. Pol\u00edtica sin obra<\/em> (Gedisa, 2020), <em>Metaf\u00edsica de la pereza <\/em>(Ned Ediciones, 2022), <em>Suely Rolnik. Descolonizar el inconsciente <\/em>(Herder, 2024) and <em>El derecho a las cosas bellas <\/em>(Ariel, 2025).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ester Jordana Lluch<\/strong> is Professor of Philosophy at the University of Zaragoza, with undergraduate degrees in Psychology (2001) and Philosophy (2008), and a PhD in Philosophy with a thesis on Michel Foucault (<em>\u00catre autrement. El ser como transformaci\u00f3n en Michel Foucault<\/em>, 2017). Her research is focused on the relations between politics, aesthetics and contemporary critical thought.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Xavier Bassas<\/strong> has a PhD in French Language and Philosophy from Paris-Sorbonne University and from the University of Barcelona, where he is a professor in French Studies. He is a translator and editor of various works in French theory (Marion, Derrida, Ranci\u00e8re, Malabou and others), and has recently written a monograph on Ranci\u00e8re (<em>Ensayar la igualdad<\/em>, Gedisa) as well as a dialogue with him on the politics of language (<em>El litigio de las palabras, <\/em>Ned Ediciones; in French, <em>Les Mots et les Torts<\/em>, La fabrique \u00e9ditions). He is editor-in-chief of the book collection Pensamiento Atiempo for Casus Belli Ediciones.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Adri\u00e0 Porta<\/strong> is a pre-doctoral researcher in the Faculty of Philosophy of the University of Barcelona. He is currently writing a thesis that compares the concept of the void in the work of four thinkers in post-foundational political philosophy: Lefort, Laclau, Badiou and Ranci\u00e8re.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Virginia Trueba<\/strong> is Full Professor in the Faculty of Philology and Communication of the University of Barcelona (UB), where she teaches in the Hispanic Philology and Literary Studies degree programmes, and in the master in Literary Theory and Comparative Literature. In recent years she has focused her research on the relationship between poetry and the arts in contemporary thought. She is co-editor of the journal <em>Aurora<\/em>, dedicated to the ideas of Mar\u00eda Zambrano, and is member of the GLiCiArt (UB) research group on literature, cinema and other artistic languages.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olivier Marchart participates in the presentation of a body of philosophical essays that seek to respond to questions related to the notion of post-foundational aesthetics.<\/p>\n","protected":false},"author":207,"featured_media":43066,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Where Is Political Art? 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