{"id":44273,"date":"2026-02-26T17:24:38","date_gmt":"2026-02-26T16:24:38","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&#038;p=44273"},"modified":"2026-04-10T12:24:10","modified_gmt":"2026-04-10T10:24:10","slug":"carles-congost-grey-has-declinations","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/carles-congost-grey-has-declinations\/","title":{"rendered":"Carles Congost. Grey Has Declinations"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44259\" src=\"https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-800x697.jpg\" alt=\"\" width=\"800\" height=\"697\" srcset=\"https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-800x697.jpg 800w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-803x700.jpg 803w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-768x669.jpg 768w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-1536x1338.jpg 1536w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-2048x1785.jpg 2048w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-500x436.jpg 500w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-380x331.jpg 380w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/02\/Montseny-amb-violencia_-Blanc-y-negre_2026-600x523.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><span style=\"font-weight: 400\">Carles Congost presents <\/span><i><span style=\"font-weight: 400\">Grey Has Declinations<\/span><\/i><span style=\"font-weight: 400\">, a performative intervention that gives precedence to the role of text and sound. The imposing influence of the writings of Antoni T\u00e0pies is expressed through various musical and sound tracks, created previously by the artist.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Congost adopts the role of a DJ, turning a clubbing session into a hybrid, reflexive performance. This hybridisation responds to various ways of intervening on the tracks, and is also expressed in the various creative processes undertaken.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In some cases, Congost improvises over preexisting instrumental bases, introducing new effects and voices created by artificial intelligence, so as to organise the messages within the particular economy of the song format. In other circumstances, he recreates ambience landscapes where the text appears in a more abstract, suggestive manner.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Despite clear formal differences between Congost\u2019s work and that of T\u00e0pies, this performance seeks to highlight the essential ideas they share as related to the creative act, which here deserve to be united and celebrated. The T\u00e0pies texts utilised work as foundational material for this study, bringing to the fore the free association of ideas as a valid way of working. Congost ravels up and reworks the original texts, which never appear in literal fashion, with the aim of emphasising the transversality, pertinence and universality of the ideas of the painter Antoni T\u00e0pies. With Andr\u00e9s Papas P\u00e9rez collaboration.<\/span><\/p>\n<p>Activity carried out within the framework of the third edition of the cycle &#8220;<a href=\"https:\/\/museutapies.org\/en\/programa-public\/the-chairs-of-tapies-invoking-the-crack\/\">The Chairs of T\u00e0pies<\/a>&#8220;, curated by Judith Barn\u00e9s.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Carles Congost<\/b><span style=\"font-weight: 400\"> employs various visual and sound procedures, including video, photography, drawing and installation, to create narratives that ironically and sensually reflect on the forging of identity, consumer habits and artistic creation itself. In his work he analyses the codes of popular culture as vehicles for differentiating constructions, and as hegemonic forms of subjectivity.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Congost has participated in numerous national and international exhibitions, including <\/span><i><span style=\"font-weight: 400\">Music as a Foreign Language<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">Museu Es Baluard, Palma, 2023; <\/span><i><span style=\"font-weight: 400\">What are Songs Good For?<\/span><\/i><span style=\"font-weight: 400\"> , La Casa Encendida, Madrid, 2020; <\/span><i><span style=\"font-weight: 400\">A Sense of Wonder<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">Centre d\u2019Art Contemporani Fabra i Coats, Barcelona, 2018; X Nicaragua Biennial, 2016; Manifesta 11, Zurich, 2016; <\/span><i><span style=\"font-weight: 400\">The Real Royal Trip<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">PS1\/MOMA, New York, 2003; <\/span><i><span style=\"font-weight: 400\">Popcorn Love<\/span><\/i><span style=\"font-weight: 400\">, Espacio Uno &#8211; Museo Nacional Centro de Arte Reina Sof\u00eda, 2001; and <\/span><i><span style=\"font-weight: 400\">Country Girls<\/span><\/i><span style=\"font-weight: 400\">, Espai 13 &#8211; Fundaci\u00f3 Mir\u00f3, Barcelona, 2000.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 8pt\">Image: <span style=\"font-weight: 400\">Montseny with violence<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The artist Carles Congost presents a performative intervention that prioritizes the role of text and sound. Within the framework of the third edition of the cycle &#8220;The Chairs of T\u00e0pies&#8221;, curated by Judith Barn\u00e9s.<\/p>\n","protected":false},"author":3,"featured_media":44259,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Carles Congost. 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