{"id":45615,"date":"2026-04-23T16:47:40","date_gmt":"2026-04-23T14:47:40","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=45615"},"modified":"2026-04-23T16:51:19","modified_gmt":"2026-04-23T14:51:19","slug":"screening-of-the-road-movie-sidamun-alamus-almatret-viatge-a-la-franja-de-ponent-1986-by-angel-jove-benet-rossell-and-carles-hac-mor","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/screening-of-the-road-movie-sidamun-alamus-almatret-viatge-a-la-franja-de-ponent-1986-by-angel-jove-benet-rossell-and-carles-hac-mor\/","title":{"rendered":"Screening of the “road movie: Sidam\u00fan, Alam\u00fas, Almatret. Viatge a la Franja de Ponent” (1986), by \u00c0ngel Jov\u00e9, Benet Rossell and Carles Hac Mor"},"content":{"rendered":"

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As an extension of the exhibition \u00c0ngel Jov\u00e9. De intactu<\/em>,<\/a>\u00a0the Museu T\u00e0pies will present a screening of the road movie Sidam\u00fan, Alam\u00fas, Almatret. Viatge a la Franja de Ponent<\/em> (1986), created by \u00c0ngel Jov\u00e9, Benet Rossell and Carles Hac Mor. The film is a feature-length piece resulting from extensive video recording. It documents a journey through the Franja de Ponent and takes shape as a hybrid artifact between film, performance, and writing. Far from any conventional narrative intention, the film unfolds a fragmented and experimental perspective on the landscape, understood as a space of friction between reality, memory, and language.<\/p>\n

The work makes it possible to situate the intellectual and creative affinities between three key figures of the Catalan artistic and literary scene of the second half of the 20th century, all linked to avant-garde practices and to an expanded conception of art. In this sense, the project becomes a privileged point of entry for understanding how, in Jov\u00e9\u2019s work, the artistic gesture intertwines with poetic language and with a sustained attention to territory as a space of experience and thought. Within this context, the journey becomes not only a physical displacement, but also a poetic and conceptual device from which to rethink language, perception, and forms of representation.<\/p>\n

The film will be screened in the auditorium of the Museu T\u00e0pies on the following dates and at the following times:<\/p>\n