{"id":46104,"date":"2026-05-21T13:50:44","date_gmt":"2026-05-21T11:50:44","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=46104"},"modified":"2026-05-21T13:55:08","modified_gmt":"2026-05-21T11:55:08","slug":"angel-jove-constellation-of-a-time","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/angel-jove-constellation-of-a-time\/","title":{"rendered":"\u00c0ngel Jov\u00e9: Constellation of a Time"},"content":{"rendered":"

\"\"<\/p>\n

In the context of the exhibition <\/span>\u00c0ngel Jov\u00e9. De intactu<\/span><\/i><\/a>, we propose a debate on the figure of \u00c0ngel Jov\u00e9 from a relational perspective, understanding his practice not as an isolated gesture, but within the corpus of shared fieldwork that redefined the conditions of artistic creation in a time of intense cultural transformation. Rather than referring to a generation in the strict sense of the term, what imagine here is a constellation: a web of proximities and frictions between artists and thinkers, which through a variety of languages questioned established forms of representation while exploring new connections between image, material and language. In this context, Jov\u00e9\u2019s practice developed as a permeable space where film, poetry and action became vehicles for experimentation and ideas.<\/span><\/p>\n

In the opening lecture for this debate, <\/span>Xavier Antich<\/b> proposes a framework for reading Jov\u00e9\u2019s work that might situate this communicative aperture in relation to the cultural and political transformations of that time, accentuating the persistent necessity to rethink forms for the production of meaning through artistic practice.\u00a0<\/span><\/p>\n

The debate to follow features the participation of Frederic Amat, Antoni Llena, Rosa Verg\u00e9s and Patricia Dauder. This<\/span> group does not solely respond to generational criteria, but also to the possibility of activating correspondences between practices.<\/span><\/p>\n

The presence of <\/span>Frederic Amat<\/b> is particularly relevant due to his proximity to that same context of disciplinary openness that situated Jov\u00e9\u2019s work: Amat\u2019s practice has shifted constantly between painting, scenography, film, visual poetry and spatial intervention, understanding art as an expanded terrain where creative languages contaminate each other. In Amat\u2019s career, as with Jov\u00e9\u2019s, the image does not work as a stable form of representation, but as an area of tension between materials, symbols and experience.\u00a0 In the case of <\/span>Antoni Llena<\/b>, the artistic gesture shifts towards zones of indeterminacy, where matter, signs and the void work as open languages, in consonance with the tensions found in Jov\u00e9\u2019s work as well. From a similar perspective, <\/span>Rosa Verg\u00e9s<\/b> introduces the cinematographic dimension as a medium as well as a form of thought and construction of temporality, in dialogue with the film experiences that the constellation engaged in. So as to avoid any sort of closed reading of Jov\u00e9, <\/span>Patricia Dauder<\/b>\u2019s presence shifts this space for ideas into the present, pointing to areas of persistence, to echoes and re-readings, and not solely with the purpose of setting out a linear genealogy. Her artistic practice reactivates questions that were already present in Jov\u00e9\u2019s time\u2014fragility of the image, the temporal condition of experience, the relationship between document and fiction\u2014circulating them within a different regime of sensibility.<\/span><\/p>\n

Moderated by <\/span>Maria Josep Balsach<\/b>, curator of the exhibition <\/span>\u00c0ngel Jov\u00e9. De intactu<\/span><\/i>, this debate is conceived as a space for ideas, where memory is more like a field of intensities than a past fixation, enabling us to once again question the ways that art, life and context relate.<\/span><\/p>\n

PROGRAMME<\/b><\/p>\n

6 pm. Presentation and welcome by the Museu T\u00e0pies<\/span><\/p>\n

6.10 pm. Lecture, \u201c\u00c0ngel Jov\u00e9: The Lost Gaze\u201d, by Xavier Antich<\/span><\/p>\n

7 pm. Discussion with Xavier Antich, Frederic Amat, Patricia Dauder, Antoni Llena and Rosa Verg\u00e9s. Moderated by Maria Josep Balsach<\/span><\/p>\n

8 pm. Closing<\/span><\/p>\n

 <\/p>\n

Frederic Amat<\/b><\/p>\n

Amat is the creator of a body of pictorial work characterised by an expanded conception of painting as well as an interdisciplinary practice, known internationally in exhibitions and publications. He has created stage designs for dance, theatre and the opera, as well as directing spaces for the performing arts and illustrating literary works, like <\/span>One Thousand and One Nights<\/span><\/i> and <\/span>The Odyssey<\/span><\/i>. He has also done interventions in architectural space, featuring painting, sculpture and ceramic work. Extending this practice, he has worked on the films <\/span>Viatge a la lluna<\/span><\/i> (based on the Federico Garc\u00eda Lorca text), <\/span>Foc al c\u00e0ntir<\/span><\/i> (written by Joan Brossa) and <\/span>El aullido<\/span><\/i> (with a screenplay by Guillermo Cabrera-Infante).<\/span><\/p>\n

 <\/p>\n

Xavier Antich<\/b><\/p>\n

Antich has a PhD in Philosophy and is Professor of Aesthetics at the University of Girona. Since 2022 he has been the president of \u00d2mnium Cultural. He has published various books and hundred articles in books and specialised journals, as well as writing for various media outlets. From 2011 to 2022 he was head of the Board of Trustees of the Fundaci\u00f3 Antoni T\u00e0pies.<\/span><\/p>\n

 <\/p>\n

Maria Josep Balsach<\/b><\/p>\n

Balsach is a Professor and Emeritus Chair in Contemporary Art and Culture at the University of Girona. She is an art critic, exhibitions curator and, with Xavier Antich, heads the research group Teories de l\u2019Art Contemporani – UdG. She has been a member of the Joan Mir\u00f3 Chair (FJM – UOC – New York University, 2013\u20132019) and is currently a member of the research groups Visionary Women Art, Alma and GROC. Her research is focused on new readings of the art of the twentieth and twenty-first centuries from an interdisciplinary perspective, with an approach grounded in hermeneutics and symbolic interpretation. Balsach is the author of many essays and has published various books of poetry in collaboration with visual artists, including <\/span>Eprath<\/span><\/i>, <\/span>M\u00e4r<\/span><\/i>, <\/span>Poemes de Brisg\u00f2via <\/span><\/i>and <\/span>Gal\u00edtsia<\/span><\/i>. She is the winner of the Espais International Art Criticism Prize for the article <\/span>L\u2019art immaterial d\u2019Arnold Sch\u00f6nberg<\/span><\/i>, and won the City of Barcelona Award in the essay category for <\/span>Joan Mir\u00f3. Cosmogonies d\u2019un m\u00f3n originari (1918-1939).<\/span><\/i><\/p>\n

 <\/p>\n

Patricia Dauder<\/b><\/p>\n

Dauder is a visual artist who lives and works in Barcelona. Her practice focuses on sculpture, drawing, photography, film and installation, with work that explores the relationships between material, space, memory and perception. Over the course of her career, she has done various international artistic residencies in cities such as Bregenz, Prague, Porto, New York and Barcelona.<\/span><\/p>\n

Her work has been seen in individual exhibitions in spaces such as Artium Museoa, La Virreina Centre de la Imatge, the Fundaci\u00f3 Joan Mir\u00f3, the Museu de Serralves, MARCO in Vigo and ProjecteSD, in Barcelona. Alongside this practice, she has done experimental film and visual essay projects, projecting her work at Xc\u00e8ntric at the CCCB, the Loop Fair and in other specialised venues. She is also the curator of projects such as <\/span>Frames of Mind<\/span><\/i> and <\/span>Llibres espa\u2018c\u2019ials<\/span><\/i>.<\/span><\/p>\n

 <\/p>\n

Antoni Llena<\/b><\/p>\n

Llena was a pioneering artist in the mid-1960s in Catalan art povera and ephemeral art. In the 1980s he continued to work with cut paper, exploring work that was ephemeral and fragile in nature, leading him to reconsider constructive space and the idea of volume. He is likewise a creator of public art projects, expressing the same fragility as his work with paper. Alongside his visual production, Llena has had a literary career, with the publication of works such as <\/span>La gana de l\u2019artista<\/span><\/i> (1999) and <\/span>Per l\u2019ull de l\u2019art<\/span><\/i> (2008). He has participated in exhibitions at Patio Herreriano in Valladolid, the Museo Nacional Centro de Arte Reina Sof\u00eda in Madrid and the Fondation Maeght at Saint-Paul-de-Vence, and has presented his art at Barcelona\u2019s Fundaci\u00f3 Joan Mir\u00f3 and Museu T\u00e0pies, among other exhibition spaces. His work is found in the collections of Artium in Vitoria, the Museu T\u00e0pies in Barcelona, Madrid\u2019s Museo Reina Sof\u00eda and MACBA, among others.<\/span><\/p>\n

 <\/p>\n

Rosa Verg\u00e9s<\/b>\u00a0<\/span><\/p>\n

Verg\u00e9s is a filmmaker, teacher and writer with a broad career in film, television and audiovisual creation. She has written and directed films like <\/span>Boom Boom<\/span><\/i>, <\/span>Souvenir<\/span><\/i>, <\/span>Tic Tac<\/span><\/i> and <\/span>Iris<\/span><\/i>, as well as various major documentaries, such as <\/span>El Pavell\u00f3 de la Rep\u00fablica<\/span><\/i>, <\/span>Barcelona, Negatif et Positif<\/span><\/i>, <\/span>Alberti, un poeta en la calle<\/span><\/i>, <\/span>Garc\u00eda Lorca: De Granada a la Luna<\/span><\/i> and <\/span>L\u2019Eixample Cerd\u00e0, illes en xarxa<\/span><\/i>. She has also worked on television series like <\/span>Para qu\u00e9 sirve un marido<\/span><\/i> and <\/span>Histoires de Famille: Maresme<\/span><\/i>. Alongside this activity, she has worked intensely as artistic director for stage performances and projects, as well as in the creation of podcasts and institutional audiovisual productions.\u00a0<\/span><\/p>\n

Over the course of her career, Verg\u00e9s has received recognition for her work, including the Goya Award for Best New Director, the Sant Jordi Award, the Fotogramas de Plata, the City of Barcelona Award, the National Culture Award of Catalonia and the Miquel Porter Moix Honorary Gaud\u00ed Award 2024.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Panel discussion on the figure of \u00c0ngel Jov\u00e9, with the participation of Xavier Antich, Frederic Amat, Antoni Llena, Rosa Verg\u00e9s, Patricia Dauder and moderated by Maria Josep Balsach.<\/p>\n","protected":false},"author":3,"featured_media":44821,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"\n\u00c0ngel Jov\u00e9: Constellation of a Time - Museu T\u00e0pies<\/title>\n<meta name=\"description\" content=\"Panel discussion on the figure of \u00c0ngel Jov\u00e9, with Xavier Antich, Antoni Llena, Rosa Verg\u00e9s, Patricia Dauder and Maria Josep Balsach.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0ngel Jov\u00e9: Constellation of a Time - 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