{"id":46153,"date":"2026-05-22T09:59:02","date_gmt":"2026-05-22T07:59:02","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=46153"},"modified":"2026-05-22T09:59:02","modified_gmt":"2026-05-22T07:59:02","slug":"raquel-g-ibanez-sienten-las-piedras","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/raquel-g-ibanez-sienten-las-piedras\/","title":{"rendered":"Raquel G. Ib\u00e1\u00f1ez. Sienten las piedras"},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

If we were to plunge into the hole of Antoni T\u00e0pies\u2019 Sock<\/em>, perhaps we would see the sky. Or the bowels of the earth. Or that familiar corner we had never truly noticed before. The hole would then appear as an opening, a threshold from which to gaze upon a terrace exposed to the sun and the elements\u2014a space where the contemplation of the everyday becomes strangely mysterious. As if perception, by straying just slightly from its usual course, opened a small fissure. An interstice that, following Tim Ingold\u2019s reflections, would not enclose a fixed meaning but would remain between the lines. “An aerial knot.”<\/p>\n

Perhaps, then, it would be enough to pull the thread and listen. To listen to the wind, the flowing water, the melting snow, or the distant crack of a falling tree. To listen also to what vibrates between bodies and objects. From this sustained attention, a small-scale ritual would unfold. If we were to plunge into the hole.<\/p>\n

\u2026<\/p>\n

From this invitation, the artist proposes a listening session in which recordings of atmospheric phenomena and natural environments dialogue and distort. Like another thread in an expanded weave, the ancestral and the technological, the intimate and the geological, intertwine without hierarchies. In resonance with Mary Oliver\u2019s poetic sensitivity to the wondrous dimensions of the everyday, the piece subtly shifts perception and opens\u2014if only momentarily\u2014other ways of relating to the environment.<\/p>\n

 <\/p>\n

Raquel G.Ib\u00e1\u00f1ez<\/strong>\u2019s artistic practice explores liminality and the boundaries between sound, language, and visual image, using listening\u2014both human and more-than-human\u2014as a methodological tool rooted in acousmaticology. Her work focuses on the intangible and the thresholds between the human, the spiritual, and the natural, while also examining the tension between the ancestral and the future within a context of global crisis. Her processes highlight the fragility and interdependence of biological life, materializing in various formats such as sound, drawing, performance, installation, and expanded publishing.<\/p>\n

She has developed projects in institutions such as CA2M-Centro de Arte Dos de Mayo, Fundaci\u00f3n Cerezales Antonino y Cinia, Tsonami Arte Sonoro, CDAN, Sonandes, La Casa Encendida, and MACBA. She has received awards and grants including the Premi Miquel Casablancas 2024, Circuitos Artes Pl\u00e1sticas 2024, the Comunidad de Madrid\u2019s Visual Arts Creation Grants, and public grants for the creation, research, and production of artistic projects from the Ministry of Culture.<\/p>\n

Her career includes artistic residencies at spaces like aadk, Jazz ao Centro, and Bulegoa, as well as participation in sound art and experimental music festivals such as Insonora 14, Sur Aural, Rota Music Festival, and Soundtiago, among others. Her involvement in the poetry and performance collective Una fiesta Salvaje and the publication of her book Granate<\/em> solidify a practice that intertwines creation, research, and writing.<\/p>\n

 <\/p>\n

Activity programmed as part of the Museu T\u00e0pies series\u00a0Following the Sun<\/em>, entitled\u00a0Uncovering the Gaze<\/em><\/a>, curated by Carolina Ciuti.<\/p>\n

 <\/p>\n

Image: Raquel G. Ib\u00e1\u00f1ez. Photo: Juan Hoppe<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A listening session in which recordings of atmospheric phenomena and natural environments dialogue and distort. Activity held as part of the third edition of the “Following the Sun” series, entitled “Uncovering the Gaze”, curated by Carolina Ciuti.<\/p>\n","protected":false},"author":207,"featured_media":46140,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"\nRaquel G. Ib\u00e1\u00f1ez. 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