{"id":47114,"date":"2026-09-10T16:05:21","date_gmt":"2026-09-10T14:05:21","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=47114"},"modified":"2026-09-10T16:14:05","modified_gmt":"2026-09-10T14:14:05","slug":"extramural-2026-a-walk-with-dora-garcia","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/en\/event\/extramural-2026-a-walk-with-dora-garcia\/","title":{"rendered":"Extramural 2026. A Walk with Dora Garc\u00eda"},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

Within the framework of the artistic project <\/span>Extramural. Timelines \/ resurrection<\/span><\/i>, and as a conclusion to the panel discussion Death and Resistance<\/em>, Dora Garc\u00eda invites us to tour the Montju\u00efc Cemetery through a performative reading that activates its funerary and political archive. Tombs, mass graves, memorials and landscapes of mourning become the volumes of a living library, where each grave triggers stories that cross the social, cultural and political history of Barcelona.<\/span><\/p>\n

Thus, along the route, the memories of figures such as Francesc Ferrer i Gu\u00e0rdia, Bonaventura Durruti, Salvador Puig Antich, Salvador Segu\u00ed or Llu\u00eds Companys emerge, who dialogue with the mass graves of the Civil War and Francoist repression, as well as with the anonymous stories that inhabit the cemetery. Rather than reconstructing a chronology, the proposal relates different layers of memory to ask how collective memory is constructed, which bodies are worthy of mourning and which stories still remain on the margins.<\/span><\/p>\n

The research is part of a broader framework of reflection that connects memory policies with contemporary movements for <\/span>good death <\/span><\/i>and practices <\/span>death positive<\/span><\/i>, which claim a more conscious and communal relationship with death, as well as with queer perspectives that question normative ways of understanding mourning, kinship and the transmission of memory. In this sense, the tour also dialogues with current debates on necropolitics and the politics of mourning, understanding funerary spaces as places where the relationships between power, memory and resistance become visible.<\/span><\/p>\n

Far from conceiving death as an end point, Dora Garc\u00eda proposes the cemetery as a space for political transformation: a living archive where absences continue to produce meaning and from which to imagine other ways of remembering, of creating community and of relating to death.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

A proposal of the project <\/span>Extramural <\/span><\/i><\/a>2026, by Dora Garc\u00eda, <\/span>Timelines \/ resurrection.<\/span><\/i><\/p>\n

Coordination: Judith Barn\u00e9s, head of public programs at the T\u00e0pies Museum<\/span><\/p>\n

 <\/p>\n

[Image courtesy of Cementiris de Barcelona]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Performative reading and walk with Dora Garcia through the Cemetery of Montju\u00efc. Tombs, common graves, memorials and landscapes of mourning become the volumes of a living library, where each grave activates stories that traverse the social, cultural and political history of Barcelona. <\/p>\n","protected":false},"author":207,"featured_media":47084,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5770],"acf":[],"yoast_head":"\nExtramural 2026. 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