{"id":32772,"date":"2024-03-25T09:37:23","date_gmt":"2024-03-25T09:37:23","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=32772"},"modified":"2024-03-26T10:39:59","modified_gmt":"2024-03-26T10:39:59","slug":"las-sillas-de-tapies-cabosanroque","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/las-sillas-de-tapies-cabosanroque\/","title":{"rendered":"Las sillas de T\u00e0pies. Cabosanroque"},"content":{"rendered":"
Entradas<\/div>\n

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Las sillas de T\u00e0pies<\/em><\/a> es un ciclo de acciones sonoras de car\u00e1cter multidisciplinar organizado en el marco del A\u00f1o T\u00e0pies<\/a> con la colaboraci\u00f3n de la Universitat Pompeu Fabra. Se trata de una propuesta para hacer un acompa\u00f1amiento sonoro a la memoria oral. As\u00ed pues, cada una de las trece sesiones contar\u00e1 con la presencia de un creador que partir\u00e1 de la silla como elemento performativo para reconectar con el universo creativo del artista desde los lenguajes expresivos y las puestas en escena de hoy.<\/p>\n

La acci\u00f3n sonora de la quinta silla de T\u00e0pies, titulada Playback<\/em>, es una propuesta de Cabosanroque realizada, exclusivamente, para sillas: un di\u00e1logo entre la sinceridad del sonido del material, la voz del objeto y el artificio de su representaci\u00f3n. A medio camino entre la performance y la instalaci\u00f3n, se jugar\u00e1 con la idea de materialidad de la m\u00fasica concreta, a menudo relacionada con el informalismo mat\u00e9rico de T\u00e0pies, y se buscar\u00e1 la tensi\u00f3n con su escenificaci\u00f3n. Entender las sillas como objetos sonoros y performadores aut\u00f3nomos, dejar que hable el material y que las sillas ocupen el espacio. Pues tal vez las sillas no necesitan que nadie hable por ellas.<\/p>\n

\u00a0<\/strong><\/p>\n

Cabosanroque<\/strong> son Laia Torrents Carulla y Roger Aixut Sampietro. Su obra se desarrolla en torno al sonido y sus capacidades performativas. Sus intervenciones cuestionan el espacio de exhibici\u00f3n y los formatos; tambi\u00e9n cuestionan al espectador a la hora de habitar ese espacio, f\u00edsico, temporal y conceptual, sonoro y visual. Les interesa el artificio y su relaci\u00f3n con los humanos.<\/p>\n

Buscan tensiones entre disciplinas como la m\u00fasica, el teatro, las artes visuales y el sonido para abrir m\u00e1rgenes, espacios en conflicto. Su formaci\u00f3n acad\u00e9mica (m\u00fasica, ingenier\u00eda industrial y arquitectura) les lleva a utilizar la tecnolog\u00eda en todas sus obras, entendida siempre como herramienta, como medio y no como est\u00e9tica, en un proceso continuo de investigaci\u00f3n. Muy a menudo colaboran con otros artistas, pensadores y escritores.<\/p>\n

Sus obras se han expuesto en el contexto nacional e internacional. En los \u00faltimos a\u00f1os han estado en: CaixaForum + (2023), Centre de Cultura Contempor\u00e0nia de Barcelona (2023), Cit\u00e9 de l\u2019Architecture (Par\u00eds, 2021); Centre Georges Pompidou (Par\u00eds, 2020-2021), Center for Contemporary Arts of Glasgow (2019), La Casa Encendida (Madrid, 2018), Shaubude (Berl\u00edn, 2018), Fonoteca Nacional de M\u00e9xico (Ciudad de M\u00e9xico, 2012), Teatre Nacional de Catalunya (Barcelona, 2023, 2016 y 2008), S\u00f3nar (Barcelona, 2018, 2015, 2014, 2010 y 2008; Fr\u00e1ncfort, 2008; Santiago de Chile, 2015), Grec Festival de Barcelona (Barcelona, 2023, 2021 y 2006), Festival Temporada Alta (Girona, 2022, 2019, 2016, 2012 y 2009), La Filature Sc\u00e8ne Nationale de Mulhouse (2019), Th\u00e9\u00e2tre Garonne, Sc\u00e8ne europ\u00e9enne de Toulouse (2024, 2020 y 2019), Unidram Festival (Berl\u00edn, 2009).<\/p>\n

Desde 2015 son artistas residentes en la Fundaci\u00f3 Llu\u00eds Coromina.<\/p>\n

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[Fotograf\u00eda de Inga Kn\u00f6lke.]<\/p>\n

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