{"id":38126,"date":"2025-02-27T16:31:03","date_gmt":"2025-02-27T15:31:03","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=38126"},"modified":"2025-04-14T17:07:09","modified_gmt":"2025-04-14T15:07:09","slug":"el-exilio-como-motivo-visual","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/el-exilio-como-motivo-visual\/","title":{"rendered":"El exilio como motivo visual"},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

La segunda sesi\u00f3n del ciclo de cine Los exilios (in)visibles<\/em><\/a> tiene como foco la proyecci\u00f3n de la pel\u00edcula <\/span>En el balc\u00f3n vac\u00edo<\/span><\/i> (Jomi Garc\u00eda Ascot, 1961, 70′), <\/span>adaptaci\u00f3n de una novela de Mar\u00eda Luisa El\u00edo, quien tambi\u00e9n firma el gui\u00f3n y encarna el papel protagonista.<\/span><\/p>\n

Jomi Garc\u00eda Ascot y Mar\u00eda Luisa El\u00edo se exiliaron en M\u00e9xico siendo muy peque\u00f1os. Crecieron con la a\u00f1oranza hacia un pa\u00eds que no hab\u00edan conocido y, en cierto modo, asumieron la nostalgia de sus padres. crueldad del mundo adulto.<\/span> <\/i><\/p>\n

En el balc\u00f3n vac\u00edo <\/span><\/i>es la pel\u00edcula que mejor plasma en im\u00e1genes la herida de la identidad: un hombre con el rostro difuso, una ventana con vistas a un tejado, una escalera donde una mujer se cruza con la ni\u00f1a que fue, etc.<\/span><\/p>\n

Al terminar la proyecci\u00f3n, tendr\u00e0 lugar una conferencia de Lu\u00eds E. Par\u00e9s que contribuir\u00e1 a acercarse a este universo del yo.\u00a0<\/span><\/p>\n

 <\/p>\n

Sinopsis de <\/b>En el balc\u00f3n vac\u00edo\u00a0<\/span><\/i><\/p>\n

Tras la muerte de su madre, Gabriela recuerda los eventos que la marcaron durante la Guerra Civil espa\u00f1ola, cuando era una ni\u00f1a. Despu\u00e9s de a\u00f1os de exilio en M\u00e9xico, decide regresar a Pamplona, \u200b\u200bsu tierra natal, para capturar los recuerdos que ha perdido.\u00a0<\/span><\/p>\n

La pel\u00edcula tuvo un presupuesto m\u00ednimo y fue filmada los fines de semana por un grupo de amigos, todos ellos hijos de exiliados. Este hecho la convierte en la autobiograf\u00eda m\u00e1s punzante que produjo el exilio cinematogr\u00e1fico.<\/span><\/p>\n

 <\/p>\n

[Imagen: rodaje de “El balc\u00f3n vac\u00edo” (Archivo familiar)]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Segunda sesi\u00f3n del ciclo de cine “Los exilios (in)visibles” con una conferencia a cargo de Luis E. Par\u00e9s.<\/p>\n","protected":false},"author":207,"featured_media":38121,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5769],"acf":[],"yoast_head":"\nEl exilio como motivo visual - Museu T\u00e0pies<\/title>\n<meta name=\"description\" content=\"Segunda sesi\u00f3n del ciclo de cine "Los exilios (in)visibles" del Museu T\u00e0pies de Barcelona, con una conferencia a cargo de Luis E. 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