{"id":38697,"date":"2025-03-24T17:10:44","date_gmt":"2025-03-24T16:10:44","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=38697"},"modified":"2025-03-25T15:25:22","modified_gmt":"2025-03-25T14:25:22","slug":"cruda","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/cruda\/","title":{"rendered":"Cruda"},"content":{"rendered":"

\"\"<\/p>\n

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Cruda<\/em> es una improvisaci\u00f3n de voz basada en el corte, en el desgarro, para dejar al descubierto el espacio que hay entre el cuerpo de carne y hueso y el cuerpo a\u00e9reo y espiritual de la voz. Se trata de una investigaci\u00f3n sonora y de movimiento basada en el gesto de nuestro aliento en el espacio, partiendo de la idea de que la voz no nos pertenece, de que es un cuerpo que viaja y vive fuera de nuestros cuerpos durante un tiempo determinado, y que cuesta recordar.<\/p>\n

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Laia Estruch<\/strong> (Barcelona, 1981) es la segunda invitada a participar en el ciclo Las sillas de T\u00e0pies. Memorias tatuadas<\/em>. Licenciada en Bellas Artes por la Universitat de Barcelona (2010), curs\u00f3 el \u00faltimo a\u00f1o de la licenciatura en The Cooper Union for the Advancement of Science and Art (Nueva York). Su pr\u00e1ctica art\u00edstica se inscribe en el marco de la performance y la escultura, desde donde investiga el lenguaje del cuerpo y la voz. Ha presentado proyectos, entre otros, en el CCEMx. Centro Cultural de Espa\u00f1a en M\u00e9xico (2020), el MACBA. Museu d\u2019Art Contemporani de Barcelona (2022), PUBLICS (Helsinki, 2022), Hauser & Wirth Menorca (2023), la Bienal de Arte Paiz (Guatemala, 2023), el MNAC. Museu Nacional d\u2019Art de Catalunya (2023), El Patio by Zona Maco (Baja California, M\u00e9xico, 2024), la Trienal de Kortrijk (B\u00e9lgica, 2024) y el Museo Nacional Centro de Arte Reina Sof\u00eda (Madrid, 2025).<\/p>\n

 <\/p>\n

Una sesi\u00f3n de la \u00a0segunda edici\u00f3n del ciclo\u00a0Las sillas de T\u00e0pies<\/em>\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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