{"id":38858,"date":"2025-04-03T15:38:39","date_gmt":"2025-04-03T13:38:39","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=38858"},"modified":"2025-04-04T13:44:53","modified_gmt":"2025-04-04T11:44:53","slug":"siguiendo-el-sol-agnes-essonti-luque","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/siguiendo-el-sol-agnes-essonti-luque\/","title":{"rendered":"Siguiendo el sol. Agnes Essonti Luque"},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

Ung\u00fcento<\/strong><\/p>\n

Agua, ginebra, aceite de palma, miel, leche de coco, catfish<\/em>, palomitas\u2026 Una ofrenda para curar cada herida. Acciones que sanan. Que quitan capas de piel muerta. De miembros atrofiados. De fantasmas envenenados.<\/p>\n

En la segunda sesi\u00f3n del ciclo Siguiendo el sol<\/a>, comisariado por Gabriel Virgilio Luciani, Agnes Essonti Luque entablar\u00e1 un di\u00e1logo ritualista basado en el Ibori, un ritual yoruba cuyo prop\u00f3sito es satisfacer a tu Ori (una conciencia del m\u00e1s all\u00e1) mediante ofrendas, sobre todo gastron\u00f3micas. Ante la obra Mitj\u00f3<\/em> (Calcet\u00edn) de T\u00e0pies, la artista camerunesa-espa\u00f1ola utilizar\u00e1 una serie de untables poniendo su propio cuerpo como medio. En estas acciones, la artista busca compartir con el p\u00fablico maneras de neutralizar frustraciones del pasado, y ofrece una posible salida mediante unos gestos sencillos que se convierten en sagrados gracias a la repetici\u00f3n. Nos invita a reconocer que los rituales son para todo el mundo y a concienciarnos del hecho de que pueden ayudar a conectar con sabidur\u00edas ancestrales, pozos de poderes ocultos, reservas de vitalidad y arsenales de protecci\u00f3n.<\/p>\n

 <\/p>\n

Agnes Essonti Luque<\/strong> es una artista y comisaria camerunesa-espa\u00f1ola cuya pr\u00e1ctica se inspira en pensadoras feministas negras y poscoloniales y gira en torno a temas como la conexi\u00f3n ancestral, los recuerdos de la infancia y la nostalgia. Su obra abarca numerosos medios, incluida la fotograf\u00eda, los textiles, las instalaciones y las performances. En los \u00faltimos a\u00f1os ha explorado la construcci\u00f3n de identidades afrodiasp\u00f3ricas y la b\u00fasqueda incansable del hogar, enfoc\u00e1ndose en procesos de hibridaci\u00f3n y pidginizaci\u00f3n<\/em>. Entiende su propio trabajo como una posibilidad de ofrecer nuevas lecturas de acontecimientos hist\u00f3ricos y reimaginar futuros mejores.<\/p>\n

 <\/p>\n

Su obra se ha mostrado en varias exposiciones nacionales e internacionales, entre ellas, Manifesta 15<\/em> (2024), Foodscapes<\/em>, el Pabell\u00f3n Espa\u00f1ol de la XVIII Bienal de Arquitectura de Venecia (2023) y 1384 Days Wide<\/em> en Rencontres de Bamako (2015). Ha presentado sus performances en el Museo Nacional Thyssen-Bornemisza y en el Museo Nacional Centro de Arte Reina Sof\u00eda (MNCARS). Su obra A Journey<\/em> forma parte de la colecci\u00f3n del MNCARS.<\/p>\n

 <\/p>\n

Cr\u00e9dito fotogr\u00e1fico: Viatge, sol, eternitat<\/em>. \u00a9 Quique Curbelo, 2025.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ung\u00fcento, de Agnes Essonti Luque, segunda sesi\u00f3n del ciclo comisariado por Gabriel Virgilio Luciani.<\/p>\n","protected":false},"author":207,"featured_media":38856,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5769],"acf":[],"yoast_head":"\nSiguiendo el sol. 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