{"id":44269,"date":"2026-02-26T17:16:44","date_gmt":"2026-02-26T16:16:44","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=44269"},"modified":"2026-04-10T12:23:28","modified_gmt":"2026-04-10T10:23:28","slug":"carles-congost-el-gris-se-declina","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/carles-congost-el-gris-se-declina\/","title":{"rendered":"Carles Congost. El gris se declina"},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

Carles Congost nos presenta <\/span>El gris se declina<\/span><\/i>, una intervenci\u00f3n perform\u00e1tica que prioriza el papel del texto y del sonido. La notable influencia de los escritos de Antoni T\u00e0pies se evoca a trav\u00e9s de varias pistas musicales y sonoras elaboradas previamente por el artista.<\/span><\/p>\n

Congost adopta el rol de DJ y convierte una sesi\u00f3n de<\/span> clubbing<\/span><\/i> en una performance de naturaleza h\u00edbrida y reflexiva. Hibridaci\u00f3n que no solo se debe a les diversas formas de intervenci\u00f3n sobre las pistas, sino que tambi\u00e9n se expresa en la variedad de procesos creativos que Congost emplea.<\/span><\/p>\n

En ocasiones, Congost improvisa sobre bases instrumentales preexistentes, incorporando nuevos efectos y voces generadas por inteligencia artificial, con el objetivo de organizar los mensajes dentro de la econom\u00eda particular del formato canci\u00f3n. Otras veces, recrea pasajes ambientales en los que el texto aparece de forma abstracta y sugerente.<\/span><\/p>\n

Pese a las evidentes diferencias formales entre el trabajo de Congost y el de T\u00e0pies, esta performance quiere subrayar las ideas esenciales compartidas que tienen que ver con el hecho creativo, y que merecen ser celebradas y puestas en com\u00fan. Los textos de T\u00e0pies que sirven como material de base para esta exploraci\u00f3n resaltan la libre asociaci\u00f3n de ideas como forma de operar v\u00e1lida. Congost reelabora y retuerce los textos originales, que nunca aparecen de forma literal, con el objetivo de evidenciar la transversalidad, la vigencia y la universalidad de las ideas del pintor Antoni T\u00e0pies. Con la colaboraci\u00f3n de Andr\u00e9s Papas P\u00e9rez.<\/span><\/p>\n

Actividad realizada en el marco de la tercera edici\u00f3n del ciclo “Las sillas de T\u00e0pies<\/a>“, comisariado por Judith Barn\u00e9s.<\/p>\n

 <\/p>\n

Carles Congost<\/b> utiliza diferentes procedimientos visuales y sonoros, como el v\u00eddeo, la fotograf\u00eda, el dibujo o la instalaci\u00f3n, para construir relatos que reflexionan, de forma ir\u00f3nica y sensual, sobre la forja de la identidad, los h\u00e1bitos de consumo y la propia creaci\u00f3n art\u00edstica. <\/span>\u00a0<\/span>En sus obras analiza los c\u00f3digos de la cultura popular como veh\u00edculos de construcciones diferenciales y como formas hegem\u00f3nicas de la subjetividad.<\/span><\/p>\n

Ha participado en numerosas exposiciones, tanto nacionales como internacionales, como <\/span>Music as a Foreign Language <\/span><\/i>(Museu Es Baluard, Palma, 2023), <\/span>\u00bfPara qu\u00e9 sirven las canciones?<\/span><\/i> (La Casa Encendida, Madrid, 2020), <\/span>A Sense of Wonder <\/span><\/i>(Centre d\u2019Art Contemporani Fabra i Coats, Barcelona, 2018), X Bienal de Nicaragua (2016), Manifesta 11 (Z\u00farich, 2016), <\/span>The Real Royal Trip <\/span><\/i>(PS1\/MOMA, Nueva York, 2003), <\/span>Popcorn Love<\/span><\/i> (Espacio Uno – Museo Nacional Centro de Arte Reina Sof\u00eda, 2001) y <\/span>Country Girls<\/span><\/i> (Espai 13 – Fundaci\u00f3 Mir\u00f3, Barcelona, 2000), entre otros.<\/span><\/p>\n

 <\/p>\n

Imatge: Montseny con violencia<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

El artista Carles Congost presenta una intervenci\u00f3n perform\u00e1tica que prioriza el papel del texto y del sonido. En el marco de la tercera edici\u00f3n del ciclo Las sillas de T\u00e0pies, comisariado por Judith Barn\u00e9s.<\/p>\n","protected":false},"author":3,"featured_media":44260,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5769],"acf":[],"yoast_head":"\nCarles Congost. 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