{"id":47764,"date":"2026-11-05T13:00:30","date_gmt":"2026-11-05T12:00:30","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&#038;p=47764"},"modified":"2026-11-05T13:02:21","modified_gmt":"2026-11-05T12:02:21","slug":"mireia-molina-costa-visibilidad-inferior-a-1-km","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/mireia-molina-costa-visibilidad-inferior-a-1-km\/","title":{"rendered":"Mireia Molina Costa. Visibilidad inferior a 1 km"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47756\" src=\"https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-800x533.jpg 800w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-900x600.jpg 900w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-768x512.jpg 768w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-1536x1024.jpg 1536w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-2048x1366.jpg 2048w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-500x333.jpg 500w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-380x253.jpg 380w, https:\/\/museutapies.org\/wp-content\/uploads\/2026\/11\/2_Mireia-Molina-Costa-600x400.jpg 600w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">\u00bfQu\u00e9 nos revela la mirada cuando deja de distinguir con claridad lo que tiene delante? La niebla y la oscuridad desdibujan los contornos y alteran nuestra forma habitual de percibir el entorno. Para Antoni T\u00e0pies, mirar es un ejercicio que permite ensanchar el conocimiento y descubrir lo que nos pasa inadvertido. Pero, cuando la visibilidad disminuye, \u00bfc\u00f3mo orientarnos?<\/span><\/p>\n<p><span style=\"font-weight: 400\">Esta pregunta resuena en dos obras de T\u00e0pies presentes en el museo: el <\/span><i><span style=\"font-weight: 400\">Mitj\u00f3<\/span><\/i><span style=\"font-weight: 400\">, en la terraza, y <\/span><i><span style=\"font-weight: 400\">N\u00favol i cadira<\/span><\/i><span style=\"font-weight: 400\">, en la fachada. Los hilos enrevesados \u200b\u200bdel interior del calcet\u00edn evocan la trama met\u00e1lica y densa de la nube. En ambas obras, los entramados irregulares de los materiales difuminan los contornos e invitan a mirar m\u00e1s all\u00e1 de las formas reconocibles, hacia lo que permanece parcialmente oculto.<\/span><\/p>\n<p><span style=\"font-weight: 400\">En <\/span><i><span style=\"font-weight: 400\">Visibilidad inferior a 1 km<\/span><\/i><span style=\"font-weight: 400\">, Mireia Molina Costa investiga la falta de visibilidad como una condici\u00f3n con entidad propia, capaz de abrir otras formas de percepci\u00f3n y conocimiento. En el contexto de <\/span><i><span style=\"font-weight: 400\">Siguiendo el sol<\/span><\/i><span style=\"font-weight: 400\">, el artista contrapone la luz solar y los sistemas hegem\u00f3nicos que ordenan, miden y cartograf\u00edan el mundo a un \u00absistema de orientaci\u00f3n lunar\u00bb, en el que la penumbra, la somnolencia y la desorientaci\u00f3n permiten explorar otras formas de habitar el mundo. Quiz\u00e1s no se trata de encontrar un nuevo norte, sino de aprender a orientarse sin tener todas las respuestas.<\/span><\/p>\n<p><span style=\"font-weight: 400\">La propuesta toma la forma de una experiencia sonora a medio camino entre la lectura, los ejercicios po\u00e9ticos y las canciones de cuna. A trav\u00e9s de la voz y la palabra, Molina Costa nos invita a aflojar la atenci\u00f3n y adentrarnos en un estado intermedio entre la v\u00edspera y el sue\u00f1o. Una invitaci\u00f3n a suspender la necesidad de ver claro y explorar qu\u00e9 puede emerger cuando nos dejamos guiar por otros sentidos.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">&#8220;Visibilidad inferior a 1 km&#8221; cuenta con el apoyo de las Becas FAR 2026 para la creaci\u00f3n art\u00edstica, investigaci\u00f3n e innovaci\u00f3n de la Generalitat de Catalunya.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mireia Molina Costa<\/strong> (Barcelona, 1997) se interesa por el lenguaje como material ecol\u00f3gico, afectivo y ritual; por sus formas de transmisi\u00f3n oral y escrita as\u00ed como no-verbales e inteligibles. Su pr\u00e1ctica se sit\u00faa principalmente entre la escritura, el canto y la creaci\u00f3n sonora, as\u00ed como otros procesos de relaci\u00f3n auditivos editoriales y curatoriales. Ha mostrado su trabajo sonoro en MACBA, Arts Santa M\u00f2nica, Hangar, ESMUC\u00a0(<em>Gender Sounds IV<\/em>), La Caldera\u00a0(Premio Art Jove Creaci\u00f3), Fundaci\u00f3 Mir\u00f3 y CACiS. El forn de la cal\u00e7 (con el colectivo\u00a0<em>cossos d&#8217;aigua<\/em>), entre otros. Actualmente es investigadora residente en La Escocesa y entre 2022 y 2025 fue editora en la plataforma\u00a0<em><a href=\"https:\/\/eina.cat\/es\/einaidea\">einaidea<\/a><\/em>\u00a0(Barcelona), donde sigue vinculada como colaboradora externa.<\/p>\n<p>&nbsp;<\/p>\n<p>Actividad realizada en el marco del ciclo\u00a0<a href=\"https:\/\/museutapies.org\/es\/programa-public\/siguiendo-el-sol-destapando-la-mirada\/\">Siguiendo el sol. Destapando la mirada<\/a> del Museu T\u00e0pies, comisariado por Carolina Ciuti.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 8pt\">[Imagen: <em>ama ara l\u2019eco nua<\/em>, performance sonora, 2024. En el marco de la muestra colectiva <em>Un paisatge reverberant, laber\u00edntic, fang\u00f3s, dens i estrellat a cura d\u2019amor rumor<\/em>, Sala d\u2019Art Jove y La Caldera. Foto: Irene Royo]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; \u00bfQu\u00e9 nos revela la mirada cuando deja de distinguir con claridad lo que tiene delante? La niebla y la [&hellip;]<\/p>\n","protected":false},"author":207,"featured_media":47756,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5769],"class_list":["post-47764","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-programas-publicos","cat_programas-publicos"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mireia Molina Costa. 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