{"id":47772,"date":"2026-11-05T13:40:00","date_gmt":"2026-11-05T12:40:00","guid":{"rendered":"https:\/\/museutapies.org\/?post_type=tribe_events&p=47772"},"modified":"2026-11-05T13:40:26","modified_gmt":"2026-11-05T12:40:26","slug":"rocio-molina-grietas-y-fisuras-de-un-cuerpo-tinaja","status":"publish","type":"tribe_events","link":"https:\/\/museutapies.org\/es\/event\/rocio-molina-grietas-y-fisuras-de-un-cuerpo-tinaja\/","title":{"rendered":"Roc\u00edo Molina. Grietas y fisuras de un cuerpo tinaja"},"content":{"rendered":"

\"\"<\/p>\n

La tercera edici\u00f3n del ciclo \u201cLas sillas de T\u00e0pies\u201d cierra con la propuesta de Roc\u00edo Molina \u201cGrietas y fisuras de un cuerpo tinaja\u201d. Se trata de una conferencia performativa que propone una reflexi\u00f3n viva sobre el cuerpoflamenco como territorio de conocimiento y transmisi\u00f3n.<\/p>\n

A trav\u00e9s de la palabra y la acci\u00f3n, la artista comparte los gestos que atraviesan su pr\u00e1ctica, explorando c\u00f3mo el pensamiento se encarna en movimiento y c\u00f3mo la experiencia corporal genera saber.<\/p>\n

 <\/p>\n

\u00abPor medio de mis amagos e intenciones flamencas, os arrastrar\u00e9 hacia dentro a trav\u00e9s de una grieta existente en este cuerpo tinaja, cuerpo acumulado y recipiente de memoria, cayendo as\u00ed en el sinsentido, ah\u00ed donde no hacemos pie, en el alejamiento infinito del cuerpo, en un lugar sin tiempo. <\/em><\/p>\n

Porque no hay lugar. <\/em><\/p>\n

No hay cuerpo. <\/em><\/p>\n

Solo el verdadero sentido del cuerpo dar\u00e1 lugar a la existencia.<\/em><\/p>\n

Como dir\u00eda M\u00f3nica Valenciano: Cuando el no-tiempo toca el cuerpo, algo se habr\u00e1 bailado\u00bb.<\/strong><\/em><\/p>\n

 <\/p>\n

Roc\u00edo Molina.<\/strong> Core\u00f3grafa y bailaora iconoclasta, ha acu\u00f1ado un lenguaje propio cimentado en la tradici\u00f3n reinventada de un flamenco que respeta sus esencias y se abraza a las vanguardias. Radicalmente libre, a\u00fana en sus piezas el virtuosismo t\u00e9cnico, la investigaci\u00f3n contempor\u00e1nea y el riesgo conceptual. Sin miedo a tejer alianzas con otras disciplinas y artistas, sus coreograf\u00edas son acontecimientos esc\u00e9nicos singulares que se nutren de ideas y formas culturales que abarcan desde el cine a la literatura, pasando por la filosof\u00eda y la pintura.<\/p>\n

Su b\u00fasqueda art\u00edstica ha sido reconocida con premios de la relevancia de la Medalla de Oro al M\u00e9rito en las Bellas Artes del Ministerio de Cultura 2022 y el prestigioso Le\u00f3n de Plata de la Danza de la Bienal de Venecia, as\u00ed como el Premio de danza Positano, el Premio Nacional de Danza en el a\u00f1o 2010, los UK National Dance Award en 2019y 2016, hasta cuatro Premios Max y el Premio Tal\u00eda 2023como mejor int\u00e9rprete por \u2018Vuelta a Uno\u2019. Oremio Tal\u00eda a la mejor coreograf\u00eda, espect\u00e1culo e int\u00e9rprete 2026 por \u201cCalentamiento\u201d. Premio Andaluc\u00eda de Cultura 2026 en el \u00e1mbito del Flamenco.<\/p>\n

Es una de las artistas espa\u00f1olas con mayor proyecci\u00f3n internacional y sus obras han podido verse en los m\u00e1s importantes escenarios de todo el mundo desde el Barbican Center de Londres, el New York City Center, el Festival de Avi\u00f1\u00f3n, el Esplanade de Singapur, el Festival Tanz Im August de Berl\u00edn, el Festival SPAF de Se\u00fal, el Teatro Stanislavsky de Mosc\u00fa, el Teatro Nacional de Taiwan, el Dansens Hus de Oslo y Estocolmo, el Teatro Nacional de Chaillot en Par\u00eds o el Bunkamura de Tokio. Ha sido artista asociada de Chaillot Th\u00e9\u00e2tre National de la danse (Paris) y en la actualidad es artista asociada de Th\u00e9\u00e2tre de N\u00eemes.<\/p>\n

 <\/p>\n

 <\/p>\n

El ciclo \u201cLas sillas de T\u00e0pies. Invocar la grieta<\/a>\u201d\u00a0est\u00e1 comisariado por Judith Barn\u00e9s.<\/p>\n

 <\/p>\n

[Foto: Simone Fratini]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Una conferencia performativa que propone una reflexi\u00f3n viva sobre el cuerpoflamenco como territorio de conocimiento y transmisi\u00f3n. Cierre de la tercera edici\u00f3n del ciclo “Las sillas de T\u00e0pies”, titulado “Invocar la grieta”, comisariado por Judith Barn\u00e9s.<\/p>\n","protected":false},"author":207,"featured_media":47773,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[5769],"class_list":["post-47772","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-programas-publicos","cat_programas-publicos"],"acf":[],"yoast_head":"\nRoc\u00edo Molina. 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