05.02.1999 – 04.04.1999
Dates
05.02.1999 – 04.04.1999
Curator
Germano Celant.
Artist
Merce Cunningham.
Organised by
Merce Cunningham Dance Foundation, New York and Fundació Antoni Tàpies, Barcelona.
Touring
5/2/1999 – 4/4/1999, Fundació Antoni Tàpies, Barcelona.
10/9/1999 – 7/11/1999, Fundação Serralves, Museu de Arte Contemporânea, Oporto.
20/1/2000 – 2/4/2000, Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli, Turin.
28/4/2000 – 11/6/2000,Museum moderner Kunst Stiftung Ludwig, Vienna.
The exhibition featured examples of Cunningham’s coreographic notes, as well as scores, and set and costume designs by the artists whith whom he has collaborated over the years, including John Cage, Jasper Johns, Isamu Noguchi, Mark Lancaster, Robert Rauschenberg and Andy Warhol, among others.
Cunningham is not only a dance maverick. His innovative ideas developed with John Cage regarding the coexistence and interdependece of the visual arts, have had a ground-breaking influence on all the arts and the creative process in general. This concept makes way for collaborations in which no element is illustrative of another, but where each happens simultaneously in time and space. Cunningham and Cage also piooneered the use of “chance operations”, pieces in which chance becomes the driving force behind the choreography as part of a working process that allowed artists to get beyond their preconceptions.
Dates
05.02.1999 – 04.04.1999
Curator
Germano Celant.
Artist
Merce Cunningham.
Organised by
Merce Cunningham Dance Foundation, New York and Fundació Antoni Tàpies, Barcelona.
Touring
5/2/1999 – 4/4/1999, Fundació Antoni Tàpies, Barcelona.
10/9/1999 – 7/11/1999, Fundação Serralves, Museu de Arte Contemporânea, Oporto.
20/1/2000 – 2/4/2000, Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli, Turin.
28/4/2000 – 11/6/2000,Museum moderner Kunst Stiftung Ludwig, Vienna.