Olivier Marchart participates in the presentation of a body of philosophical essays that seek to respond to questions related to the notion of post-foundational aesthetics.
A visit in dialogue with Ignasi Aballí and Eduard Escoffet to explore the unique world of André du Colombier.
"Imagined World" is an inclusive experience to bring Antoni Tàpies’ work to people with visual disability.
A hands-on activity that invites us to explore the work of Antoni Tàpies through the language of drawing and its performative potential.
The Museu Tàpies presents the most recent film by Joan Vall Karsunke, which explores the library of the poet and essayist Vicenç Altaió through profound conversations: a road-book movie featuring the intervention of 23 figures from the world of art, music and literature.
With the participation of Imma Prieto, director of the Museu Tàpies and curator of the exhibition; Nieves Berenguer, designer of the book, and Bettina Moll, coordinator of the publication. With the presence of Marta Gassol, the artist's daughter.
The Museu Tàpies has organised a series of screenings for the public presentation of the new film production by Albert Serra. Special session iithin the framework of the Festival Loop Barcelona, with a subsequent discussion between Albert Serra and Joan Burdeus.
A debate centred on exploring the symbolic, aesthetic and political realm of the feminine imagination in surrealism. With Tami Williams, Julia Ramírez Blanco, Elena Castro Córdoba and Bruna Lo Biundo.
A visit to "Digues, cosa. Joan Brossa i els poemes objecte" and "André du Colombier: A Lyrical Point of View". While on this walk from one institution to the other, artist Estel Boada will enliven a mediation proposal related to objects.
The monographic art project of Museu Tàpies delves into the 1950s, a key period in the Antoni Tàpies' career.
Guided itinerary to learn about the history of the former Montaner y Simón publishing house, the Palau Montaner and the Casa Thomas, works by the modernist architect Lluís Domènech i Montaner.
